From GE Podcast Theater and Panoply, The Message and its sequel, LifeAfter, take listeners on journeys to the limits of technology. In The Message, an alien transmission from decades ago becomes an urgent puzzle with life or death consequences. In LifeAfter, Ross, a low level employee at the FBI, spends his days conversing online with his wife Charlie – who died eight months ago. But the technology behind this digital resurrection leads Ross down a dangerous path that threatens his job, his ...
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Treść dostarczona przez Mischa Stanton and Ars PARADOXICA. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Mischa Stanton and Ars PARADOXICA lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Manage episode 247971494 series 2562629
Treść dostarczona przez Mischa Stanton and Ars PARADOXICA. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Mischa Stanton and Ars PARADOXICA lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Though they are glad to return to Point-of-Exile once more after a long mission, our heroes may not be the same people they were when they left. Some for the better, others… less.
Created by Daniel Manning & Mischa Stanton. Written by Mischa Stanton & Danielle Shemaiah (with Daniel Manning, Eli Barraza, Julian Mundy & Tau Zaman). Directed & Produced by Mischa Stanton.
Featuring: Kristen DiMercurio as Sally Grissom, Katie Speed as Esther Roberts, Lia Peros as Petra Marquez, L. Jeffrey Moore as Lou Gaines, Preston Allen as Bridget Chambers, Reyn Beeler as Chet Whickman, Arjun Gupta as Nikhil Sharma, and Tina Huang as Tonya LeMartine, as well as Rob Slotnick as Bill Donovan, Susanna Kavee as Helen Partridge, Bernardo Cubria as Mateo Morales, Sammi Lappin as Miriam Roberts, and Rina Cerame, with special thanks to Isabel Atkinson.
Production help this week from Brandon Grugle. Original music by Mischa Stanton and by Eno Freedman-Brodmann. “When I’m Not Here,” written by Tau Zaman, arranged by Evan Cunningham, performed by Evan, Chris Tedesco on trumpet, and vocals by Susanna Kavee.
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Manage episode 247971494 series 2562629
Treść dostarczona przez Mischa Stanton and Ars PARADOXICA. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Mischa Stanton and Ars PARADOXICA lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Though they are glad to return to Point-of-Exile once more after a long mission, our heroes may not be the same people they were when they left. Some for the better, others… less.
Created by Daniel Manning & Mischa Stanton. Written by Mischa Stanton & Danielle Shemaiah (with Daniel Manning, Eli Barraza, Julian Mundy & Tau Zaman). Directed & Produced by Mischa Stanton.
Featuring: Kristen DiMercurio as Sally Grissom, Katie Speed as Esther Roberts, Lia Peros as Petra Marquez, L. Jeffrey Moore as Lou Gaines, Preston Allen as Bridget Chambers, Reyn Beeler as Chet Whickman, Arjun Gupta as Nikhil Sharma, and Tina Huang as Tonya LeMartine, as well as Rob Slotnick as Bill Donovan, Susanna Kavee as Helen Partridge, Bernardo Cubria as Mateo Morales, Sammi Lappin as Miriam Roberts, and Rina Cerame, with special thanks to Isabel Atkinson.
Production help this week from Brandon Grugle. Original music by Mischa Stanton and by Eno Freedman-Brodmann. “When I’m Not Here,” written by Tau Zaman, arranged by Evan Cunningham, performed by Evan, Chris Tedesco on trumpet, and vocals by Susanna Kavee.
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From GE Podcast Theater and Panoply, The Message and its sequel, LifeAfter, take listeners on journeys to the limits of technology. In The Message, an alien transmission from decades ago becomes an urgent puzzle with life or death consequences. In LifeAfter, Ross, a low level employee at the FBI, spends his days conversing online with his wife Charlie – who died eight months ago. But the technology behind this digital resurrection leads Ross down a dangerous path that threatens his job, his ...
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The Orphans is a cinematic sci-fi audio drama about survival in a harsh universe: castaways on a hostile world, A.I.s with unprecedented emotions, strangers who share faces, love and loss in a far-flung future. Each season explores a new vantage point in an ever-expanding and inter-connected galaxy!
…
continue reading
SAYER is a narrative fiction podcast set on Earth’s man-made second moon, Typhon. The eponymous SAYER is a highly advanced, self-aware AI created to help acclimate new residents to their new lives, and their new employment with Ærolith Dynamics. New episodes release every other week.
…
continue reading
When three high school students from modern-day Pennsylvania find themselves trapped in a world of wizards, elves, and feudal intrigue, they must learn to survive in their new surroundings, and undertake an epic quest to save the world from the encroaching forces of chaos. WARNING: This Audio Drama contains adult language, graphic descriptions of violence, and explicit discussions of sexuality. This is, of course, in the interest of historical realism. We hope you enjoy our story about wizar ...
…
continue reading
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…
continue reading
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continue reading
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…
continue reading
Life's not easy for Doug Eiffel, the communications officer for the U.S.S. Hephaestus Research Station, currently on Day 448 of its orbit around red dwarf star Wolf 359. He's stuck on a scientific survey mission of indeterminate length, 7.8 light years from Earth. His only company on board the station are stern mission chief Minkowski, insane science officer Hilbert, and Hephaestus Station's sentient, often malfunctioning operating system Hera. He doesn't have much to do for his job other th ...
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