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Episode #100 - Tony Kadleck

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Treść dostarczona przez John Snell and Bob Reeves Brass Mouthpieces. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez John Snell and Bob Reeves Brass Mouthpieces lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Trumpeter/composer/arranger/bandleader/educator Tony Kadleck is one of the most sought-after trumpet players on the New York City scene, and has been for some time. He moved to NYC in 1986, following his studies at the New England Conservatory–and a stint in the trumpet section of The Buddy Rich Big Band–and his phone has been ringing ever since. For good reason; at every turn, Kadleck puts the music first, and more than takes care of business. He graduated from the Manhattan School of Music in 1989 and quickly hit the road with the likes of Frank Sinatra, Barbara Streisand, Blood Sweat & Tears, and others. Eventually, Kadleck was in such high demand locally, for studio and stage work, that touring took a back seat. He played on countless jingles, scores for TV and film, and worked with the cream of the crop, including Luther Vandross, Michael Jackson, Elton John, Celine Dion, Stevie Wonder, Ella Fitzgerald, Issac Hayes, and most recently Steely Dan, Tony Bennett/Lady Gaga, Santana, Weezer, Steve Tyrell, and many, many others. In addition to an on-going abundance of freelance sideman work with NYC’s A-list artists, Kadleck is currently a member of many organizations, including the New York Pops, John Pizzarelli’s “Swing Seven”, the Maria Schneider Orchestra, John Fedchock’s NY Big Band, and can currently be heard on Broadway in the band for “MJ”.

To say that Kadleck is a rare bird is a major understatement. Possessing the expertise, musical acumen, phrasing, range, chops, and the desire to handle gigs as diverse as the New York Pops and The Who (for example) with straight-ahead professionalism and excellence is not common. His prowess now bears fruit on his own project, Sides (to be released on Marshall Gilkes’ Alternate Side Records on February 10, 2023), which follows up his previous big band album, Around The Horn, and his debut as a leader, Extended Outlook.

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Artwork
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Manage episode 359950378 series 83276
Treść dostarczona przez John Snell and Bob Reeves Brass Mouthpieces. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez John Snell and Bob Reeves Brass Mouthpieces lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Trumpeter/composer/arranger/bandleader/educator Tony Kadleck is one of the most sought-after trumpet players on the New York City scene, and has been for some time. He moved to NYC in 1986, following his studies at the New England Conservatory–and a stint in the trumpet section of The Buddy Rich Big Band–and his phone has been ringing ever since. For good reason; at every turn, Kadleck puts the music first, and more than takes care of business. He graduated from the Manhattan School of Music in 1989 and quickly hit the road with the likes of Frank Sinatra, Barbara Streisand, Blood Sweat & Tears, and others. Eventually, Kadleck was in such high demand locally, for studio and stage work, that touring took a back seat. He played on countless jingles, scores for TV and film, and worked with the cream of the crop, including Luther Vandross, Michael Jackson, Elton John, Celine Dion, Stevie Wonder, Ella Fitzgerald, Issac Hayes, and most recently Steely Dan, Tony Bennett/Lady Gaga, Santana, Weezer, Steve Tyrell, and many, many others. In addition to an on-going abundance of freelance sideman work with NYC’s A-list artists, Kadleck is currently a member of many organizations, including the New York Pops, John Pizzarelli’s “Swing Seven”, the Maria Schneider Orchestra, John Fedchock’s NY Big Band, and can currently be heard on Broadway in the band for “MJ”.

To say that Kadleck is a rare bird is a major understatement. Possessing the expertise, musical acumen, phrasing, range, chops, and the desire to handle gigs as diverse as the New York Pops and The Who (for example) with straight-ahead professionalism and excellence is not common. His prowess now bears fruit on his own project, Sides (to be released on Marshall Gilkes’ Alternate Side Records on February 10, 2023), which follows up his previous big band album, Around The Horn, and his debut as a leader, Extended Outlook.

  continue reading

124 odcinków

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