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The Final Flight of Captain Forrester

1
The Final Flight of Captain Forrester | 1. The Mystery of Tiny 05 38:05

10 dni temu38:05

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38:05

In late 1972, U.S. Marine Captain Ron Forrester disappeared on a bombing run into North Vietnam. Back home in Texas, his family could only wait and hope. Audio subscribers to Texas Monthly can get early access to episodes of the series, plus exclusive interviews and audio. Visit texasmonthly.com/audio to join. Go to HelloFresh.com/FLIGHT10FM to get 10 Free Meals with a Free Item For Life.…

The Next Reel Film Podcast

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A show about movies and how they connect. We love movies. We’ve been talking about them, one movie a week, since 2011. It’s a lot of movies, that’s true, but we’re passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community, and let’s hear about your favorite movies, too. When the movie ends, our conversation begins.

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The Next Reel Film Podcast

1
Road House (1989) 1:00:46

12 hours temu1:00:46

1:00:46

“I want you to be nice, until it’s time to NOT be nice.” From Bar Fights to Box Office: The Making of a Cult Classic In the late 1980s, United Artists sought to capitalize on Patrick Swayze's rising star power following the success of Dirty Dancing . The studio paired him with director Rowdy Herrington for what was pitched as "the best drive-in movie ever made." The film's original casting included Annette Bening as Dr. Clay, but she was replaced by Kelly Lynch due to reported chemistry issues with Swayze. Despite initial skepticism from critics, the $15 million production would go on to become a cultural phenomenon. Join us – Pete Wright and Andy Nelson – as we return to our Movies and Their Remakes series with a conversation about Herrington’s 1989 film Road House . Bouncing Through the Film's Deeper Themes The film cleverly reinterprets classic Western tropes through the lens of late 1980s sensibilities. We discuss how Dalton embodies the archetype of the wandering hero, much like characters from films such as Shane and Seven Samurai . Furthermore, the movie explores themes of authoritarian capitalism through Ben Gazzara's villainous Brad Wesley, while simultaneously delivering crowd-pleasing action sequences and memorable character moments. Elements That Make Road House Stand Out Jeff Healey's authentic musical performances that evolve alongside the bar's transformation The distinction between bouncers and "coolers" in bar culture Sam Elliott's compelling performance as Wade Garrett, despite the ‘controversial’ lack of his signature mustache The film's ability to appeal to multiple audiences through strategic character development Dean Cundey's cinematography capturing both brutal fight scenes and sensual moments A Lasting Impact on Popular Culture Road House has demonstrated remarkable staying power, spawning a theatrical musical adaptation, a direct-to-DVD sequel, and most recently, a high-profile remake. While initially receiving Razzie nominations, the film has been embraced by audiences and reappraised by critics over the years. Both hosts found themselves thoroughly entertained by this blend of philosophy, fisticuffs, and Patrick Swayze's undeniable charisma. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Conan the Destroyer 1:14:52

8 dni temu1:14:52

1:14:52

“What good is a sword against sorcery?” From Barbarian to Family-Friendly Fantasy After the success of Conan the Barbarian in 1982, producer Dino De Laurentiis wanted to create a more family-friendly sequel. He recruited director Richard Fleischer and turned to comic book writers Roy Thomas and Gerry Conway to craft a PG-rated story. With a screenplay by Stanley Mann, Universal Pictures aimed to broaden the franchise's appeal while maintaining its sword-and-sorcery roots. Join us—Pete Wright and Andy Nelson—as we continue the Conan series with a conversation about Fleischer’s 1984 film Conan the Destroyer . Destroying Expectations with Comic Book Flair The shift from the gritty, violent tone of the first film to a more lighthearted adventure creates interesting discussion points. While the comic book influence brings fresh energy to the franchise, the movie struggles to balance serious fantasy elements with comedic moments. The addition of characters like Tracey Walter's Malak as comic relief and Wilt Chamberlain's Bombaata as a double-crossing warrior presents both opportunities and challenges for the narrative. A Journey Through Cast and Creative Choices The film showcases notable performances and creative decisions that deserve attention: Grace Jones delivers an intense, committed performance as Zula André the Giant appears uncredited as the Dagoth monster Basil Poledouris returns with another masterful musical score The mirror room sequence features impressive practical effects despite questionable creature design Sarah Douglas brings regal menace to Queen Taramis Olivia d'Abo debuts as Princess Jehnna in an underwritten role The Legend Continues While Conan the Destroyer may not reach the dramatic heights of its predecessor, it represents an interesting experiment in broadening the appeal of the franchise. The lighter tone and increased emphasis on humor might disappoint hardcore fans, but the film maintains enough sword-and-sorcery spectacle to remain entertaining. We have a great time talking about it, so check it out then tune in. The Next Reel — when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Big Doll House • Member Bonus 10:11

9 dni temu10:11

10:11

“Get it up or I’ll cut it off.” Roger Corman's Foray into Women in Prison Films In 1971, Roger Corman's New World Pictures sought to capitalize on the success of the women in prison film 99 Women . Working with a low budget, they brought on director Jack Hill who, dissatisfied with the original script, hired Don Spencer to create a new screenplay that would inject more humor into what he considered a preposterous story. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about The Big Doll House . Prison Break: Exploring Power, Agency, and Exploitation The film presents an interesting balance between exploitation elements and female empowerment. While it includes expected genre tropes like mud wrestling and torture scenes, it also subverts expectations by putting men in subservient positions. We discuss how Jack Hill manages to smuggle bigger ideas about institutional corruption and colonial impacts under the guise of spectacle and genre conventions. Behind Bars: Production and Performance Pam Grier and Sid Haig deliver standout performances that elevate the material The film's use of humor helps offset some of the more exploitative elements Shot back-to-back with other prison films in the Philippines to maximize efficiency Interesting character dynamics between the six main prisoners The film's ending strikes a lighter tone compared to similar genre entries Throughout our discussion, we explore how The Big Doll House fits into both Corman's broader production approach and Hill's filmography. While Andy prefers the more serious tone found in Women in Cages , Pete finds more value in this film's lighter touch. Despite its exploitation roots, the film manages to deliver entertainment value while sneaking in something of a commentary on power dynamics and institutional corruption. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at Letterboxd Theatrical trailer This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Hannibal Rising 1:04:58

15 dni temu1:04:58

1:04:58

“Not a nick in the blade, I promise you. The butcher was like butter.” The Origin Story Nobody Asked For After the success of the Hannibal Lecter films, producer Dino De Laurentiis wanted to continue the franchise. When author Thomas Harris initially refused to write another story, De Laurentiis threatened to move forward with different writers. This ultimatum led Harris to craft both the novel and screenplay for Peter Webber's 2007 film Hannibal Rising . Serving Up a Dish Best Not Served At All The film fundamentally breaks what makes Hannibal Lecter such a compelling character. Instead of the sophisticated, intellectual monster we've come to know, we get a revenge story that transforms him into more of an anti-hero. This origin tale attempts to explain Lecter's cannibalistic tendencies through trauma and nurture rather than nature, which contradicts the essential mystery of his evil. Additionally, the film mishandles the iconic mask by trying to turn what was originally a tool used by law enforcement to control a dangerous killer into a dramatic prop meant to give young Lecter a superhero-like mystique. A Feast of Discussion Points Director Peter Webber's attempts at crafting an elegant period piece clash with the revenge thriller elements Gaspard Ulliel's performance, while good, fails to convince as a young version of either Brian Cox or Anthony Hopkins Gong Li's talents are wasted in an underdeveloped role as Lady Murasaki The beautiful cinematography by Ben Davis can't overcome the weak story Unexpected parallels to superhero origin stories, particularly sharing similarities with Magneto's backstory Despite its impressive production values and occasional moments of visual brilliance, Hannibal Rising represents the low point of the Hannibal Lecter series. The film's attempt to humanize one of cinema's greatest villains ultimately diminishes what made the character so fascinating in the first place. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Red Dragon 1:04:10

22 dni temu1:04:10

1:04:10

“Don’t you understand, Will? You caught me because we’re very much alike.” The Return to Hannibal Lecter's Origins After the box office success of Hannibal in 2001, producer Dino De Laurentiis quickly moved forward with another adaptation of Thomas Harris's work. With Anthony Hopkins agreeing to return one final time as Dr. Hannibal Lecter, they secured Ted Tally to adapt the screenplay and Brett Ratner to direct. The film would serve as both a remake of Michael Mann's Manhunter and a prequel to The Silence of the Lambs . Join us – Pete Wright and Andy Nelson – as we continue the Hannibal Lecter series with a conversation about Red Dragon . Devouring the Details of This Psychological Thriller While Red Dragon brings together an impressive ensemble cast including Edward Norton, Ralph Fiennes, and Emily Watson, the film struggles to reach the heights of its predecessors. Despite strong performances and Tally's faithful adaptation of Harris's novel, Ratner's direction lacks the artistic flourishes that made both Manhunter and The Silence of the Lambs so memorable. However, the film does provide fascinating insights into Will Graham's relationship with Lecter and offers a deeper exploration of Francis Dolarhyde's psychological transformation. Additional Elements We Discuss The opening sequence showing Graham's capture of Lecter The film's nice production design and bland cinematography Ratner's safe directorial choices compared to previous directors in the series The expanded role of Lecter compared to Manhunter Fiennes's portrayal of Dolarhyde and his relationship with Reba The changed ending and its closer alignment with Harris's novel A Serviceable Addition to the Series While Red Dragon may not reach the artistic heights of earlier entries in the series, it delivers a competent thriller that expands the Lecter mythology. Despite strong performances and production values, the film's conventional approach prevents it from becoming truly memorable. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Hannibal 1:09:39

29 dni temu1:09:39

1:09:39

“Bowels in or bowels out?” The Return of Dr. Lecter: A Sequel Ten Years in the Making When Jonathan Demme declined to direct the sequel to The Silence of the Lambs , producers Dino and Martha De Laurentiis began searching for a new director. After David Mamet's initial script was heavily rewritten by Steven Zaillian, Ridley Scott signed on to direct. Though Jodie Foster passed on reprising her role as Clarice Starling, Anthony Hopkins agreed to return as Dr. Lecter, with Julianne Moore stepping in as the new Clarice. Join us – Pete Wright and Andy Nelson – as we continue the Hannibal Lecter series with a conversation about Hannibal . Serving Up a Fresh Take on a Beloved Character The film attempts to expand Hannibal Lecter from supporting player to lead character, which proves both successful and problematic. While Hopkins delivers another captivating performance, the story struggles to maintain the psychological depth of its predecessor. The controversial change to the book's ending and the treatment of Clarice Starling's character spark considerable debate between us about whether these alterations helped or hurt the final product. Key Ingredients in This Gothic Feast The Florence sequences featuring Lecter as Dr. Fell provide some of the film's strongest moments Gary Oldman's unrecognizable turn as Mason Verger feels underutilized Hans Zimmer's score effectively enhances the mood The film's pacing issues and action sequences draw criticism Ray Liotta's performance and character arc culminate in one of the more memorable scenes Final Verdict Though Hannibal successfully grossed over $350 million worldwide, we find it a significant step down from The Silence of the Lambs . While the film has moments of grotesque beauty and maintains Hopkins' magnetic presence as Lecter, the muddled story and uneven pacing ultimately result in a disappointing follow-up. With Pete liking this more than Andy but still struggling largely with the adaptation, we see this as a missed opportunity to further develop these iconic characters. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Silence of the Lambs 1:05:30

