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Screen Dreams: Music Biopic Special!
Manage episode 341789794 series 2984613
Treść dostarczona przez Iain McKinstry and Andrew Hall, Iain McKinstry, and Andrew Hall. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Iain McKinstry and Andrew Hall, Iain McKinstry, and Andrew Hall lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This week @weheardwonders take a trip to the movies discussing the good, the bad, the ugly and best-in-show in the genre that is The Music Biopic! Joining Iain and Andrew to separate the Hits from the Misses, the Curios from the Admirable Failures is film enthusiast and expert in American cultural studies, Fraser McCallum. We identify and dissect the top tropes used in the telling of so many of these often-mythic tales of rock’n’roll excess (from Ray and Walk The Line to Bohemian Rhapsody and Elvis), as well as considering the artsier, more idiosyncratic (Nowhere Boy, I’m Not There) and endearingly scrappy, British (24-Hour Party People, Good Vibrations) ends of the genre. Shout-outs are also given to some of our favourite not-quite-biopics. We would love to hear from you, dear listener - do you agree with our analysis? What are your go-to music biopics? Which ones did we miss out? And what would you like to hear us discuss next? Listen to We Heard Wonders on your podcast platform of choice; like, subscribe and recommend; catch up with previous editions and support the show by buying us a Coffee (link in the show bio).
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