Each week we choose a theme. Then anything can happen. This American Life is true stories that unfold like little movies for radio. Personal stories with funny moments, big feelings, and surprising plot twists. Newsy stories that try to capture what it’s like to be alive right now. It’s the most popular weekly podcast in the world, and winner of the first ever Pulitzer Prize for a radio show or podcast. Hosted by Ira Glass and produced in collaboration with WBEZ Chicago.
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John Carpenter
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Manage episode 304695018 series 1326368
Treść dostarczona przez Jesse Thorn. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Jesse Thorn lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
John Carpenter has made an impact on film in two different disciplines. As a director , there's so many memorable movies in his filmography: Halloween, Escape from New York, Big Trouble in Little China, The Thing, and They Live – to name a few. His work as a composer is just as iconic. Carpenter scored many of his early films – including Halloween. The music he wrote has influenced an entire generation of horror soundtracks. His latest work can be heard in Halloween Kills, the latest installment in the Halloween franchise. It's out now in theaters and the streaming platform Peacock. When Bullseye got the opportunity to talk with Carpenter, we knew just the person for the job: April Wolfe. She was previously a film critic, and former host of the Maximum Fun genre film podcast Switchblade Sisters. These days she's a screenwriter. April takes a deep dive with John Carpenter on various number of his movie projects and film scores including his Apocalypse Trilogy and Assault on Precinct 13. He also breaks down how he first composed the original Halloween theme – you might be surprised to learn bongos played an important role.
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1103 odcinków
MP3•Źródło odcinka
Manage episode 304695018 series 1326368
Treść dostarczona przez Jesse Thorn. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Jesse Thorn lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
John Carpenter has made an impact on film in two different disciplines. As a director , there's so many memorable movies in his filmography: Halloween, Escape from New York, Big Trouble in Little China, The Thing, and They Live – to name a few. His work as a composer is just as iconic. Carpenter scored many of his early films – including Halloween. The music he wrote has influenced an entire generation of horror soundtracks. His latest work can be heard in Halloween Kills, the latest installment in the Halloween franchise. It's out now in theaters and the streaming platform Peacock. When Bullseye got the opportunity to talk with Carpenter, we knew just the person for the job: April Wolfe. She was previously a film critic, and former host of the Maximum Fun genre film podcast Switchblade Sisters. These days she's a screenwriter. April takes a deep dive with John Carpenter on various number of his movie projects and film scores including his Apocalypse Trilogy and Assault on Precinct 13. He also breaks down how he first composed the original Halloween theme – you might be surprised to learn bongos played an important role.
Learn more about sponsor message choices: podcastchoices.com/adchoices
NPR Privacy Policy
…
continue reading
Learn more about sponsor message choices: podcastchoices.com/adchoices
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1103 odcinków
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