We believe that everyone who runs should have a great soundtrack. Not one curated by an algorithm, but one that’s hand-picked by a DJ who runs too. The Runcast with John Richards brings you a dynamic mix of music and inspiration to keep you company and motivate you on your run, no matter what your level.
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Treść dostarczona przez Film.Music.Media. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Film.Music.Media lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Christopher Willis (Composer: The Death Of Stalin)
Manage episode 224353754 series 2361111
Treść dostarczona przez Film.Music.Media. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Film.Music.Media lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Christopher Willis got his start working for composers like Rupert Gregson-Williams, Harry Gregson-Williams, and Henry Jackman. His talents as a storyteller can be heard in his scores for series like Veep (co-composed with Rupert Gregson-Williams), The Lion Guard and Mickey Mouse. His score for The Death Of Stalin gained critical praise along with the amazing film, which reunites Chris with Veep creator Armando Iannucci who co-wrote and directed the film. In this interview, Chris shares his path to becoming a composer including working with Rupert Gregson-Williams. We chat about the relationship Chris built with Armando Iannucci on Veep, and what that show needed musically. Chris then dives in and dissects his brilliant score to The Death Of Stalin and how he approached the music. Chris is an amazing talent and has demonstrated his wonderfully unique voice as a composer very early-on in his career.
Interview Produced & Presented By: Kaya Savas
Special Thanks: Christopher Willis, Andrew Cohen, Impact24 PR
374 odcinków
Udostępnij
Manage episode 224353754 series 2361111
Treść dostarczona przez Film.Music.Media. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Film.Music.Media lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Christopher Willis got his start working for composers like Rupert Gregson-Williams, Harry Gregson-Williams, and Henry Jackman. His talents as a storyteller can be heard in his scores for series like Veep (co-composed with Rupert Gregson-Williams), The Lion Guard and Mickey Mouse. His score for The Death Of Stalin gained critical praise along with the amazing film, which reunites Chris with Veep creator Armando Iannucci who co-wrote and directed the film. In this interview, Chris shares his path to becoming a composer including working with Rupert Gregson-Williams. We chat about the relationship Chris built with Armando Iannucci on Veep, and what that show needed musically. Chris then dives in and dissects his brilliant score to The Death Of Stalin and how he approached the music. Chris is an amazing talent and has demonstrated his wonderfully unique voice as a composer very early-on in his career.
Interview Produced & Presented By: Kaya Savas
Special Thanks: Christopher Willis, Andrew Cohen, Impact24 PR
374 odcinków
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
Player FM - aplikacja do podcastów
Przejdź do trybu offline z Player FM !
Przejdź do trybu offline z Player FM !