5 weeks temu1:05:30

1:05:30

“Quid pro quo.” The Birth of an Iconic Thriller After the commercial disappointment of Manhunter in 1986, producers Dino and Martha De Laurentiis were hesitant to pursue another adaptation of Thomas Harris's work. However, when The Silence of the Lambs was published in 1988, Gene Hackman initially optioned the rights with intentions to direct and star as Hannibal Lecter. When Hackman dropped out, Jonathan Demme took the helm, casting Jodie Foster as Clarice Starling despite initial resistance from the studio. Join us — Pete Wright and Andy Nelson — as we continue the Hannibal Lecter series with a conversation about The Silence of the Lambs . Serving Up The Silence of the Lambs with Some Fava Beans We examine how this film elevates the basic structure established in Manhunter to create something more compelling and psychologically complex. The relationship between Clarice Starling and Hannibal Lecter forms the dark heart of the story, with Anthony Hopkins delivering an unforgettable performance in just 24 minutes of screen time. We discuss how Foster's vulnerable yet strong portrayal of Starling adds crucial stakes to every interaction. Deeper Into the Darkness • The film's innovative use of first-person camera angles to create intimacy and discomfort • Jonathan Demme's gothic visual style compared to Michael Mann's industrial aesthetic • Questions about the storage unit subplot and its narrative purpose • The controversial portrayal of Buffalo Bill and transgender representation • The effectiveness of the film's two major misdirect sequences • Ted Levine's haunting performance as Buffalo Bill • The significance of the film winning the "Big Five" Academy Awards The Silence of the Lambs remains a masterpiece of psychological horror that transcends its genre roots through outstanding performances and skillful direction. This iconic thriller continues to captivate audiences with its psychological complexity and unforgettable characters. We have a great time talking about it, so check it out then tune in. The Next Reel — when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Suburbia • Member Bonus 10:42

6 weeks temu10:42

10:42

“They didn't realize they'd be the slums of the future.” Penelope Spheeris Brings Punk to Roger Corman After completing her documentary The Decline of Western Civilization about the LA punk scene, director Penelope Spheeris wanted to tell a narrative story in that world. Roger Corman saw potential in her vision and agreed to match her $250,000 investment to make the film. Spheeris made the unconventional choice to cast real punk musicians and street kids rather than professional actors, believing it would create more authentic performances. Join us — Pete Wright and Andy Nelson — as we continue the member bonus Roger Corman series with a conversation about her 1983 film Suburbia . Living on the Edge of Society The film powerfully depicts alienated youth finding community among fellow outcasts while struggling against societal rejection. Though Corman insisted on including sex or violence every 10 minutes, Spheeris managed to maintain her artistic vision while incorporating these commercial elements. We explore how she achieved this balance and whether it ultimately strengthened or weakened the final product. Key Themes and Production Elements The abandoned suburban setting becomes a character itself, reflecting broader issues of American development and social displacement. Spheeris based many plot elements on real stories she encountered while filming her documentary, including the pack of abandoned guard dogs. Her documentary background influences the film's raw, authentic style. Additional Discussion Points: The performances by non-professional actors and whether this approach succeeded The film's portrayal of parents and authority figures The parallel between abandoned dogs and abandoned youth The tragic bookending deaths that open and close the film How the film fits within Spheeris' larger body of work Corman's influence on the commercial elements We both found Suburbia to be a powerful and emotionally affecting film that transcends its low-budget origins through authenticity and strong thematic resonance. Though it can be difficult to watch at times, it offers valuable perspective on alienated youth and societal rejection that remains relevant today. We have a great time talking about it, so check it out then tune in. The Next Reel — when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes like this one that only members can access. You also get member bonus content on select episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Manhunter 1:13:31

6 weeks temu1:13:31

1:13:31

“You want to know how he’s choosing them, don’t you?” The Birth of Cinema's Most Infamous Cannibal Before Anthony Hopkins donned the infamous mask as Hannibal Lecter, director Michael Mann brought Thomas Harris's novel Red Dragon to the screen in 1986. Working with a budget of $15 million, Mann cast William Petersen as FBI profiler Will Graham and Brian Cox as the imprisoned Dr. Hannibal Lecktor (spelled differently in this adaptation). Despite Mann's growing reputation after Miami Vice , the studio showed little faith in the project, providing minimal marketing support. Join us – Pete Wright and Andy Nelson – as we kick off the Hannibal Lecter series with a conversation about Manhunter . Hunting Down the Elements of Manhunter's Legacy While Manhunter initially struggled at the box office, its influence on the psychological thriller genre and subsequent Lecter films cannot be understated. The film's visual style, particularly Dante Spinotti's bold color palette and Mann's precise framing, creates a haunting atmosphere that perfectly complements the psychological cat-and-mouse game between Graham and Francis Dollarhyde (Tom Noonan). However, we disagree on Noonan's performance, with Andy finding it less compelling while Pete considers it a standout element of the film. Deep Diving into the Investigation Brian Cox's understated yet menacing portrayal of Lecktor offers a fascinating contrast to later interpretations The complex relationship between Dollarhyde and Reba McClane (Joan Allen) adds unexpected emotional depth Mann's signature visual style, particularly his use of bold blues and greens, enhances the film's moody atmosphere William Petersen delivers a compelling performance as the psychologically tormented Will Graham The film's procedural elements and Graham's investigation methodology feel authentic and engaging Michael Mann's direction emphasizes style, sometimes at the expense of narrative clarity The final confrontation sequence feels rushed compared to later adaptations As the first cinematic adaptation of Thomas Harris's work, Manhunter sets a strong foundation for the Hannibal Lecter series while standing on its own as a compelling psychological thriller. Though we have some disagreements about certain performances, we both appreciate the film's unique visual style and psychological depth. While it may not reach the heights of later entries in the series, it remains an important and entertaining entry in the canon. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Series 7: The Contenders 58:38

7 weeks temu58:38

58:38

“I saw you on TV. I love you!” A Reality TV Satire Takes on The Most Dangerous Game Before The Hunger Games and the reality TV boom of the 2000s, writer-director Daniel Minahan conceived Series 7: The Contenders as a TV show in the mid-90s. After networks passed on the concept, he developed it into a feature film that would serve as a prescient satire of reality television and American gun culture. With a small budget and shooting on digital video to authentically capture the TV aesthetic of the era, Minahan crafted his dark vision of an alternate present where random citizens are forced to kill each other for entertainment. Join us – Pete Wright and Andy Nelson – as we wrap up the People Hunting People series with a conversation about Series 7: The Contenders . The Game Show Where Survival is Not Optional This reality TV satire follows Dawn (Brooke Smith), a pregnant returning champion who must face off against five new contestants in a government-sanctioned show where ordinary citizens are selected by lottery to kill each other. The film's commitment to never breaking its reality TV frame, from commercial breaks to behind-the-scenes footage, creates an eerily believable world that feels increasingly less satirical and more prophetic with each passing year. Like any good reality show, the producers manipulate situations to create compelling narratives. The "random" selection of contestants conveniently includes Jeff, Dawn's former high school friend and romantic interest, leading to an emotional subplot complete with a nostalgic music video they made together. This attention to creating drama through personal connections and backstories mirrors actual reality TV production techniques, making the deadly premise feel disturbingly plausible. Production Choices and Performance Highlights The authentic digital video cinematography perfectly captures the TV aesthetic of the era Brooke Smith delivers a compelling performance as the pregnant returning champion Will Arnett's narration adds the perfect reality TV tone The integration of surveillance footage and multiple camera perspectives enhances the realism Strong supporting performances, particularly from Merritt Weaver as the youngest contestant The film's dark humor effectively balances entertainment with social commentary While box office numbers were modest, Series 7: The Contenders has developed a cult following for its ahead-of-its-time commentary on reality television and violence as entertainment. The film's examination of how media packaging can normalize extreme behavior remains relevant today, perhaps even more so than when it was released. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Surviving the Game 1:05:11

8 weeks temu1:05:11

1:05:11

“Never underestimate a man who’s got nothing to lose.” The Most Dangerous Game Gets a 90s Action Makeover In 1994, director Ernest R. Dickerson took on his second feature film following his directorial debut with Juice . After years as Spike Lee's cinematographer, Dickerson was ready to tackle this action-thriller starring Ice-T as a homeless man hunted by wealthy thrill-seekers. The film drew inspiration from the 1924 short story "The Most Dangerous Game" by Richard Connell, updating it with a contemporary urban twist and social commentary. Join us – Pete Wright and Andy Nelson – as we continue the People Hunting People series with a conversation about Surviving the Game . Hunting Down What Makes This Film Tick The film assembles an impressive ensemble cast including Rutger Hauer, Charles S. Dutton, Gary Busey, F. Murray Abraham, and John C. McGinley. While Ice-T delivers a solid performance as Mason, the homeless man targeted for sport, it's the eccentric hunters who steal the show. Furthermore, the film explores themes of class divide and entitlement through its intense cat-and-mouse premise, though some logical gaps in the hunters' abilities occasionally strain credibility. Deep Diving into the Woods and Characters Gary Busey's dinner table monologue about training and killing his dog stands as the memorable highlight Dickerson's direction shows his cinematographer's eye, particularly in a Blade Runner -inspired shot of Rutger Hauer Stuart Copeland's score starts strong but becomes less effective as the film progresses... at least per Andy The film's Pacific Northwest setting (actually shot in Washington, not Oregon as stated) provides a compelling backdrop Charles S. Dutton's casting as a seemingly benevolent shelter worker who reveals darker motives works particularly well The film oddly uses Philadelphia stock footage to represent Seattle in the finale The Trophy Room Verdict Despite some narrative shortcomings and questionable hunter competency, Surviving the Game delivers exactly what you'd want from a 90s action thriller. The stellar cast elevates the material beyond its B-movie roots, while the social commentary adds welcome depth to the hunt. Both hosts thoroughly enjoyed this bonkers entry in the People Hunting People series. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube ! Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Gary Busey and Gailard Sartain, Coach Chuck Sketch, Tulsa OK '74 Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Most Dangerous Game 1:03:59

