In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 353: Overdrinkers - The Living Daylights & Licence to Kill
Manage episode 365249528 series 1366138
Treść dostarczona przez Story Screen Presents and Story Screen. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Story Screen Presents and Story Screen lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Manage episode 365249528 series 1366138
Treść dostarczona przez Story Screen Presents and Story Screen. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Story Screen Presents and Story Screen lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Mike Burdge is joined once again by Reeya Banerjee to talks dat Bond, this time covering the latest news on the new casting, catching up on what they've been watching, and honing in on five very different yet surprisingly connected Bond entries from over the years: You Only Live Twice, Moonraker and The World is Not Enough, but especially the two Timothy Dalton entries from the 80s, The Living Daylights and Licence to Kill. They behave themselves, we promise. Listen on....
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