In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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S3E6. The Perils of Full Disclosure
Manage episode 318182334 series 3252860
Treść dostarczona przez Inside The Edit. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Inside The Edit lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
We're kicking off our first podcast episode of the new year with a discussion around Full Disclosure and all its perils. Crafting the information and story content is one thing but knowing when and where to disclose that content to our audience is a delicate art.
Too much too soon and we overload the audience, too little and the narrative won't make sense and create that magnetic interest from the viewer. Join me for this week's in-depth creative editing discussion on Once Upon a Timeline: The Creative Editing Podcast.
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Manage episode 318182334 series 3252860
Treść dostarczona przez Inside The Edit. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Inside The Edit lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
We're kicking off our first podcast episode of the new year with a discussion around Full Disclosure and all its perils. Crafting the information and story content is one thing but knowing when and where to disclose that content to our audience is a delicate art.
Too much too soon and we overload the audience, too little and the narrative won't make sense and create that magnetic interest from the viewer. Join me for this week's in-depth creative editing discussion on Once Upon a Timeline: The Creative Editing Podcast.
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