The Challenges of Shooting Underwater Polaroids with Erick Regnard
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In episode #61 host Brett Stanley chats with surf and underwater photographer Erick Regnard
Erick, along with his brother Ian, created an underwater housing for a 5x4 large format polaroid camera 20 years ago, and shot some incredible photographs with it in Tahiti.
We talk about how they built the camera and housing, the technical issues they had to overcome, and what it’s like to shoot 1 frame an hour for 3 weeks.
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Episode Summary
In this episode of the underwater podcast, the host Brett Stanley interviews surf and underwater photographer Eric Renard, who along with his brother Ian, built an underwater housing for a 4x5 large format Polaroid camera 20 years ago. They shot breathtaking images in Tahiti, overcoming technical challenges, and capturing photos at a rate of one per hour for three weeks. Eric discusses the intricacies of their custom-built camera housing, the pros and cons of using a flat port versus a dome port, their meticulous pre-shot preparations, and the emotional and physical demands of the project. They also touch on the philosophical aspects of photography, the transition from film to digital, and the joy of tackling complex projects. Eric shares insights on their other photographic endeavors, the limitations and occasional frustrations of working with film, and the unique satisfaction derived from creating art the hard way, free from the shortcuts offered by digital technology.
Rozdziały
1. The Challenges of Shooting Underwater Polaroids with Erick Regnard (00:00:00)
2. Exploring Underwater Polaroid Photography (00:00:08)
3. Customized Dome Ports and Polaroid Housings (00:16:38)
4. Capturing Underwater Polaroid Photography (00:25:24)
5. Evolution of Underwater Photography (00:40:13)
6. Supporting the Underwater Podcast (00:54:20)
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