9 weeks temu1:03:59

1:03:59

“What I needed was not a new weapon, but a new animal.” Setting the Stage for the Ultimate Hunt In 1932, RKO Pictures produced The Most Dangerous Game while simultaneously building elaborate jungle sets for their upcoming production of King Kong . Based on Richard Connell's 1924 short story, the film became one of the earliest to explore the concept of humans hunting humans. Using the same jungle sets and several cast members who would later appear in King Kong , including Fay Wray, directors Irving Pichel and Ernest B. Schoedsack crafted this taut 63-minute thriller on a modest budget. Join us – Pete Wright and Andy Nelson – as we kick off the People Hunting People series with this 1932 film The Most Dangerous Game . Pre-Code Thrills and Dark Psychology The film's pre-Code status allowed for surprisingly graphic content, including human heads displayed in jars and mounted on walls. Originally, even more shocking footage was shot, including fully stuffed human corpses positioned in death poses, though these scenes were ultimately cut. As Bob Rainsford and Eve Trowbridge run through the jungle, their clothing becomes increasingly torn and revealing – another pre-Code element that wouldn't have made it past censors a few years later. The film's exploration of hunting humans as sport raises intriguing questions about civilization versus savagery. Count Zaroff's twisted philosophy about hunting humans being the ultimate game creates a compelling narrative that examines humanity's darker impulses. Leslie Banks delivers a memorably sinister performance as Zaroff, using his real-life facial paralysis to enhance his character's menacing presence. Points of Discussion The innovative cinematography, including POV shots through the jungle Max Steiner's adventurous score that becomes diegetic when played on piano The film's efficient use of its brief 63-minute runtime Its enduring influence on the "humans hunting humans" subgenre The rapid development of the central romance This lean, atmospheric thriller maintains its impact even after 90 years. While some elements feel dated, The Most Dangerous Game effectively establishes many tropes that would define the "hunting humans" subgenre. We found much to admire in this tightly-crafted adventure, particularly its exploration of humanity's capacity for both civilization and savagery. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Women in Cages • Member Bonus 11:42

10 weeks temu11:42

11:42

“We all have our devils, my dear.” Roger Corman's Exploitation Era in the Philippines In the early 1970s, Roger Corman discovered he could stretch his production dollars further by filming in the Philippines. He partnered with established Filipino director Gerardo de Leon, known for his award-winning films and work in the Filipino film industry since 1938. Despite de Leon's prestigious background, Corman convinced him to direct Women in Cages , though de Leon would later distance himself from exploitation films. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about Women in Cages . Breaking Free from Prison Film Conventions Pete and Andy engage in a spirited debate about the merits of Women in Cages , with Andy finding more depth than expected while Pete struggles with its exploitation elements. The film follows Jeff, a naive American woman framed by her drug-dealing boyfriend and imprisoned in a corrupt facility run by a sadistic guard played by Pam Grier. Through their discussion, they explore how the film attempts to balance serious themes with exploitation requirements. Deeper Themes Behind Prison Bars Strong performance by Pam Grier as Alabama, the complex and ruthless prison guard Examination of power dynamics and corruption within the prison system, though Pete questions if these themes truly land Controversial portrayal of violence and nudity that divides our hosts Noteworthy ending that leaves a lasting impact about women trapped in cycles of abuse Discussion of de Leon's reluctant participation in exploitation cinema Analysis of how the film handles themes of sexual exploitation and systemic corruption Classic Corman cost-cutting: Film set in a Spanish-speaking country but shot in the Philippines While Pete finds the film's exploitation elements overwhelming, distracting, and worst of all—boring, Andy appreciates its attempts to tackle deeper themes about women trapped in various forms of imprisonment. Whether viewing it as pure exploitation or something more substantial, Women in Cages represents an interesting chapter in Corman's production history and de Leon's career. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus content, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Mank 1:06:31

10 weeks temu1:06:31

1:06:31

“You can make the world swear King Kong is ten stories tall and Mary Pickford a virgin at 40, yet you can’t convince starving voters that a turncoat socialist is a menace to everything California holds dear? You’re barely trying.” David Fincher's Personal Connection to Old Hollywood After decades of development, David Fincher finally brought his late father Jack Fincher's screenplay about Herman J. Mankiewicz to life. Originally planned for production in the late 1990s with Kevin Spacey and Jodie Foster attached, the project stalled when studios balked at Fincher's insistence on shooting in black and white. Following Jack Fincher's death in 2003, David continued developing the script, eventually partnering with Netflix who gave him creative freedom to realize his father's vision. Join us – Pete Wright and Andy Nelson – as we return to our David Fincher series with a conversation about Mank . Writing History Through a Modern Lens In discussing Mank , we explore how Fincher approaches the controversial story of who really wrote Citizen Kane , while examining the film's portrayal of 1930s Hollywood politics through a contemporary perspective. We debate the historical accuracy of certain story elements and character portrayals, particularly regarding Herman Mankiewicz's political leanings and relationship with William Randolph Hearst. Behind the Scenes of Old Hollywood The film raises interesting questions about the balance between historical accuracy and dramatic storytelling. While some criticize the film's creative liberties with Mankiewicz's political views and relationships, we discuss whether these changes serve a greater purpose in crafting a compelling narrative. This leads to a broader conversation about the responsibilities filmmakers have when telling true stories and whether artistic license can be justified in service of a larger truth. Key Discussion Points Oldman's compelling performance as Mankiewicz... without prosthetics The technical achievements in recreating the period look using modern digital tools Amanda Seyfried's standout portrayal of Marion Davies Trent Reznor and Atticus Ross's period-appropriate score recorded remotely during COVID The film's exploration of fake news and media manipulation then and now Crafting a Modern Classic While not ranking among Fincher's most dynamic works as far as we’re concerned, Mank succeeds as both a love letter to classic Hollywood and a thoughtful examination of the creative process. Despite some historical liberties, the film's technical excellence and strong performances make it a worthy addition to Fincher's filmography. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Check out these other Mank-adjacent conversations in The Next Reel’s family of podcasts: Movies We Like: Cinematographer Erik Messerschmidt on Chinatown The Film Board: Erik Messerschmidt joins Justin Jaeger and Tommy Metz III for a Conversation on The Killer The Film Board: Mank Find places to watch this at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Anguish 1:02:23

11 weeks temu1:02:23

1:02:23

“You must start thinking of the spiral, the spiral that’s coming into your head.” An Overlooked Horror Gem In 1987, Spanish filmmaker Bigas Luna ventured into the horror genre with an innovative approach to storytelling. Working with a budget of $2 million, Luna crafted a unique narrative that would blend psychological horror with commentary on cinema itself. Despite its limited theatrical release and modest box office returns (to be generous), the film would go on to win several awards and be nominated for others. Join us – Pete Wright and Andy Nelson – as we wrap up this return to the 'Spoiled. Rotten? Twist Endings' series with a conversation about Luna’s 1987 film Anguish . Eyes Wide Open for This Horror Experience The film follows John Pressman (Michael Lerner), a troubled ophthalmologist's orderly whose overbearing mother (Zelda Rubinstein) exercises an unusual amount of control over his life. As their story unfolds, Luna takes viewers on an unexpected journey that challenges conventional horror storytelling. A Deeper Look into Cinema's Dark corners We discuss how the film's unique approach to storytelling enhances rather than diminishes its impact. While we initially found the first act somewhat challenging, we agree that the film's revelations make these early moments more meaningful in retrospect. We particularly praise Michael Lerner's performance and Zelda Rubinstein's uniquely unsettling presence. Key Elements of Discussion: The effective use of sound design and visual elements to create a hypnotic atmosphere The film's commentary on cinema and audience experience The innovative approach to horror storytelling The challenges of distribution and accessibility in modern times The potential impact of a modern remake The film's lasting influence on horror cinema Anguish proves itself to be a fascinating and innovative piece of horror cinema that deserves wider recognition. Despite its limited availability, this hypnotic and unsettling film rewards viewers with its creative storytelling and memorable performances. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Strait-Jacket 1:01:48

12 weeks temu1:01:48

1:01:48

“Lucy Harbin was declared legally insane today.” William Castle Brings Joan Crawford Back to Horror In the early 1960s, William Castle was known for his theatrical gimmicks and B-movie horror films. After the success of Whatever Happened to Baby Jane? , Castle saw an opportunity to work with Hollywood legend Joan Crawford. He enlisted acclaimed writer Robert Bloch, fresh off his success with Psycho , to craft a psychological thriller that would showcase Crawford's talents while delivering the shock value his audiences craved. Join us – Pete Wright and Andy Nelson – as we continue the 'Spoiled. Rotten? Twist Endings' series with a conversation about Strait-Jacket . Axe Murders and Plot Twists: Examining Psychological Horror The film follows Lucy Harbin (Crawford), who returns home after spending 20 years in an asylum for brutally murdering her husband and his lover. While the movie sets up an interesting exploration of psychological trauma and mother-daughter relationships, Pete and Andy discuss how the third act reveals impact what could have been a compelling dramatic story. They debate whether the film's ending undermines the careful character development established throughout the narrative. Beyond the Blade: Production Elements and Performances The discussion delves into several fascinating aspects of the film's production and impact: Crawford's commanding performance and range William Castle's marketing tactics, including distributing cardboard axes to moviegoers The film's interesting use of shadows and darkness in murder scenes Product placement history with Pepsi due to Crawford's connection to the company George Kennedy's memorable performance in his small role The evolution of the "hagsploitation" subgenre Strait-Jacket delivers as both a psychological thriller and a showcase for Crawford's talents, though some narrative choices may divide audiences. The film offers interesting commentary on societal treatment of women and mental illness, even if it doesn't fully capitalize on these themes. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Shattered 1:02:13

13 weeks temu1:02:13

1:02:13

“You know what I like about amnesia?” A Psychological Thriller with Twisting Memories In 1991, psychological thrillers were hitting their stride, delivering increasingly complex narratives filled with shocking twists. Wolfgang Petersen's Shattered emerged during this period as a stylish entry in the genre, starring Tom Berenger and Greta Scacchi. The film would mark another step in Petersen's Hollywood journey following his success with German cinema. Join us – Pete Wright and Andy Nelson – as we continue the 'Spoiled. Rotten? Twist Endings' series with a conversation about Shattered . Navigating the Fragments of Memory and Identity The film's elaborate plot twists and amnesia-driven narrative provide plenty of material for discussion. We thoroughly enjoy the movie's over-the-top nature and soap opera-style revelations, though we differ on its rewatchability. Pete suggests that much of the fun comes from discovering the surprises for the first time, while Andy argues the film's entertainment value persists even when you know what's coming. We also examine the plausibility of certain character actions, particularly regarding Greta Scacchi's performance and her character's behavior in solo scenes. Key Elements of Discussion The impressive car crash sequence and its technical achievements Bob Hoskins' scene-stealing performance as a pet shop owner/private investigator Alan Silvestri's replacement score after Angelo Badalamenti's original was rejected The film's noir-influenced cinematography by Laszlo Kovacs Tom Berenger's ability to portray both innocence and menace effectively The psychological accuracy of the amnesia portrayed in the film Despite its modest box office performance, Shattered delivers an entertaining blend of 90s thriller conventions with enough style and memorable performances to warrant attention. As a film that fully embraces its melodramatic twists while maintaining its noir-influenced style, it proves to be an engaging entry in the psychological thriller genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Pit and the Pendulum • Member Bonus 11:30

