Marvel’s “Wolverine: The Lost Trail” is an epic quest that takes place in the Louisiana bayou. Following the events of Marvel’s “Wolverine: The Long Night,” Logan (Richard Armitage) returns to New Orleans in search of redemption, only to discover that his ex-lover, Maureen is nowhere to be found. And she's not the only one. Dozens of humans and mutants have gone missing, including the mother of a teenage boy, Marcus Baptiste. With Weapon X in close pursuit, Logan and Marcus must team up and ...
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continue reading
Treść dostarczona przez Adam Graham. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Adam Graham lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Podobny do The Great Detectives Present the Line Up (Old Time Radio)
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The Great Detectives Present the Line Up (Old Time Radio)
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Treść dostarczona przez Adam Graham. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Adam Graham lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
With the smash success of Dragnet, many networks and producers began to play follow the leader. On NBC, Dragnet was followed up with Tales of the Texas Rangers which dramatized real-life tales from the Texas Rangers. CBS countered with The Line Up and later 21st Precinct, and then Nightwatch which while following an actual policeman in the field was as realistic as it got in a show that was pre-cursor to modern police reality dramas like Cops.
The Line Up was a hard-boiled drama of police action. Like Dragnet, it realistically showed police doing their jobs. Unlike Dragnet, it was not based on “cases taken from police files.” Rather The Line Up made its fictional cases seem realistic, from kidnappings and murders to thefts and obscene phone calls. The Line Up radio show was not set in any particular city. However, when the series moved to television, it was set in San Francisco.
The series starred William Johnston as Lieutenant Ben Guthrie and began with Wally Maher playing the role of Sergeant Matt Grebb. After Maher's passing in 1951, Jack Moyles took over the supporting role as Sergeant Pete Karger.
The Line Up, as the title indicates, centered around the police line up. The show always began with one. The Sergeant in charge of line would say, “May I have your attention please? You people on the other side of the wire in the audience room, may I have your attention please.” He would then give his name and say, “I’ll explain the line up to you. Each of the suspects you will see will be numbered. I’ll call out their number, their name, and charge. If you have any questions or identifications, please remember the number assigned to the prisoner as I call his name. At the end of each line when I ask for questions or identifications, call out the number. If you’re sure or not too sure of the suspect, have him held. The officers who took your name will assist you, they’re seated among you. Please be prompt with your questions or identifications. When the prisoners leave here, they are sent to the washroom and dressed back into their jail clothes. It makes it quite difficult to bring them back after they leave here. The questions I ask these suspects are merely to get a natural tone of voice so do not pay too much attention to their answers as they often lie. Bring on the line.
”While the line up was rarely the key to solving the case, it did give the show a rhythm and it also allowed for humor in the interrogation of the suspects by the sergeant. The series began as a Summer Replacement for The FBI in Peace and War in 1950, but quickly got its own time slot and would remain on radio until the Spring of 1953 before becoming TV only.
…
continue reading
The Line Up was a hard-boiled drama of police action. Like Dragnet, it realistically showed police doing their jobs. Unlike Dragnet, it was not based on “cases taken from police files.” Rather The Line Up made its fictional cases seem realistic, from kidnappings and murders to thefts and obscene phone calls. The Line Up radio show was not set in any particular city. However, when the series moved to television, it was set in San Francisco.
The series starred William Johnston as Lieutenant Ben Guthrie and began with Wally Maher playing the role of Sergeant Matt Grebb. After Maher's passing in 1951, Jack Moyles took over the supporting role as Sergeant Pete Karger.
The Line Up, as the title indicates, centered around the police line up. The show always began with one. The Sergeant in charge of line would say, “May I have your attention please? You people on the other side of the wire in the audience room, may I have your attention please.” He would then give his name and say, “I’ll explain the line up to you. Each of the suspects you will see will be numbered. I’ll call out their number, their name, and charge. If you have any questions or identifications, please remember the number assigned to the prisoner as I call his name. At the end of each line when I ask for questions or identifications, call out the number. If you’re sure or not too sure of the suspect, have him held. The officers who took your name will assist you, they’re seated among you. Please be prompt with your questions or identifications. When the prisoners leave here, they are sent to the washroom and dressed back into their jail clothes. It makes it quite difficult to bring them back after they leave here. The questions I ask these suspects are merely to get a natural tone of voice so do not pay too much attention to their answers as they often lie. Bring on the line.
”While the line up was rarely the key to solving the case, it did give the show a rhythm and it also allowed for humor in the interrogation of the suspects by the sergeant. The series began as a Summer Replacement for The FBI in Peace and War in 1950, but quickly got its own time slot and would remain on radio until the Spring of 1953 before becoming TV only.
79 odcinków
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Oznacz wszystkie jako (nie)odtworzone ...
Manage series 3022957
Treść dostarczona przez Adam Graham. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Adam Graham lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
With the smash success of Dragnet, many networks and producers began to play follow the leader. On NBC, Dragnet was followed up with Tales of the Texas Rangers which dramatized real-life tales from the Texas Rangers. CBS countered with The Line Up and later 21st Precinct, and then Nightwatch which while following an actual policeman in the field was as realistic as it got in a show that was pre-cursor to modern police reality dramas like Cops.
The Line Up was a hard-boiled drama of police action. Like Dragnet, it realistically showed police doing their jobs. Unlike Dragnet, it was not based on “cases taken from police files.” Rather The Line Up made its fictional cases seem realistic, from kidnappings and murders to thefts and obscene phone calls. The Line Up radio show was not set in any particular city. However, when the series moved to television, it was set in San Francisco.
