In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Picturehouse Cinemas. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Picturehouse Cinemas lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Backbeat with Iain Softley | Picturehouse
Manage episode 440778583 series 3352304
Treść dostarczona przez Picturehouse Cinemas. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Picturehouse Cinemas lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Felicity Beckett speaks to filmmaker Iain Softley about his classic film, Backbeat. Coming to Picturehouse at FACT and Duke Of York's Brighton for special 35mm screenings + Q&A this month.
In 1960, close friends Stuart Sutcliffe (Stephen Dorff) and John Lennon (Ian Hart), along with bandmates Paul McCartney (Gary Bakewell), George Harrison (Chris O'Neill), and Pete Best (Scot Williams), move to Hamburg, Germany, in search of success. Their tireless performing schedule and charismatic sound quickly put the Beatles on the road to stardom. But as Stuart falls in love with Astrid (Sheryl Lee), a local photographer, he realizes his commitment to the band isn't as strong as he thought.
If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk.
Subscribe on Apple Podcasts. Follow us on Spotify.
Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.
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Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.
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Manage episode 440778583 series 3352304
Treść dostarczona przez Picturehouse Cinemas. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Picturehouse Cinemas lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Felicity Beckett speaks to filmmaker Iain Softley about his classic film, Backbeat. Coming to Picturehouse at FACT and Duke Of York's Brighton for special 35mm screenings + Q&A this month.
In 1960, close friends Stuart Sutcliffe (Stephen Dorff) and John Lennon (Ian Hart), along with bandmates Paul McCartney (Gary Bakewell), George Harrison (Chris O'Neill), and Pete Best (Scot Williams), move to Hamburg, Germany, in search of success. Their tireless performing schedule and charismatic sound quickly put the Beatles on the road to stardom. But as Stuart falls in love with Astrid (Sheryl Lee), a local photographer, he realizes his commitment to the band isn't as strong as he thought.
If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk.
Subscribe on Apple Podcasts. Follow us on Spotify.
Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.
Produced by Stripped Media.
Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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