14 weeks temu11:30

11:30

“To be absolutely blunt about it, Nicholas believes that Elizabeth may have been interred... prematurely.” Roger Corman's Poe Adaptations Take Flight Following the success of House of Usher in 1960, American International Pictures eagerly greenlit another Edgar Allan Poe adaptation with Roger Corman at the helm. Richard Matheson returned to pen the screenplay, significantly expanding Poe's short story about torture during the Spanish Inquisition into a gothic tale of madness and revenge. With Vincent Price signed on to star and Daniel Haller designing the elaborate sets, Corman aimed to outdo their previous success with an even more ambitious production, working with a budget of $300,000. Join us – Pete Wright and Andy Nelson – as we continue the Roger Corman series with a conversation about The Pit and the Pendulum . Swinging Between Horror and Drama The film generates interesting discussion around its adaptation choices, particularly how it expands beyond Poe's original story. While Andy found entertainment value in Vincent Price's increasingly unhinged performance and the gothic atmosphere, Pete felt the film didn't deliver enough on its titular torture devices. Both hosts praise the impressive pendulum mechanism and sprawling dungeon sets, though they note the film saves these elements primarily for the finale. More Than Just Torture Devices The hosts explore Richard Matheson's screenplay contributions across multiple Corman-Poe films, discuss the film's influence on young Stephen King, and analyze how it compares to other adaptations of the period. They also examine the strong box office performance that helped cement AIP's commitment to more Poe films. Key Discussion Points: Barbara Steele's memorable performance as Elizabeth The effective use of color and dream sequences Debates over the film's marketing using different title variations The elaborate castle sets despite the modest budget John Kerr's portrayal of Francis Barnard The final shot revealing Elizabeth's fate While Pete found the film somewhat lacking in delivering on its horror and torture premise, Andy appreciated its atmospheric gothic qualities and Vincent Price's commanding presence. Despite their differing opinions, both agree The Pit and the Pendulum represents an important entry in Corman's Poe cycle that helped establish a formula for future adaptations. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes like this that only members can access. You also get access to members-only Discord channels, early ad-free releases for every episode, pre- and post-show chats, and more. Plus, you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
A Dandy in Aspic 1:03:35

14 weeks temu1:03:35

1:03:35

“You haven't got an ounce of understanding or emotion in your body. You died the moment you were born. And when your heart finally stops beating, it'll be a mere formality.” From Novel to Cold War Spy Thriller Derek Marlowe's first novel caught the attention of producers looking to capitalize on the success of spy thrillers in the 1960s. With Anthony Mann set to direct and Lawrence Harvey to star, they began production in 1967. However, Mann's unexpected death during filming led to Harvey taking over directorial duties for the final portion of the shoot. Furthermore, Frank Sinatra's daily calls to the production demanding his wife Mia Farrow's return added additional tension to the complicated shoot. Join us – Pete Wright and Andy Nelson – as we wrap up the 1968 Crime Films series with a conversation about A Dandy in Aspic . A Double Agent Trapped in Aspic The film follows a Russian double agent ordered to track down and assassinate himself, creating an intriguing premise that never quite reaches its full potential. While the spy thriller elements and Cold War setting provide fertile ground for tension and intrigue, the execution falls short of contemporaries like The Spy Who Came in from the Cold . Additionally, Mia Farrow's character feels superfluous, appearing everywhere without clear purpose to the plot. Other Elements We Discuss Lawrence Harvey's dour performance and directorial contribution The Cold War atmosphere of London and Berlin locations Quincy Jones's '60s-era score The creative marionette title sequence Tom Courtney's engaging supporting performance The film's peculiar title and its cultural context The dangerous AVUS racing circuit featured in the finale Despite its flaws, A Dandy in Aspic offers an interesting take on the spy genre with solid performances and authentic Cold War locations. Though we found the film somewhat uneven and less engaging than other spy thrillers of the era, its unique premise and historical significance make it worth examining. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Watch it on the web Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Split 59:19

15 weeks temu59:19

59:19

“You're walking out on 85 grand?” MGM's Bold Step into R-Rated Territory In 1968, MGM was looking to break away from their family-friendly reputation and venture into more adult-oriented content. Based on Donald E. Westlake's Parker novel "The Seventh," they brought in Scottish director Gordon Flemyng fresh off his success with Great Catherine . With a stellar ensemble cast led by Jim Brown and a groundbreaking approach to racial representation in crime films, MGM was ready to push boundaries. Join us – Pete Wright and Andy Nelson – as we continue the 1968 Crime Films series with a conversation about The Split . Breaking Down This Historic Heist The Split represents several significant firsts - it was MGM's first R-rated film and featured Jim Brown as one of the first Black leading men in a major studio crime thriller. The film follows McClain (Brown) as he assembles an unlikely crew to rob the LA Coliseum during a playoff game. While the heist itself succeeds, the aftermath leads to betrayal, murder, and an unconventional alliance with a detective (Gene Hackman). The Film's Place in Crime Movie History Innovative team-building sequences showing McLean testing each potential crew member Strong performances from an all-star cast including Ernest Borgnine, Donald Sutherland, Jack Klugman, Warren Oates, Diahann Carroll, James Whitmore, and Julie Harris Progressive handling of racial themes without making them the central focus A period-specific heist that could only work in the pre-digital age Quincy Jones's distinctive musical score setting the 60s mood The film's unique position as part of the Parker novel adaptation series We both found The Split to be an entertaining and significant entry in the crime film genre, particularly noteworthy for its groundbreaking representation and MGM's willingness to push into edgier territory. The film successfully balances action, character development, and social commentary while delivering a satisfying heist narrative. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch The Cinematic Legacy of Donald E. Westlake Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Boston Strangler 57:47

16 weeks temu57:47

57:47

“It’s bad enough if he’s guilty, but what if he’s innocent and you push him over the edge?” Setting the Stage for a Controversial True Crime Adaptation In 1966, writer Gerald Frank published his bestselling book about the Boston Strangler case, catching the attention of 20th Century Fox and producer Richard D. Zanuck. Director Richard Fleischer, known for his genre work, was brought on to helm the project. Against initial studio resistance, Tony Curtis lobbied hard for the lead role of Albert DeSalvo, even doing a screen test that convinced Zanuck. The film aimed to tell the story of the infamous Boston Strangler cases while they were still fresh in public memory. Join us – Pete Wright and Andy Nelson – as we continue the 1968 Crime Films series with a conversation about The Boston Strangler . Strangling Expectations: A Deep Dive into The Boston Strangler The film takes a fascinating approach to its subject matter by withholding DeSalvo's appearance until halfway through, building tension through police procedural elements and Henry Fonda's measured performance as John Bottomly. We discuss how Fleischer's innovative use of split-screen techniques helps tell multiple narrative threads simultaneously, while exploring the psychological complexity of the case. Though some period elements feel dated, Tony Curtis delivers a transformative performance that deserved Oscar recognition. Further Investigation into the Film's Impact Richard Fleischer's masterful direction and experimental visual style The film's treatment of psychological themes versus historical accuracy Strong supporting performances from George Kennedy and Sally Kellerman Contemporary critical response, including Roger Ebert's moral objections How the film stands up against modern true crime adaptations The evolution of public understanding of the actual case The Boston Strangler remains a compelling piece of cinema despite its historical inaccuracies. While the film takes creative liberties with the true story, its innovative visual style and Curtis's remarkable performance make it a standout entry in the 1968 crime film genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Grand Slam 1:02:58

17 weeks temu1:02:58

1:02:58

“All four with clean records. No police force in the world knows them or their work. In their fields, the very best.” Unveiling a Hidden Heist Film Gem from 1967 In 1967, Italian director Giuliano Montaldo brought together an international cast for an ambitious heist film co-production between Italy, Spain, and West Germany. Coming off his success with The Reckless , which was nominated for the Golden Bear prize at the Berlin International Film Festival, Montaldo secured Edward G. Robinson and Janet Leigh as two of his leads. With legendary composer Ennio Morricone providing the score, the production aimed to create a sophisticated entry in the burgeoning heist film genre. Join us – Pete Wright and Andy Nelson – as we continue the Heist Films series with a conversation about Montaldo’s 1967 film Grand Slam . Breaking Down This International Heist Caper The film follows a meticulous plan to rob $10 million in diamonds during Rio's Carnaval, orchestrated by Robinson's retired professor character. We discuss how the film builds tension through its carefully assembled team of specialists and elaborate heist sequence. While the ending has divided audiences over the years, we explore how this twist-filled finale actually enhances the film's themes about crime and betrayal. Key Elements of the Grand Slam Heist • The innovative card catalog system used to assemble the criminal team • Klaus Kinski's intense performance as the ex-military member of the crew • Janet Leigh's role and how her development may have been too much a giveaway, at least through modern eyes • Ennio Morricone's distinctive, Carnaval-influenced score • The technical achievement of the vault robbery sequence • The film's use of international locations, including some clever substitutions (and some bad blue screen) When Plans Come Together Despite being somewhat forgotten today, Grand Slam delivers as both a meticulously crafted heist film and an engaging story with great characters. We both rate it highly, appreciating its technical prowess and storytelling even when some of the twists become predictable. The film deserves more recognition among classic heist films of the 1960s for its innovative approach and international flair. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple , Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
After the Fox 1:01:52

18 weeks temu1:01:52

1:01:52

“In films, either you’ve got a face or you don’t got a face. You've got a face. Can I have it, please?” A Comedic Heist Caper from an Unlikely Collaboration In 1966, Peter Sellers sought to work with renowned Italian neorealist director Vittorio De Sica, bringing aboard playwright Neil Simon to pen his first screenplay. Despite De Sica's reported gambling debts motivating his involvement, the collaboration proved challenging. De Sica struggled with Simon's script and Sellers' performance style, while conflicts arose over casting choices, including Sellers' then-wife Britt Ekland. Join us – Pete Wright and Andy Nelson – as we continue the Heist Films series with a conversation about De Sica’s 1966 film After the Fox . Breaking Down This Fox's Complicated Hunt The film weaves together elements of heist capers and Hollywood satire, following master criminal Aldo "The Fox" Vanucci as he poses as an Italian film director to orchestrate a gold heist. While the premise shows promise, the movie struggles to balance its dual identity as both heist film and industry commentary. However, the stellar performances, particularly from Sellers and Victor Mature (playing a delightfully self-aware version of himself), help elevate the material beyond its structural issues. Key Elements of This Unique Crime Comedy • Peter Sellers' multiple disguises and his protective relationship with his sister (played by then-wife Britt Ekland) • Victor Mature's comeback performance lampooning his own image • The film's satirical take on moviemaking and celebrity culture • Burt Bacharach's memorable earworm title song • The clever setup of the heist using a film production as cover • A somewhat disappointing climactic car chase that fails to deliver on the film's early promise While After the Fox may not fully succeed as either a heist film or industry satire, it offers enough charm and laughs to warrant attention. The film's unique blend of crime caper and showbiz satire, combined with Sellers' comedic prowess, makes it an entertaining entry in both his filmography and the heist genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Death Race 2000 • Member Bonus 14:16

