Manage episode 229713677 series 2026226
Episode 68 - Zak Trojano
Hey it’s our first episode of 2019!
Zak Trojano is, well, he’s a friend here in the Pioneer Valley whose music I’ve enjoyed for many years, and who’s latest album is “Wolf Trees.” He performed in our live show back in June of last year, and we finally sat down to talk fame, legacy, his tour in Germany, the color pink, social media, the joy of wearing a skirt, and apparently a great deal more stuff that at least interested one person - as this is the longest episode yet - in January. Here’s the bio from his website (zaktrojano.com):
“Zak Trojano is a songwriter and multi-instrumentalist, a finger-style guitar player, a fly-fisherman, and a beer drinker. He watches more than he talks, the guy at the end of the bar nursing a drink while the afternoon light angles in, letting the conversation pile up around him like snowfall. He grew up in New Hampshire, outside of town in a cabin built by his parents. His father was a drummer who held down a regular country gig, and nights after work he would loosen his tie and show his son the finer points of Ginger Baker and Elvin Jones. In New Hampshire they drove around in trucks, and Prine and Dylan cassettes showed up in most of those trucks. Zak made Eagle Scout, got his knots down. Then it was college and out, wandering the country from the desert Southwest to Great Plains until he ran out of money, washing windows to work up the bus fare home. After a while it seemed like he ought to write some songs, and he did: heavy songs with a light touch; an AM radio throwback voice and an intricate finger-style technique framed by a drummer’s rhythm and sharpened by years of immersion in the work of players as various as John Fahey, Merle Travis, and Chet Atkins. In over a decade writing, recording, and performing music professionally - sharing studios and stages with his band Rusty Belle, or supporting touring acts like Chris Smither, Kris Delmhorst, Jeffrey Foucault, and Peter Mulvey - Zak Trojano has evolved his own thing: a warm baritone paired with an old Martin guitar, floating above spare lines of cello and lap steel, horns and brushes, with a deceptively simple lyricism that on repeated listening shows that the fellow at the end of the bar doesn’t say much, but he’s worth hearing.”
Along with our conversation, you’ll find three songs from “Wolf Trees” and a live performance of a John Fahey guitar solo from the anniversary live show at Hawks and Reed last year.
Coming up in April will be another musical guest, Robyn Hitchcock, whom I’ve learned either needs no introduction at all or a very thorough one, depending on whom you ask.
Enjoy the show!
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