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The Unshakeables
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George Esquivel started making shoes for himself and some friends, up-and-coming musicians in Southern California. Soon, Hollywood came calling. And it wasn’t just celebrities who took notice. A film financier did, too. He said he wanted to invest in the company, but George soon realized his intentions weren’t what they seemed. Join Ben and special guest host Kathleen Griffith as they speak to George about the rise of Esquivel Designs. Hear what a meeting with Anna Wintour is really like, and what happens when you’re betrayed by someone inside your company. These are The Unshakeables. See omnystudio.com/listener for privacy information.…
Red Fox
Manage episode 423120453 series 1212593
Treść dostarczona przez Banjo Hangout and Banjo Hangout Members. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Banjo Hangout and Banjo Hangout Members lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Passed to us from Henry Reed Banjo gDGde
…
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188 odcinków
Manage episode 423120453 series 1212593
Treść dostarczona przez Banjo Hangout and Banjo Hangout Members. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Banjo Hangout and Banjo Hangout Members lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Passed to us from Henry Reed Banjo gDGde
…
continue reading
188 odcinków
Wszystkie odcinki
×An old folk song as learned from the singing and guitar of Barbara Dane.
From the playing of WV fiddler Melvin Wine. It closely resembles Texas/New Castle. Melvin remembered lyrics, too. It's origins go back to minstrel banjo.
Banjo: aEAC#E Derived from Melvin Wine's fiddling
Reference recording for the tab posted-- view my tabs here .
My first attempt at playing clawhammer.
The current Tune of the Week is full of links and versions and history regarding the old song also known as Frankie and Johnnie. I've arranged one from listening to Tommy Jarrell and Fred Cockerham -- one of the many links available to hear in the discussion thread. In playing along with the recording, my cello banjo was surprisingly already tuned to play along.…
From the playing of Dick Hutchison. The rest of the title stated, "Take These Shackles Off of Me." Judge Parker was a real judge who sentenced many criminals to be hung.
This is a Canadian tunes. They are often very noted and challenging. My choice of tunings has me baffled, as I just played along with a recording. It's fDFBbD. The key is apparently Bb. It would be interesting to try another tuning because this arrangement feels hard, though not really harder than others pieces I learn. Probably just more time needed here....…
Key of D and played on a 10 3/4" banjo. Old pot with a new neck.
Arranged from a combination of two old fiddlers. The oldest one is Kentucky's George Lee Hawkins. Then a newer one from Alan Jabbour helped me to smooth it out. Also listen to Tom Harleman's version on the Tune of the Week and hear an active bumblebee who you might not want to see except safely in his stopped-up jug!…
Clawhammer Banjo Version TablEdit audio capture.
This old English carol has undergone many changes. I've attempted to capture the melody as sung by Shirley Collins, an English folk singer of the 1950's.
This clawhammer arrangement is from Charlie Walden's fiddle recording, linked on Tune of the Week for Decatur Reel. It's following him pretty closely, though in a string band you wouldn't need all these notes. Charlie connects the tune to Missouri's fiddler Dwight Lamb.
Key of G and played on an 11"open back parts banjo. Vintage pot and refurbished neck.
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