18 weeks temu14:16

14:16

“A perfect hit! And no pain for the target. Too bad the guy was only 38; just two years older, he'd have been worth three times the points.” Roger Corman's Vision of a Dystopian Future In 1974, Roger Corman learned about Norman Jewison's upcoming film Rollerball and decided to capitalize on its publicity by producing his own futuristic sports film. Based on a short story by Ib Melchior inspired by his experiences at the Indianapolis 500, Corman brought on Paul Bartel to direct what would become a satirical commentary on violence in entertainment and totalitarian control. With a budget of just $300,000, Corman assembled a cast including David Carradine and a pre-Rocky Sylvester Stallone to create this violent vision of America's future. Join us – Pete Wright and Andy Nelson – as we continue the Roger Corman series with a conversation about Bartel’s 1975 film Death Race 2000 . Racing Through the Film's Key Points The film's unique blend of dark comedy and social commentary creates an engaging discussion about its place in both exploitation cinema and political satire. We explore how Corman's influence shaped the film's development, particularly his push to emphasize comedy and include gratuitous elements that became his trademark. The movie's transformation from a serious script to a more satirical piece showcases Corman's understanding of what would appeal to audiences. Additional Pit Stops in Our Discussion • The cultural context of car-themed movies in the 1970s and their connection to American car culture • David Carradine's performance as Frankenstein and whether he was the right choice for the role • The film's commentary on media manipulation and fan culture • How the limited budget affected the scale of the cross-country race • The surprising franchise legacy, including multiple sequels and remakes • Tak Fujimoto's cinematography and how it enhanced the racing sequences A Victory Lap Worth Taking Despite its low budget and exploitation elements, Death Race 2000 succeeds as both entertainment and satire. While some critics initially dismissed it, including Roger Ebert who gave it zero stars before later acknowledging its merits, the film has earned its place as a cult classic. Both hosts thoroughly enjoyed the film, with Andy giving it four stars and Pete giving it three stars with a heart on Letterboxd. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
The League of Gentlemen 1:06:48

19 weeks temu1:06:48

1:06:48

“This was not intended to be a book-of-the-month club lunch.” A British Heist Film That Set Early Genre Standards In 1958, John Boland published his novel The League of Gentlemen , which quickly caught the attention of British filmmakers. Director Basil Dearden, known for his work with Ealing Studios, saw potential in this story of ex-military men planning an elaborate bank robbery. Working with screenwriter Bryan Forbes, who also took a role in the film, Dearden assembled an impressive cast including Jack Hawkins, Richard Attenborough, and Nigel Patrick. Join us – Pete Wright and Andy Nelson – as we return to our Heist Films series with a conversation about Dearden’s 1960 film The League of Gentlemen . Breaking Down This Military-Precision Heist The film follows a group of former military officers who, feeling cast aside by society (and kicked out of the military), band together to execute a sophisticated bank robbery. As we discuss the film, we explore how it handles character development within its large ensemble cast. While some characters receive more attention than others, the film mostly effectively balances its numerous players. Furthermore, we examine how the film's visual elements, particularly the smoke-filled heist sequence with gas masks, create memorable and striking imagery in black and white. Exploring Themes and Cultural Context Throughout our discussion, we delve into several fascinating aspects of the film: The military hierarchy that naturally reasserts itself among the characters The film's commentary on post-war soldiers struggling to find their place in society The blend of comedy and crime elements that would influence future heist films The impressive performances, particularly from Jack Hawkins and Richard Attenborough The film's innovative use of practical effects, especially during the climactic heist sequence The cultural attitudes and gender relations reflected in the film A Must-Watch Early Heist Film The League of Gentlemen stands as an important early entry in the heist film genre, arriving the same year as the original Ocean's 11 . While some character development opportunities may have been missed due to the large cast, the film succeeds in delivering both entertainment and social commentary. We both thoroughly enjoyed this British crime caper, particularly appreciating its technical achievements and ensemble performances. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Sum of All Fears 1:10:30

20 weeks temu1:10:30

1:10:30

“When I asked for your advice, I didn't mean that you should actually speak.” Rebooting the Jack Ryan Franchise After the success of Patriot Games and Clear and Present Danger , Paramount Pictures aimed to continue the Jack Ryan franchise with an adaptation of The Sum of All Fears . Initially, Harrison Ford was set to reprise his role as Jack Ryan, but he and director Phillip Noyce dropped out due to script issues. Paramount then decided to reboot the franchise with a younger actor, offering the role to Ben Affleck, who received blessings from Ford and Alec Baldwin. With director Phil Alden Robinson on board, the stage was set for a new era of Jack Ryan. Join us – Pete Wright and Andy Nelson – as we continue the Jack Ryan series with a conversation about Noyce’s 2002 film The Sum of All Fears . A Bold Adaptation Filled with Fascinating Political Intrigue In this episode, we delve into the daring choices made in adapting Clancy's novel, particularly how the film allows Jack Ryan, the embodiment of institutional intelligence, to fail. The movie's second half, focusing on the aftermath of a devastating bomb blast in Baltimore, surprised us with its engaging portrayal of escalating tensions between the U.S. and Russian presidents. We appreciate how the film questions the intelligence and diplomacy machine by highlighting Ryan's struggle to convey crucial information to decision-makers. (Mostly) Great Performances and Controversial Villains Throughout our discussion, we praise the performances of James Cromwell as President Fowler, Morgan Freeman as CIA Director William Cabot, and Liev Schreiber as John Clark. However, we do struggle a bit with Affleck playing Ryan. We also express disappointment in the film's decision to replace the Islamic terrorists from the novel with neo-Nazis, feeling that it weakens the story's impact and makes the villains less compelling. Other points: The challenges of adapting Clancy's novel and the script issues that led to the reboot Ben Affleck's performance as a younger Jack Ryan The film's depiction of the U.S. and Russian presidents' responses to the crisis Alan Bates and Colm Feore's roles as tepid neo-Nazi villains and their impact on the story A Thought-Provoking Entry in the Jack Ryan Series While The Sum of All Fears may not be the most celebrated entry in the Jack Ryan series, it offers a thought-provoking exploration of political intrigue and the consequences of intelligence failures. Despite some weaknesses in its adaptation choices and the lead casting choice, the film's second half delivers a gripping narrative that keeps viewers engaged. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Clear and Present Danger 1:00:06

21 weeks temu1:00:06

1:00:06

“The course of action I’d suggest is a course of action I can’t suggest.” The Road to Clear and Present Danger After the success of Patriot Games , Paramount Pictures was eager to continue the Jack Ryan series with another adaptation of a Tom Clancy novel. With Harrison Ford set to return as the intrepid CIA analyst and Phillip Noyce back in the director's chair, the stage was set for Clear and Present Danger . The film, released in 1994, brought a new level of complexity to the series, delving into the murky world of covert operations and political machinations. Join us – Pete Wright and Andy Nelson – as we continue the Jack Ryan series with a conversation about Clear and Present Danger . Navigating the Murky Waters of Clear and Present Danger In our discussion, we dive into the intricacies of Clear and Present Danger , exploring how the film captures the complexities of the political landscape and the moral ambiguity of covert operations. We examine Harrison Ford's portrayal of Jack Ryan, noting how he brings a different energy to the character compared to his performance in Patriot Games. The film's ability to balance the high-stakes political drama in Washington with the intense action sequences in Colombia is a point of interest, as we analyze how these two seemingly disparate storylines ultimately converge. Uncovering the Layers of Corruption Clear and Present Danger takes us on a journey through the labyrinthine world of government corruption, where personal agendas and political maneuvering take precedence over the greater good. We discuss: The performances of Henry Czerny and Harris Yulin as the villainous Ritter and Cutter Willem Dafoe's role as John Clark and the film's portrayal of covert military operations The emotional impact of James Earl Jones' character, Admiral Greer, and his relationship with Jack Ryan A Thrilling Addition to the Jack Ryan Series While Clear and Present Danger may not be perfect, it remains a compelling entry in the Jack Ryan series. The film's ability to tackle complex themes and its unflinching look at the darker aspects of government operations make it a thought-provoking and engaging watch. Harrison Ford's performance as Jack Ryan, coupled with the strong supporting cast, elevates the material and keeps the audience invested in the story. Clear and Present Danger stands as a testament to the enduring appeal of Tom Clancy's novels and the Jack Ryan character. Its exploration of political corruption, moral ambiguity, and the consequences of unchecked power remains as relevant today as it was upon the film's release. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material or on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Patriot Games 1:06:50

22 weeks temu1:06:50

1:06:50

“You walk into a bar, half of whose customers want you dead. You walk up to the IRA's bagman, and in front of his guys, you threaten him? You're not a field man, Jack. You never were. You are an analyst. Analyze that.” The Second Chapter in Jack Ryan's Journey After the success of The Hunt for Red October , Paramount Pictures faced challenges bringing the next Jack Ryan story to the screen. The situation with Alec Baldwin's departure proved contentious, with Baldwin claiming Paramount "cut his throat" by negotiating with another actor (presumably Ford) while still in talks with him. The studio allegedly used Baldwin's Broadway commitment to A Streetcar Named Desire and script approval demands as leverage to make the switch. Join us – Pete Wright and Andy Nelson – as we continue the Jack Ryan series with a conversation about Phillip Noyce’s 1992 film Patriot Games . Playing Both Sides of the Game The transition from Baldwin to Ford fundamentally changes the character's dynamics, shifting from a younger analyst to a more seasoned veteran. We explore how this affected the film's tone and action sequences, particularly discussing whether some of the more intense scenes feel appropriate for Ryan's character. The film presents an intriguing mirror story between Ryan and Sean Miller - both men driven by family, albeit in opposing directions. While Ryan fights to protect his family, Miller seeks revenge for his brother's death, creating parallel narratives that drive the story's conflict. Elements That Drive the Action • The controversial casting change and its implications for the franchise • The mirrored narratives of family protection versus family revenge • Sean Bean's memorable performance as vengeful terrorist Sean Miller • The innovative satellite attack sequence that showcases '90s military technology • Debate over the film's balance between analysis and action • The political dynamics of presenting IRA terrorism to American audiences • Discussion of whether the finale's boat chase sequence serves the story effectively Patriot Games successfully continues the Jack Ryan franchise while charting its own course, though some creative choices push the character in new directions that don't always align with his analytical roots. The film proves entertaining even as it diverges from the more cerebral approach of its predecessor. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Caged Heat • Member Bonus 11:46

23 weeks temu11:46

11:46

“You’re in a house of desperate women here, and a long, long way from home.” Roger Corman's Exploitation Cinema: The Story Behind Caged Heat In the early 1970s, Roger Corman was producing a slew of women-in-prison films, capitalizing on the exploitation genre that had been popular then. When wannabe director Jonathan Demme approached Corman with the idea for Caged Heat , Corman initially declined, believing the subgenre had run its course. Undeterred, Demme raised the funds independently and eventually secured Corman as the distributor. Join us – Pete Wright and Andy Nelson – as we continue our member bonusRoger Corman series with a conversation about Demme’s 1974 film Caged Heat . Exploring the Depths of Women's Incarceration in Caged Heat In our discussion, we delve into the themes and statements Demme makes about institutional oppression, mental health, and unethical medical practices within the prison system. We also examine how the film attaches power to sexuality, potentially empowering the female characters in a way that was uncommon for the era. Additionally, we touch on the interesting casting choices, particularly Barbara Steele as the prison warden and Warren Miller as the sociopathic doctor, and how these decisions subvert audience expectations. Caged Heat : A Closer Look at the Characters and Filmmaking Techniques Throughout the episode, we discuss: The relationships between the various inmates and how Demme allows time for character development Tak Fujimoto's cinematography and the effective use of tracking shots The film's balance between comedy and serious moments The shocking and powerful sequence involving shock therapy While Caged Heat may not be a perfect film, it offers an intriguing look at the women-in-prison subgenre through the lens of Jonathan Demme's early directorial work. The movie's exploration of serious themes, combined with its exploitation elements, makes for an engaging and thought-provoking viewing experience. Although we have some reservations about the film and the subgenre as a whole, we appreciate the conversations it sparks. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Amazon or find other places at JustWatch Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
The Hunt for Red October 1:09:46