The series starred William Johnston as Lieutenant Ben Guthrie and began with Wally Maher playing the role of Sergeant Matt Grebb. After Maher's passing in 1951, Jack Moyles took over the supporting role as Sergeant Pete Karger.
The Line Up, as the title indicates, centered around the police line up. The show always began with one. The Sergeant in charge of line would say, “May I have your attention please? You people on the other side of the wire in the audience room, may I have your attention please.” He would then give his name and say, “I’ll explain the line up to you. Each of the suspects you will see will be numbered. I’ll call out their number, their name, and charge. If you have any questions or identifications, please remember the number assigned to the prisoner as I call his name. At the end of each line when I ask for questions or identifications, call out the number. If you’re sure or not too sure of the suspect, have him held. The officers who took your name will assist you, they’re seated among you. Please be prompt with your questions or identifications. When the prisoners leave here, they are sent to the washroom and dressed back into their jail clothes. It makes it quite difficult to bring them back after they leave here. The questions I ask these suspects are merely to get a natural tone of voice so do not pay too much attention to their answers as they often lie. Bring on the line.
”While the line up was rarely the key to solving the case, it did give the show a rhythm and it also allowed for humor in the interrogation of the suspects by the sergeant. The series began as a Summer Replacement for The FBI in Peace and War in 1950, but quickly got its own time slot and would remain on radio until the Spring of 1953 before becoming TV only.
…
continue reading
The Line Up was a hard-boiled drama of police action. Like Dragnet, it realistically showed police doing their jobs. Unlike Dragnet, it was not based on “cases taken from police files.” Rather The Line Up made its fictional cases seem realistic, from kidnappings and murders to thefts and obscene phone calls. The Line Up radio show was not set in any particular city. However, when the series moved to television, it was set in San Francisco.
The series starred William Johnston as Lieutenant Ben Guthrie and began with Wally Maher playing the role of Sergeant Matt Grebb. After Maher's passing in 1951, Jack Moyles took over the supporting role as Sergeant Pete Karger.
The Line Up, as the title indicates, centered around the police line up. The show always began with one. The Sergeant in charge of line would say, “May I have your attention please? You people on the other side of the wire in the audience room, may I have your attention please.” He would then give his name and say, “I’ll explain the line up to you. Each of the suspects you will see will be numbered. I’ll call out their number, their name, and charge. If you have any questions or identifications, please remember the number assigned to the prisoner as I call his name. At the end of each line when I ask for questions or identifications, call out the number. If you’re sure or not too sure of the suspect, have him held. The officers who took your name will assist you, they’re seated among you. Please be prompt with your questions or identifications. When the prisoners leave here, they are sent to the washroom and dressed back into their jail clothes. It makes it quite difficult to bring them back after they leave here. The questions I ask these suspects are merely to get a natural tone of voice so do not pay too much attention to their answers as they often lie. Bring on the line.
”While the line up was rarely the key to solving the case, it did give the show a rhythm and it also allowed for humor in the interrogation of the suspects by the sergeant. The series began as a Summer Replacement for The FBI in Peace and War in 1950, but quickly got its own time slot and would remain on radio until the Spring of 1953 before becoming TV only.
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Podobny do The Great Detectives Present the Line Up (Old Time Radio)
Marvel’s “Wolverine: The Lost Trail” is an epic quest that takes place in the Louisiana bayou. Following the events of Marvel’s “Wolverine: The Long Night,” Logan (Richard Armitage) returns to New Orleans in search of redemption, only to discover that his ex-lover, Maureen is nowhere to be found. And she's not the only one. Dozens of humans and mutants have gone missing, including the mother of a teenage boy, Marcus Baptiste. With Weapon X in close pursuit, Logan and Marcus must team up and ...
…
continue reading
WNYC, New York Public Radio, brings you Soundcheck, the arts and culture program hosted by John Schaefer, who engages guests and listeners in lively, inquisitive conversations with established and rising figures in New York City's creative arts scene. Guests come from all disciplines, including pop, indie rock, jazz, urban, world and classical music, technology, cultural affairs, TV and film. Recent episodes have included features on Michael Jackson,Crosby Stills & Nash, the Assad Brothers, ...
…
continue reading
RelicRadio.com presents tales of the strange and bizarre, the weird and the wicked. Stories not necessarily of the supernatural, but of the unnatural. Join us for Strange Tales, featuring radio drama at its most mysterious and unusual. Abnormal old time radio!
…
continue reading
Ryan Jennings ran from the horrors of Crayton 18 years ago. Now is is coming back to face his greatest fears and search for answers. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Design Matters with Debbie Millman is one of the world’s very first podcasts. Broadcasting independently for over 15 years, the show is about how incredibly creative people design the arc of their lives. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Rock and Roll
…
continue reading
The week's events in Ambridge
…
continue reading
The iFanboy.com Comic Book Podcast is a weekly talk show all about the best new current comic book releases. Lifelong friends, Conor Kilpatrick and Josh Flanagan talk about what they loved and (sometimes) hated in the current weekly books, from publishers like Marvel, DC, Image Comics, Dark Horse Comics, BOOM! Studios, IDW, Aftershock, Valiant, and more. The aim is to have a fun time, some laughs, but to also really understand what makes comic books work and what doesn’t, and trying to under ...
…
continue reading
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…
continue reading
Edict Zero - FIS is a science fiction audio drama series produced by Slipgate Nine Entertainment. It is a cross of futuristic sci-fi, law enforcement procedural, crime, suspense/mystery, and dark fantasy.
…
continue reading
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Przejdź do trybu offline z Player FM !
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