In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez IFH Industries, Inc. and Bulletproof Screenwriting. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez IFH Industries, Inc. and Bulletproof Screenwriting lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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BPS 351: Confessions of a Hollywood Studio Test Screener with Terrence Martin
Manage episode 397566178 series 2151605
Treść dostarczona przez IFH Industries, Inc. and Bulletproof Screenwriting. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez IFH Industries, Inc. and Bulletproof Screenwriting lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Terrence Martin is known for his films Holes (2003), Get Away If You Can (2022) and The Donner Party (2009).
His new film "Get Away If You Can" starring Dominique Braun, Terrence Martin and Ed Harris is about a troubled married couple hope that sailing across the open ocean might bring back the spark that's been lost between them. But, their relationship is brought to the breaking point when one refuses to explore a mysterious deserted island.
Enjoy my conversation with Terrence Martin.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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His new film "Get Away If You Can" starring Dominique Braun, Terrence Martin and Ed Harris is about a troubled married couple hope that sailing across the open ocean might bring back the spark that's been lost between them. But, their relationship is brought to the breaking point when one refuses to explore a mysterious deserted island.
Enjoy my conversation with Terrence Martin.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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Manage episode 397566178 series 2151605
Treść dostarczona przez IFH Industries, Inc. and Bulletproof Screenwriting. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez IFH Industries, Inc. and Bulletproof Screenwriting lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Terrence Martin is known for his films Holes (2003), Get Away If You Can (2022) and The Donner Party (2009).
His new film "Get Away If You Can" starring Dominique Braun, Terrence Martin and Ed Harris is about a troubled married couple hope that sailing across the open ocean might bring back the spark that's been lost between them. But, their relationship is brought to the breaking point when one refuses to explore a mysterious deserted island.
Enjoy my conversation with Terrence Martin.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
…
continue reading
His new film "Get Away If You Can" starring Dominique Braun, Terrence Martin and Ed Harris is about a troubled married couple hope that sailing across the open ocean might bring back the spark that's been lost between them. But, their relationship is brought to the breaking point when one refuses to explore a mysterious deserted island.
Enjoy my conversation with Terrence Martin.
Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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Podobny do Bulletproof Screenwriting™ Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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continue reading
The Weekly Planet covers all things movies, TV shows and comics. Often considered the first and worst podcast on the Planet Broadcasting Network. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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…
continue reading
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Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
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