23 weeks temu1:09:46

1:09:46

“Andrei, you've lost another submarine?” From Novel to Box Office Success In 1984, Tom Clancy published his first novel The Hunt for Red October , which garnered attention from military officials for its technical accuracy. Despite the book's success, Hollywood struggled to adapt it. Producer Mace Neufeld optioned the rights but faced resistance from studios who considered the story too complicated. It wasn't until 1990, after six years of development, that the film finally made it to theaters. Join us – Pete Wright and Andy Nelson – as we kick off the Jack Ryan series with a conversation about The Hunt for Red October . Diving Deep into Cold War Tensions The film introduces us to Alec Baldwin as Jack Ryan, a CIA analyst who finds himself thrust into an intricate game of cat and mouse when he discovers that Soviet submarine commander Marko Ramius (Sean Connery) might be attempting to defect. We explore how Baldwin embodies the reluctant hero aspect of Ryan's character more effectively than subsequent actors in the role. The film's deliberate pacing and focus on intellectual strategy over action sequences sets it apart from typical action films of its era and beyond. Breaking the Surface with McTiernan's Direction Director John McTiernan, fresh off the success of Die Hard , brings his expertise to create tension through careful character development rather than relying solely on action sequences. The film's innovative language transition technique and strong performances from the international cast contribute to its enduring appeal. Other Discussion Points: The film's groundbreaking $30 million budget and its box office success Sean Connery's commanding presence despite his Scottish accent playing a Lithuanian The technical accuracy and military support in production Courtney B. Vance's standout performance as Sonar Operator Jones The film's clever handling of submarine warfare technology The evolution of Jack Ryan as a character across different actors The Hunt for Red October stands as one of the strongest entries in the Jack Ryan series, masterfully balancing intellectual intrigue with taut action sequences. The film maintains suspense through character development and strategic narrative choices rather than relying on conventional action tropes. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Kin-Dza-Dza! 1:07:50

24 weeks temu1:07:50

1:07:50

“The heavens have never seen such an ignominious Patsak as you, Violinist. It grieves me deeply.” A Satirical Take on Soviet Society Kin-Dza-Dza! , a 1986 Soviet science fiction comedy film directed by Georgiy Daneliya, was initially met with skepticism by Soviet authorities due to its satirical nature. However, Daneliya persevered and managed to get the film made, despite the challenges of filming in the hot Turkmenistan desert and dealing with bureaucratic red tape that delayed production. Join us – Pete Wright and Andy Nelson – as we wrap up this return to our Soviet Sci-Fi series with a conversation about Daneliya’s 1986 film Kin-Dza-Dza! . Diving into the Absurdist World of Kin-Dza-Dza! We explore the film's absurdist humor and how it effectively satirizes various aspects of Soviet society, such as the rigid caste system, the limitations on free speech, and the devolution of language. We discuss how the film's low-budget, dystopian aesthetic contributes to its commentary on consumerism and environmentalism, drawing comparisons to other works like Idiocracy and the films of Terry Gilliam and Jean-Pierre Jeunet. The Strengths of Soviet Science Fiction Throughout our discussion, we highlight how Kin-Dza-Dza! exemplifies the strengths of Soviet science fiction in its ability to critique contemporary society through a futuristic lens. We also touch on: The performances of the actors and their commitment to the absurdist tone The film's clever use of practical effects and production design The recurring jokes and their cultural significance, such as the "match math" Kin-Dza-Dza! stands as a unique and entertaining entry in the Soviet science fiction canon, successfully blending biting social commentary with absurdist humor. Its ability to critique Soviet society while still being an engaging and entertaining film is a testament to Daneliya's skill as a filmmaker and the power of science fiction to reflect on contemporary issues. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Buy the Blu-ray from Deaf Crocodile , See where they’re streaming it , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Amphibian Man 55:08

25 weeks temu55:08

55:08

“I don’t want to live among the fishes anymore. I’ll die of loneliness.” A Soviet Sci-Fi Fairy Tale of Love and Science In the 1960s, during the Khrushchev Thaw, Soviet filmmakers were given more creative freedom to explore stories beyond the typical Stalinist propaganda. This period saw a surge in sci-fi films, including the 1961 classic Amphibian Man , directed by Vladimir Chebotaryov and Gennadiy Kazanskiy. Based on the novel by Alexander Beliaev, the film tells the story of a man with surgically implanted shark gills who falls in love with a young woman, despite the disapproval of her capitalist suitor. Join us – Pete Wright and Andy Nelson – as we kick off a short return to our Soviet Sci-Fi series with a conversation about the 1961 film Amphibian Man . Diving Deep into the Story's Themes and Motifs In our discussion, we explore how Amphibian Man weaves together elements of science fiction, romance, and social commentary. The film's protagonist, Ichtyandr, embodies the Soviet ideal of scientific progress, while his love interest, Gutiere, represents the allure of a world beyond his underwater utopia. We also examine the film's villain, Don Pedro, as a classic capitalist exploiter, showcasing the Soviet critique of Western values. Throughout our conversation, we delve into the fairy tale aspects of the story, the believability of the romance, and the tragic ending that subverts expectations. We also discuss the technical achievements of the underwater cinematography and the film's influence on modern directors like Guillermo del Toro. Other Topics Covered in the Episode The film's original title, " Tarzan of the Sea ," and its copyright issues The dream sequence and its role in the narrative The ambiguity surrounding Ichtyandr's abilities and the dolphin scene Accusations of plagiarism against Guillermo del Toro's The Shape of Water The changing perceptions of ocean exploitation in Soviet cinema A Timeless Tale of Love and Progress Amphibian Man may not be a perfect film, but it remains a fascinating example of Soviet sci-fi cinema during a period of creative liberation. Its blend of science, romance, and social commentary creates a timeless fairy tale that continues to captivate audiences decades later. Despite some plot inconsistencies and missed opportunities, the film's core themes and visual splendor make it a worthwhile entry in the genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Amazon or find other places at JustWatch Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Creep 1:03:46

26 weeks temu1:03:46

1:03:46

“I’ve got a weird sense of humor, man.” Pushing Boundaries in Found Footage Horror Mark Duplass, known for his contributions to the mumblecore movement, teamed up with newcomer Patrick Brice to create a low-budget indie horror film that would challenge conventions and explore the unsettling nature of human interactions. With Duplass's experience in crafting authentic, character-driven stories and Brice's fresh perspective, they set out to push the boundaries of the found footage genre. Armed with a minimal crew, a largely improvised script, and a shared vision, they embarked on a journey that would result in the creation of Creep . Join us – Pete Wright and Andy Nelson – as we return to our Found Footage series with a conversation about Brice’s 2014 film Creep . Authenticity, Eccentricity, and Malevolence In our discussion of Creep , we explore how the film navigates the spectrum between authenticity, eccentricity, and malevolence. We examine Mark Duplass' portrayal of Joseph, a character who initially comes across as genuine and relatable but gradually reveals a darker, more unsettling side. The found footage aesthetic enhances the sense of unease, blurring the lines between reality and fiction. Additionally, we delve into the movie's ability to subvert audience expectations and keep viewers on edge throughout. Other Points of Discussion The effective use of a minimalist cast and setting The possible and somewhat weak attempt at creating a twist The chemistry between Mark Duplass and Patrick Brice The film's exploration of the darker aspects of human nature The pacing issues in the latter half of the movie Creep ing into the Horror Genre Creep showcases the potential of low-budget, independent filmmaking to create a memorable and unsettling horror experience. Mark Duplass' expertise in crafting authentic characters, combined with Patrick Brice's fresh perspective, results in a film that pushes the boundaries of the found footage genre. Despite some pacing issues, Creep 's exploration of the darker aspects of human nature and its ability to keep the audience guessing make it a worthwhile addition to the horror genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
A Bucket of Blood • Member Bonus 13:21

27 weeks temu13:21

13:21

“It’s called ‘Murdered Man’.” Roger Corman's Comical Foray into Beatnik Horror In the late 1950s, American International Pictures approached Roger Corman to create a low-budget horror film in just five days, using sets from another project. Corman, along with screenwriter Charles B. Griffith, decided to take a satirical approach, crafting a black comedy that poked fun at the beatnik culture of the era. The result was A Bucket of Blood , a quirky and entertaining film that showcases Corman's ability to deliver a memorable movie on a shoestring budget. Join us – Pete Wright and Andy Nelson – as we continue the member bonus Roger Corman series with a conversation about A Bucket of Blood . Sculpting a Masterpiece of Macabre Humor In our discussion of A Bucket of Blood , we delve into the film's clever satirical elements and its comical take on the horror genre. We explore how the movie lampoons both the beatnik scene and the pretentiousness of the art world, with Corman and Griffith drawing from their own experiences and observations. The film's lead actor, Dick Miller, delivers a standout performance as the lovable yet misguided busboy-turned-artist Walter Paisley, whose quest for fame and acceptance takes a dark and murderous turn. Corman's Signature Style and Social Commentary Throughout our conversation, we touch upon various aspects of the film that showcase Roger Corman's signature style and his ability to infuse social commentary into his low-budget productions. We examine how A Bucket of Blood addresses themes of social mobility, the search for identity, and the folly of pursuing success at any cost. Additionally, we discuss how the film fits into the broader context of 1950s cinema, drawing comparisons to other notable works of the era, such as Rebel Without a Cause and film noir. Other points covered in our discussion include: The film's effective use of a limited set and budget The portrayal of the beat generation and youth culture The transformation of Walter Paisley from protagonist to antagonist The satirical representation of the art world and its patrons A Timeless Tale of Ambition and Morality A Bucket of Blood may be a product of its time, but its themes and humor remain relatable and entertaining decades later. Corman's ability to craft a compelling and thought-provoking story within the constraints of a tight budget and schedule is a testament to his skill as a filmmaker. While the film's low-budget origins are evident, its clever writing, memorable performances, and biting satire more than compensate for any technical limitations. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
La Llorona 59:03

