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Are Safe Spaces Safe? (Part 2 of a 2 part series)

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Treść dostarczona przez True Thirty. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez True Thirty lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Brad Berens and Joey sit down and continue the controversial topic of Safe Spaces on college campuses as Part 2 of the series, Are Safe Spaces Safe? The titled book The Coddling of the American Mind, How Good Intentions And Bad Ideas Are Setting Up A Generation for Failure, by Greg Lukianoff & Jonathan Haidt continues as the topic of debate between Brad and Joey. Another great conversation between two intellectuals offering different perspectives.

In This Episode:

  • The Coddling of the American Mind (Continued)
  • Marginalization of communities within universities
  • Cognitive Behavioral Therapy
  • Benefits of a Safe Space within universities
  • Hypersensitivity and Intersectionality
  • What is working within universities

Brad is a futurist and a historian, or “futuristorian,” and this means that he’s a digital strategist, consultant, editor, writer, critic, public speaker and thinker: mostly about media and technology (new and old), how changes in those evolve in a dynamic with behavior and culture (high and low), marketing (traditional and interactive) and how the things that audiences do with what they watch have a huge impact on who they are.

Brad was most recently the Editor in Chief of the Interactive Advertising Bureau (IAB) and currently acts as a Strategic Advisor for the USC Annenberg Center for the Digital Future, where Brad leads a handful of exciting projects; he’s also Principal at Big Digital Idea Consulting.

It surprises some people to learn that Brad got his start thinking about media, culture and what audiences do with them as a bona fide Shakespearean scholar and stage historian. With a Ph.D. in English from U.C. At Berkeley, he spent years as a teacher and scholar, giving talks about Shakespeare all over the world. From Shakespeare to the internet can seem like a crazy transition, but when you learn that much of my academic work concerns how Shakespeare invented the modern audience — how he created the way we watch movies, TV and other forms of mass culture today — Brad’s weird career trajectory starts to make a bit more sense. You can see his TEDx talk about Shakespeare as a business genius to get a sense of how his first career and subsequent work slam into each other.

For an even more impressive overview of Brad, you can read his full bio at https://bradberens.com.

Website:

https://bradberens.com/

Twitter: @bradberens

LinkedIn: https://www.linkedin.com/in/bradberens/

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit truethirty.substack.com/subscribe

  continue reading

54 odcinków

Artwork
iconUdostępnij
 
Manage episode 300077345 series 2911329
Treść dostarczona przez True Thirty. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez True Thirty lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Brad Berens and Joey sit down and continue the controversial topic of Safe Spaces on college campuses as Part 2 of the series, Are Safe Spaces Safe? The titled book The Coddling of the American Mind, How Good Intentions And Bad Ideas Are Setting Up A Generation for Failure, by Greg Lukianoff & Jonathan Haidt continues as the topic of debate between Brad and Joey. Another great conversation between two intellectuals offering different perspectives.

In This Episode:

  • The Coddling of the American Mind (Continued)
  • Marginalization of communities within universities
  • Cognitive Behavioral Therapy
  • Benefits of a Safe Space within universities
  • Hypersensitivity and Intersectionality
  • What is working within universities

Brad is a futurist and a historian, or “futuristorian,” and this means that he’s a digital strategist, consultant, editor, writer, critic, public speaker and thinker: mostly about media and technology (new and old), how changes in those evolve in a dynamic with behavior and culture (high and low), marketing (traditional and interactive) and how the things that audiences do with what they watch have a huge impact on who they are.

Brad was most recently the Editor in Chief of the Interactive Advertising Bureau (IAB) and currently acts as a Strategic Advisor for the USC Annenberg Center for the Digital Future, where Brad leads a handful of exciting projects; he’s also Principal at Big Digital Idea Consulting.

It surprises some people to learn that Brad got his start thinking about media, culture and what audiences do with them as a bona fide Shakespearean scholar and stage historian. With a Ph.D. in English from U.C. At Berkeley, he spent years as a teacher and scholar, giving talks about Shakespeare all over the world. From Shakespeare to the internet can seem like a crazy transition, but when you learn that much of my academic work concerns how Shakespeare invented the modern audience — how he created the way we watch movies, TV and other forms of mass culture today — Brad’s weird career trajectory starts to make a bit more sense. You can see his TEDx talk about Shakespeare as a business genius to get a sense of how his first career and subsequent work slam into each other.

For an even more impressive overview of Brad, you can read his full bio at https://bradberens.com.

Website:

https://bradberens.com/

Twitter: @bradberens

LinkedIn: https://www.linkedin.com/in/bradberens/

This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit truethirty.substack.com/subscribe

  continue reading

54 odcinków

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