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John Murphy (Young Horses Games) on influences and innovation in video game design

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Manage episode 270259263 series 1785627
Treść dostarczona przez Todd Nief. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Todd Nief lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

As I mention in the intro to this podcast, I know John Murphy as the pilot of a 90s era Pontiac Trans Sport — aka the “Egg Van.”

The world, however, knows John as co-founder and gameplay designer at Young Horses, the indie games collective responsible for the much beloved hit Octodad.

As a lad, I was an obsessive and nerdy player of role-playing games for the Super Nintendo. Final Fantasy, Secret of Mana, Secret of Evermore, Chrono Trigger…as well as “also rans” like Breath of Fire and Illusion of Gaia.

Since then, I haven’t kept up much with video games, so I was excited to pry into John’s creative process in a medium that I think is often underrated by outsiders in terms of its potential for expressiveness and imagination.

John was also part of a team that — despite all the odds — turned a school project into an international video-gaming hit. I can tell you that none of my school projects ever approached anything that anyone would possibly care about, so we also discussed the dynamics of building a real business from an unlikely beginning.

Check out more from John, Young Horses, and Bugsnax here:

If you're enjoying the show, the best way to support it is by sharing with your friends. If you don't have any friends, why not a leave a review? It makes a difference in terms of other people finding the show.

You can also subscribe to receive my e-mail newsletter at www.toddnief.com. Most of my writing never makes it to the blog, so get on that list.

Show Notes:
  • [02:30] Is it ethical to leverage the powers of technology and understanding of human psychology to lock people into fantasy worlds?
  • [15:18] How did Young Horses turn a school project into Octodad — a game with international success and renown?
  • [24:22] How do different “scenes” work in the video game industry? How do these scenes lead to innovation and creativity?
  • [33:51] The process of developing a video game involves a certain amount of “lock in.” How do developers get user feedback and iterate? How does this impact the creative process?
  • [43:35] How do “influences” impact the creative process of game design? What games and developers influence John and Young Horses?
  • [58:06] Existing between “genres” in the video game space — how does Young Horses balance the strangeness of their games with the playfulness?
  • [01:08:45] Is finding the right genre necessary for success in marketing a video game?
  • [01:21:12] How to play Young Horses’ games — including Bugsnax holiday 2020
Links and Resources Mentioned Games Mentioned
  continue reading

100 odcinków

Artwork
iconUdostępnij
 
Manage episode 270259263 series 1785627
Treść dostarczona przez Todd Nief. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Todd Nief lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

As I mention in the intro to this podcast, I know John Murphy as the pilot of a 90s era Pontiac Trans Sport — aka the “Egg Van.”

The world, however, knows John as co-founder and gameplay designer at Young Horses, the indie games collective responsible for the much beloved hit Octodad.

As a lad, I was an obsessive and nerdy player of role-playing games for the Super Nintendo. Final Fantasy, Secret of Mana, Secret of Evermore, Chrono Trigger…as well as “also rans” like Breath of Fire and Illusion of Gaia.

Since then, I haven’t kept up much with video games, so I was excited to pry into John’s creative process in a medium that I think is often underrated by outsiders in terms of its potential for expressiveness and imagination.

John was also part of a team that — despite all the odds — turned a school project into an international video-gaming hit. I can tell you that none of my school projects ever approached anything that anyone would possibly care about, so we also discussed the dynamics of building a real business from an unlikely beginning.

Check out more from John, Young Horses, and Bugsnax here:

If you're enjoying the show, the best way to support it is by sharing with your friends. If you don't have any friends, why not a leave a review? It makes a difference in terms of other people finding the show.

You can also subscribe to receive my e-mail newsletter at www.toddnief.com. Most of my writing never makes it to the blog, so get on that list.

Show Notes:
  • [02:30] Is it ethical to leverage the powers of technology and understanding of human psychology to lock people into fantasy worlds?
  • [15:18] How did Young Horses turn a school project into Octodad — a game with international success and renown?
  • [24:22] How do different “scenes” work in the video game industry? How do these scenes lead to innovation and creativity?
  • [33:51] The process of developing a video game involves a certain amount of “lock in.” How do developers get user feedback and iterate? How does this impact the creative process?
  • [43:35] How do “influences” impact the creative process of game design? What games and developers influence John and Young Horses?
  • [58:06] Existing between “genres” in the video game space — how does Young Horses balance the strangeness of their games with the playfulness?
  • [01:08:45] Is finding the right genre necessary for success in marketing a video game?
  • [01:21:12] How to play Young Horses’ games — including Bugsnax holiday 2020
Links and Resources Mentioned Games Mentioned
  continue reading

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