27 weeks temu59:03

59:03

“Did someone hear a woman cry?” A Haunting Guatemalan Ghost Story In 2019, Guatemalan filmmaker Jayro Bustamante released his third feature film, La Llorona , a haunting ghost story that explores the aftermath of the Guatemalan genocide. The film premiered at the Venice Film Festival and was selected as the Guatemalan entry for the Best International Feature Film at the 93rd Academy Awards. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about La Llorona . Women Confronting the Horrors of the Past In our discussion of La Llorona , we focus on how the film centers around the women in a retired general's family as they grapple with the accusations of genocide against him. Through the mysterious presence of their new housekeeper, Alma, and the visions she induces, the general's wife, daughter, and granddaughter are forced to confront the truth about his actions and their own complicity in the horrors of the past. As the story unfolds, the general becomes an increasingly antagonistic figure, unable to face the consequences of his past deeds. Blending the Ghost Story Genre with the La Llorona Myth La Llorona effectively combines elements of the traditional ghost story genre with the well-known Latin American folktale of La Llorona, the weeping woman. Bustamante skillfully weaves these two narrative threads together, creating a haunting and atmospheric tale that slowly reveals the truth behind Alma's presence and her connection to the general's victims. The film's use of water imagery and the unsettling presence of ghostly figures further enhances the eerie and unsettling tone. Other topics covered in our conversation include: The strong performances of the cast, particularly María Mercedes Coroy as Alma and Margarita Kenéfic as the general's wife The film's commentary on the intergenerational trauma caused by the Guatemalan genocide The gradual revelation of Alma's true nature and her role in the story The importance of acknowledging and confronting the atrocities of the past A Thought-Provoking and Haunting Film La Llorona is a powerful and thought-provoking film that uses the ghost story genre and the La Llorona myth to shed light on the horrors of the Guatemalan genocide. Through its haunting atmosphere, strong performances, and exploration of intergenerational trauma, the film leaves a lasting impact on its viewers. La Llorona is a compelling and important work that deserves to be seen and discussed. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Under the Shadow 1:01:02

28 weeks temu1:01:02

1:01:02

“You know, if they take a personal belonging, something that you treasure, then there’s no escape from them. You’ll be marked and they’ll always know how to find you.” Uncovering the Horrors of War and Gender Inequality Iranian filmmaker Babak Anvari's directorial debut, Under the Shadow , hit the festival circuit in 2016, garnering critical acclaim and numerous awards. Set in Tehran during the Iran-Iraq War of the 1980s, this Persian-language horror film delves into the personal and societal struggles of a mother and daughter as they face both the terrors of war and the oppression of gender inequality. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Under the Shadow . Peeling Back the Layers of Fear From the ever-present threat of war to the social horror of gender inequality, Anvari masterfully weaves together a tapestry of terror that keeps viewers on the edge of their seats. We discuss how the film's supernatural elements, in the form of malevolent spirits known as djinn, serve as a metaphor for the protagonist's internal struggles and the trauma she faces. Throughout our conversation, we explore the powerful performances of the film's lead actors, particularly Narges Rashidi as the mother, Shideh. Her portrayal of a woman grappling with the loss of her dreams and the pressures of motherhood in a war-torn, patriarchal society is both haunting and inspiring. We also touch on the film's effective use of sound design and cinematography to create an atmosphere of unease and dread. Digging Deeper into the Discussion The symbolism of the doll as a representation of Shideh's maternal instincts and her daughter's need for protection The ambiguity surrounding the origins of the djinn and their connection to the characters' trauma The film's commentary on the psychological effects of war and oppression on individuals and society The open-ended nature of the film's conclusion and its implications for the characters' futures Unveiling the Significance of Under the Shadow Under the Shadow is a testament to the power of horror cinema to explore complex social and political issues. By blending the supernatural with the all-too-real horrors of war and gender inequality, Anvari has crafted a film that is both terrifying and thought-provoking. Despite some minor criticisms regarding the clarity of certain plot points, we ultimately find Under the Shadow to be a compelling and essential addition to the canon of international horror cinema. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Pulse 58:39

29 weeks temu58:39

58:39

“Maybe, he suddenly just wanted to die. I get that way sometimes.” The Rise of J-Horror in the International Spotlight Japanese horror, or J-Horror, has a rich history dating back decades, with influential works like Masaki Kobayashi's Kwaidan (1964) and Nobuhiko Obayashi's House (1977) paving the way for the genre. However, it was in the late 1990s and early 2000s that J-Horror truly gained international recognition, thanks to a wave of innovative and terrifying films that captivated audiences worldwide. One of the most significant and thought-provoking films of this era was Kiyoshi Kurosawa's 2001 masterpiece, Pulse . Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Pulse . Exploring the Depths of Loneliness in a Connected World At its core, Pulse is a haunting meditation on the themes of isolation and disconnection in an increasingly technology-driven society. Kurosawa skillfully weaves a narrative that blurs the boundaries between the physical and digital realms, as the characters become entangled in a supernatural world accessed through the internet. As the film progresses, it becomes clear that the true horror lies not in the ghostly apparitions, but in the profound sense of emptiness and loneliness that permeates the characters' lives. Throughout our discussion, we examine how Pulse effectively communicates these themes through its atmospheric storytelling, unsettling imagery, and nuanced performances. Crafting an Unforgettable Atmosphere Kurosawa's deliberate use of static shots and wide angles to emphasize the characters' isolation The film's focus on the younger generation and their relationship with emerging technologies The iconic "ghost" movements and the smudged, blurred effects used to depict the supernatural entities The choice of eerie locations, such as abandoned buildings and desolate streets, which contribute to the film's oppressive atmosphere Pulse 's Lasting Impact on J-Horror and Beyond More than two decades after its release, Pulse continues to stand as a landmark film in the J-Horror genre and a testament to Kiyoshi Kurosawa's visionary directorial prowess. The film's exploration of the potential dangers lurking within our increasingly connected world remains as relevant as ever, striking a chord with contemporary audiences. While the narrative's pace may prove challenging at times, Pulse 's ability to provoke introspection and unsettle viewers is undeniable. Its influence can be seen in numerous subsequent horror films, both in Japan and internationally, cementing its status as a true classic of the genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Andy’s J-Horror to Watch list Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Ugetsu 58:06

30 weeks temu58:06

58:06

“You’re mine now. From now on, you must devote your whole life to me.” A Ghost Story as a Statement on Pride and Greed Kenji Mizoguchi's 1953 film Ugetsu , based on stories by Akinari Ueda and Guy de Maupassant, is a haunting tale set in war-torn 16th century Japan. The film follows two peasant couples whose lives are upended by the devastation of war and the allure of ambition. Ugetsu masterfully blends the supernatural with the harsh realities of the human condition, creating a timeless masterpiece that continues to captivate audiences. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Ugetsu . Ugetsu : A Dive into the Ethereal and the Earthly In our discussion of Ugetsu , we explore how Mizoguchi seamlessly weaves together the ghostly and the mundane to create a powerful narrative. The film's central character, Genjuro, a potter, becomes consumed by his desire for wealth and fame, ultimately falling under the spell of a mysterious noblewoman who turns out to be a ghost. This supernatural element serves as a metaphor for the destructive nature of unchecked ambition and pride. We also delve into the film's portrayal of the effects of war on the peasant class, particularly the women who are left behind to fend for themselves while their husbands pursue their dreams. Mizoguchi's empathetic lens highlights the resilience and strength of these women in the face of unimaginable hardship. Other Facets of Ugetsu The film's stunning cinematography and its role in creating an otherworldly atmosphere The use of traditional Japanese theater techniques, such as the stylized makeup worn by Lady Wakasa The juxtaposition of Genjuro's story with that of his brother-in-law, Tobei, who seeks fame as a samurai The film's poignant ending and its commentary on the consequences of neglecting one's family and responsibilities A Timeless Tale of Human Fallibility Ugetsu is a film that transcends its historical setting to deliver a powerful message about the dangers of pride, greed, and the pursuit of glory at the expense of what truly matters. Mizoguchi's masterful direction, combined with the film's haunting visuals and compelling performances, cements Ugetsu 's place as a true classic of world cinema. We thoroughly enjoyed discussing this thought-provoking and emotionally resonant film. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Pete’s Letterboxd Ghost Story Watchlist Tune in to our conversation about Ugetsu with production designer Yôhei Taneda on Movies We Like in either English or Japanese Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Cassandra Crossing 1:05:31

31 weeks temu1:05:31

1:05:31

“Anyone trying to leave the train by force will be stopped by force.” An All-Star 70s Disaster Film Mash-Up The 1970s saw a surge in the popularity of disaster films, with movies like The Poseidon Adventure , The Towering Inferno , and Earthquake captivating audiences. In 1976, director George P. Cosmatos and producer Carlo Ponti joined forces to create their own entry in the genre: The Cassandra Crossing . With an all-star ensemble cast including Sophia Loren, Richard Harris, Burt Lancaster, Martin Sheen, OJ Simpson, and Ava Gardner, the film aimed to capitalize on the decade's love for big-budget spectacles filled with peril and suspense. Join us – Pete Wright and Andy Nelson – as we wrap up this return to our Disease Films series with a conversation about The Cassandra Crossing . Sneezing in Rice and Other Disastrous Delights In this episode, we dive into the various disasters that unfold throughout The Cassandra Crossing . From the initial release of a deadly virus on a train to the impending collapse of the titular bridge, the film keeps the stakes high and the tension palpable. And know that we say that you have to go into this movie ready for its not-so-great quality that makes it fun... at least to us. We discuss how the movie effectively captures the sense of paranoia and fear surrounding the spread of disease, a theme that resonates strongly within our series. Additionally, we explore the film's campy and over-the-top moments, such as the infamous scene involving a sneeze and a bowl of rice, which contribute to its overall entertainment value. Exposing the Flaws and Celebrating the Fun While we acknowledge some of the film's shortcomings, such as the reliance on stereotypes and the clunky exposition, we also celebrate the elements that make The Cassandra Crossing an enjoyable viewing experience for us. From the performances of the all-star cast to the violent final crash, the movie offers plenty of reasons to sit back and enjoy the ride. Again... be in the mood for it or it may not work for you as well as it did for us. Other topics covered in this episode include: • The impressive ensemble cast and their performances • The film's commentary on government secrecy and the U.S. military's involvement in bioweapons research • The effectiveness of the movie's score in heightening the suspense • The role of Lee Strasberg and his character's surprising backstory... and exposition A Thrilling Journey Worth Taking Despite its flaws, The Cassandra Crossing remains a perhaps junky but goofy-fun-if-you’re-in-the-right-mood example of the 1970s disaster film genre, delivering a thrilling and entertaining journey from start to finish. Its exploration of themes related to disease and paranoia, combined with its star-studded cast and grand-scale spectacle, make it a film worth discussing and revisiting. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Shooting • Member Bonus 9:58

