Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Treść dostarczona przez MISS PLAY OFFICIAL PODCAST and MISS PLAY. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez MISS PLAY OFFICIAL PODCAST and MISS PLAY lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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Nothing but the blues, from the earliest to the latest, all genres
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MISS PLAY OFFICIAL PODCAST
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Treść dostarczona przez MISS PLAY OFFICIAL PODCAST and MISS PLAY. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez MISS PLAY OFFICIAL PODCAST and MISS PLAY lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Born in 1970, Miss Play starts playing music at the early age of 4, playing violin at the Conservatory of Versailles. In 1980, a first major event imprints her life: two days after the death of Ian Curtis (Joy Division), Miss Play discovers the dark universe of the Cold Wave scene and gets influenced by Siouxsie and the Banshees, And Also the Trees, Cocteau Twins … In 1988 comes the time of Acid House and the Garage scene in Detroit and Chicago. In 1994 she adopts the Goa Trance hardhouse sound and works with various labels such as F Com, Banzai, Twisted andEye Q. She buys her first turntables in 1995 and starts DJing in most of Parisian night clubs, with fellow DJs G Rom, Fex, K Mu, Arnaud Le Texier, D'Juls... and invades the scenes of London, Berlin, Marrakech, Doha or New York. Nowadays, Miss Play sets are appreciated for their carefully crafted architecture of resolute Afro Soulful, Deep and Progressive House, a style that has become her signature. ****** Née en 1970, Miss Play commence très tôt sa carrière dans la musique en rejoignant dès l’âge de 4 ans le Conservatoire de Versailles en tant que violoniste. 2 jours après la mort de Ian Curtis en 1980, le chanteur du mythique groupe Joy Division, elle bascule dans l’univers dark et underground de la Cold Wave, influencée par Siouxsie and the Banshees, And Also the Trees, Cocteau Twins … C’est donc tout naturellement qu’après sa rencontre avec l’Acid House dès 1988, puis la Garage de Detroit et Chicago, qu’elle adopte les sons hardhouse et Trance Goa avec les labels F Com, Banzai, Twisted et Eye Q. Elle achète ses premières platines en 1995, où elle commence a écrémer la plupart des clubs de la capitale en jouant notamment avec G Rom, Fex, K Mu, Arnaud le Texier, D’Juls … puis en s’exportant à Londres, Berlin, Marrakech, Doha ou encore New York. Aujourd’hui, les sets de Miss Play sont reconnus et appréciés pour leur orientation afro soulful, deep et progressive, et leur construction soignée. Miss Play reprend le chemin des aéroports ^^ Enjoy !!
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Archiwalne serie ("Kanał nieaktywny" status)
When?
This feed was archived on April 25, 2021 17:08 (
Why? Kanał nieaktywny status. Nasze serwery nie otrzymały odpowiedzi od kanału przez zbyt długi czas.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage series 1102564
Treść dostarczona przez MISS PLAY OFFICIAL PODCAST and MISS PLAY. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez MISS PLAY OFFICIAL PODCAST and MISS PLAY lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Born in 1970, Miss Play starts playing music at the early age of 4, playing violin at the Conservatory of Versailles. In 1980, a first major event imprints her life: two days after the death of Ian Curtis (Joy Division), Miss Play discovers the dark universe of the Cold Wave scene and gets influenced by Siouxsie and the Banshees, And Also the Trees, Cocteau Twins … In 1988 comes the time of Acid House and the Garage scene in Detroit and Chicago. In 1994 she adopts the Goa Trance hardhouse sound and works with various labels such as F Com, Banzai, Twisted andEye Q. She buys her first turntables in 1995 and starts DJing in most of Parisian night clubs, with fellow DJs G Rom, Fex, K Mu, Arnaud Le Texier, D'Juls... and invades the scenes of London, Berlin, Marrakech, Doha or New York. Nowadays, Miss Play sets are appreciated for their carefully crafted architecture of resolute Afro Soulful, Deep and Progressive House, a style that has become her signature. ****** Née en 1970, Miss Play commence très tôt sa carrière dans la musique en rejoignant dès l’âge de 4 ans le Conservatoire de Versailles en tant que violoniste. 2 jours après la mort de Ian Curtis en 1980, le chanteur du mythique groupe Joy Division, elle bascule dans l’univers dark et underground de la Cold Wave, influencée par Siouxsie and the Banshees, And Also the Trees, Cocteau Twins … C’est donc tout naturellement qu’après sa rencontre avec l’Acid House dès 1988, puis la Garage de Detroit et Chicago, qu’elle adopte les sons hardhouse et Trance Goa avec les labels F Com, Banzai, Twisted et Eye Q. Elle achète ses premières platines en 1995, où elle commence a écrémer la plupart des clubs de la capitale en jouant notamment avec G Rom, Fex, K Mu, Arnaud le Texier, D’Juls … puis en s’exportant à Londres, Berlin, Marrakech, Doha ou encore New York. Aujourd’hui, les sets de Miss Play sont reconnus et appréciés pour leur orientation afro soulful, deep et progressive, et leur construction soignée. Miss Play reprend le chemin des aéroports ^^ Enjoy !!
…
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Podobny do MISS PLAY OFFICIAL PODCAST
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Formerly the Metal Injection Livecast, a weekly skewering of pop culture and beyond from the minds of 3 rock fans. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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continue reading
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Your favourite rock & metal podcast bringing you all the latest news, opinions, honest reviews and laughs every Friday. 100% passion, 100% honesty, 100% of the time. Join us. @notmetalpod on Twitter & Instagram. Come join the discussion with a likeminded community of music fans on the That's Not Metal Facebook Focus Group www.facebook.com/groups/TNMFocus/.
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this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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continue reading
Nothing but the blues, from the earliest to the latest, all genres
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continue reading
Player FM - aplikacja do podcastów
Przejdź do trybu offline z Player FM !
Przejdź do trybu offline z Player FM !