32 weeks temu9:58

9:58

“The reason, Mr. Gashade, for the hunt is the kill.” A Low-Budget Western from the Corman-Hellman-Nicholson Trio After impressing producer Roger Corman with their previous work, director Monte Hellman and actor Jack Nicholson presented him with a spec script, but Corman had a different idea. He proposed that they make two Westerns instead, giving them three weeks to shoot each film. Hellman and Nicholson agreed, and the result was a pair of existential Westerns – The Shooting and Ride in the Whirlwind – shot in 1965 in Utah. Join us – Pete Wright and Andy Nelson – as we continue our 12-episode, 14th season-long Roger Corman series with a conversation about The Shooting , our second installment and member bonus episode. Unraveling the Mysteries of The Shooting In this episode, we delve into the enigmatic world of The Shooting , discussing the film's unique narrative structure and the questions it raises. We explore the mysterious characters, their motivations, and the shocking revelation at the end. The story follows a former bounty hunter turned miner who is hired by a woman to track down an unknown individual. As they embark on their journey, they are pursued by a menacing gunslinger clad in black. Throughout our conversation, we examine how the film's minimalistic approach and existential themes set it apart from traditional Westerns of the era. The Corman Connection and the Film's Place in Cinema History We discuss how The Shooting fits into the larger context of Roger Corman's productions and its significance in the careers of Monte Hellman and Jack Nicholson. The film's low-budget, experimental nature aligns with Corman's reputation for producing cost-effective, boundary-pushing cinema. We also explore how The Shooting , along with its companion piece, Ride in the Whirlwind , served as a precursor to the independent, counterculture-influenced films of the late 1960s and early 1970s. A Divisive Film: Contrasting Opinions While Andy enjoyed The Shooting , finding its fatalistic and existential themes compelling, Pete struggled to connect with the film. He found the experimental editing choices and the overall pacing to be challenging, making it a difficult watch for him. Despite their differing opinions, both hosts agree that the film's ambiguity and unconventional approach make it a unique entry in the Western genre. Other Topics Covered in the Episode The film's status as one of the first "acid Westerns" The symbolic and metaphorical elements woven throughout the narrative The effective use of the stark Utah landscape to convey isolation and despair Standout (?) performances from the cast, including Will Hutchins and Millie Perkins A Thought-Provoking and Unconventional Western While Andy appreciated The Shooting 's ambiguity and haunting atmosphere, Pete ultimately deemed it a "Casablanca movie," alluding to the exchange between Rick and Ugarte in the classic film: "You despise me, don't you?" "If I gave you any thought, I probably would." Despite their contrasting views, both hosts agree that the film remains a testament to Corman’s passion for cranking out low budget films and giving experimenting filmmakers like Monte Hellman and Jack Nicholson the chance to play. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries New Glossary Term: Casablanca Movie Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Pontypool 58:09

32 weeks temu58:09

58:09

“She doesn’t know it yet, but she’s hunting us.” How a Virus Spreads Through Language The 2008 Canadian horror film Pontypool , directed by Bruce McDonald and written by Tony Burgess, was inspired by Orson Welles' famous radio broadcast of War of the Worlds . Originally, Burgess envisioned the entire film as a radio play, with the main character Grant Mazzy reading the script accompanied only by a visual of the blue waveform. While this concept wasn't fully realized, it heavily influenced the confined, constrained storyline of the radio station employees trying to make sense of the outbreak consuming their small town. Join us – Pete Wright and Andy Nelson – as we continue the Disease Films series with a conversation about Pontypool . Dissecting the Viral Outbreak in Pontypool One of the most intriguing aspects of Pontypool is how the horror unfolds through the limited perspective of the radio station employees. As Grant Mazzy, Sydney Briar, and Laurel-Ann Drummond receive increasingly disturbing reports from Ken Loney in the "Sunshine Chopper," the tension builds before the true nature of the viral outbreak is revealed. The film's unique approach to storytelling keeps the audience engaged, even when the explanation for the virus itself may seem a bit far-fetched. Throughout our discussion, we explore the metaphorical implications of a virus that spreads through the English language. As a Canadian film, Pontypool seems to comment on the value of traditionalism and the French language in Ontario, while also critiquing the potentially damaging influence of American shock jock radio. The film's central conceit – that language itself can become contagious and dangerous – resonates even more strongly in today's era of social media and misinformation. Other Highlights from Our Conversation The wordplay and coincidences in Grant Mazzy's opening monologue, foreshadowing the importance of language in the story The debate over whether Grant Mazzy was infected by the virus at the end of the film The role of Dr. Mendez as the "book of the vampire," providing exposition and context for the outbreak The powerful portrayal of Laurel-Ann's deterioration, offering a window into the effects of the virus Pontypool may not be a perfect film, but its clever premise and thought-provoking themes make it a worthwhile entry in the Disease Films series. By confining the action to the radio station and relying on reports from outside, the movie creates a sense of claustrophobia and dread that keeps the audience engaged despite the sometimes flimsy explanation for the virus itself. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

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1
Chameleon Street 53:41

33 weeks temu53:41

53:41

“I think, therefore I scam.” The Sundance Struggle of Wendell B. Harris Jr.'s Sensational Con Artist Story In 1989, writer-director-actor Wendell B. Harris Jr. crafted a stunning debut feature, Chameleon Street , based on the incredible true story of con artist William Douglas Street Jr. Despite winning the Grand Jury Prize at the 1990 Sundance Film Festival, Harris faced immense difficulties securing distribution for his groundbreaking film. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Chameleon Street . Unraveling the Layers of a Chameleon's Tale Throughout our discussion, we dive into the fascinating layers of Chameleon Street , from its energetic and in-your-face production style to the subversive commentary on race and identity. We explore how Harris Jr. taps into the con artist's perspective, using voiceover narration and camera techniques to create a thrilling cinematic experience that keeps the audience engaged from start to finish. As part of our One-and-Done series, we also delve into the unfortunate reality of Harris Jr.'s struggle to make more films after this impressive debut. Despite his undeniable talent and the film's critical acclaim, the Hollywood system failed to provide him with the opportunities he deserved. Unpacking the Complexities of Identity and Representation The film's thought-provoking exploration of race and the challenges faced by a black man navigating various roles in society Harris Jr.'s masterful performance as William Douglas Street Jr., showcasing the con artist's chameleon-like abilities The movie's subversive humor and biting social commentary, particularly in scenes where Street Jr. openly insults his unsuspecting targets The film's propulsive narrative structure, which keeps the audience engaged as the protagonist moves from one audacious scheme to another A One-and-Done Wonder Worth Rediscovering Chameleon Street is a testament to Wendell B. Harris Jr.'s immense talent as a filmmaker and storyteller. Through his deft handling of the subject matter and innovative storytelling techniques, Harris Jr. crafts a compelling and thought-provoking exploration of identity, race, and the art of the con. While it's disheartening that he never had the chance to make another feature film, Chameleon Street remains a powerful and essential piece of cinema that deserves to be celebrated and rediscovered by audiences today. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Killer Klowns from Outer Space 1:00:56

34 weeks temu1:00:56

1:00:56

“Well I’ll be greased and fried! What’s the circus doing up in these parts?” The Chiodo Brothers and Their Creature Feature Legacy Before Killer Klowns from Outer Space , the Chiodo Brothers – Charles, Edward, and Stephen – had already made a name for themselves in the special effects world of the 1980s. With credits on films like Critters and sequences in RoboCop , they were well-versed in creating practical effects and creature designs. Killer Klowns from Outer Space represented an opportunity for them to showcase their skills in a feature-length film, with Stephen Chiodo taking on the role of director. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about their 1988 film Killer Klowns from Outer Space . Clowning Around with Horror Tropes and Twisted Expectations In our discussion, we marvel at how Killer Klowns from Outer Space gleefully subverts classic clown tropes, turning seemingly innocent gags into sinister and often grotesque moments. From the balloon animal hunting dog to the shadow puppet T-Rex that devours its victims, the film consistently surprises and delights with its inventive use of clown iconography. However, we question whether the horror-comedy balance always lands, with some scenes leaning more heavily into the absurd than the truly frightening. A Trio of Heroes and the Trope of Incompetent Authority Figures Throughout our conversation, we explore the dynamics between the film's central trio – Mike, Debbie, and Dave – and how their relationships evolve as they face the alien clown threat. We also examine the trope of young heroes pitted against incompetent authority figures, a common theme in 1950s-era B-movies that Killer Klowns from Outer Space both embraces and satirizes. Other topics we cover include: The memorable performances of the supporting cast, particularly Royal Dano as Farmer Gene Green and John Vernon as the skeptical police officer The film's vibrant color palette and the effectiveness of the practical effects The Chiodo Brothers' continued work in the industry, including their involvement in Team America: World Police and Marcel the Shell with Shoes On Why Killer Klowns from Outer Space Endures as a Cult Classic Despite its status as a one-and-done feature for director Stephen Chiodo, Killer Klowns from Outer Space has endured as a beloved cult classic. Its unique blend of horror and comedy, combined with the Chiodo Brothers' imaginative creature designs, has helped it stand the test of time. While it has some soapy acting and feels of its era, we ultimately find Killer Klowns from Outer Space to be a delightful and entertaining entry in the realm of 1980s horror-comedy. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

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1
The Way of the Dragon 1:09:04

35 weeks temu1:09:04

1:09:04

“In this world of guns and knives, wherever Tang Lung may go to, he will always travel on his own.” Bruce Lee's One-and-Done Showcase of Martial Arts Mastery In 1972, Bruce Lee was already a rising star in the martial arts film world, having starred in a handful of successful films. However, he had yet to have the opportunity to fully showcase his unparalleled fighting skills on his own terms. That all changed with The Way of the Dragon , a film that allowed Lee to demonstrate his incredible martial arts prowess while also taking on the roles of writer, director, and producer. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about The Way of the Dragon . Exploring the Comedic Side of Kung Fu and the Legendary Bruce Lee In our discussion, we delve into the humor infused throughout The Way of the Dragon , from the situational comedy to Bruce Lee's character-driven gags. While the film's comedic elements may not land for everyone, they provide an intriguing glimpse into the lighter side of the kung fu genre. We also examine Bruce Lee's importance to the world of martial arts cinema and how his unique style and charisma helped popularize the genre on a global scale. The Way of the Dragon may not be a perfect film, but it stands as a testament to Bruce Lee's immense talent and enduring legacy. His only directorial effort provides a platform for him to showcase his unrivaled martial arts skills and offers a fascinating glimpse into what could have been had he not tragically passed away at a young age. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
The Little Shop of Horrors • The Next Reel • Member Bonus 11:31

36 weeks temu11:31

11:31

“You didn't mean it. You never mean it. You didn't mean it the time when you put up the bouquet with the 'get well' card in the funeral parlor, and sent the black lilies to the old lady in the hospital, you didn't mean it.” Roger Corman's 38th Film in 5 Years The year was 1960. The American movie landscape was dominated by Westerns, sword-and-sandal epics, and Rock and Roll musicals. But in the underbelly of Hollywood, a different kind of movie was brewing. This was the era of exploitation cinema, and Roger Corman was its undisputed king. With a knack for spotting talent and squeezing every penny out of a budget, Corman churned out low-budget genre films at an astonishing rate. The Little Shop of Horrors was one of them. Join us – Pete Wright and Andy Nelson – as we kick off our Member Bonus Roger Corman series with a conversation about his 1960 film The Little Shop of Horrors . Don't Feed the Jokes In this episode, we dig into the fascinating backstory of how The Little Shop of Horrors came to be, a film shot in just two days on a set borrowed from another Corman production, A Bucket of Blood . We marvel at Corman's legendary efficiency and his ability to create entertaining films on a shoestring budget. We also discuss the film's unique blend of horror and comedy, noting how the comedic elements ultimately overshadow the horror, making for a surprisingly funny viewing experience. We analyze the film's sharp, witty dialogue, packed with puns, wordplay, and topical references that would have resonated with audiences in 1960. Other Buds to Snip From This Conversation Jack Nicholson's small but memorable role The film's connection to the later stage musical and film adaptation The somewhat effective practical effects used to bring Audrey Jr. to life The film's lasting legacy as a cult classic The differences between the original ending and the ending of the musical The Little Shop of Horrors is a fascinating time capsule of early 1960s filmmaking and a testament to Roger Corman's ingenuity and talent. It's a fun, fast-paced, and surprisingly funny film that holds up remarkably well today. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

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