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E105 Contractors on the Battlefield

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Treść dostarczona przez Chris Mayer National Security and Strategy Consultant, Chris Mayer National Security, and Strategy Consultant. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Chris Mayer National Security and Strategy Consultant, Chris Mayer National Security, and Strategy Consultant lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Last week, I attended the annual “Summit” meeting of the International Stability Operations Association, or #ISOA. This association includes 200 private corporations that support U.S. and friendly government engagement across the spectrum of stability, conflict, and post conflict operations. Presentations included speakers from the US Departments of Defense, State, Justice, Commerce, and USAID. Other speakers included representatives of the Ukrainian government, experts in cyber technology and artificial intelligence, and speakers representing companies currently providing private sector support in hostile environments, such as #Ukraine. The subject material was fascinating for what was said, and sometimes what was not said. A continuous stream of thought was why we were there. Why was it that these government agencies use private sector support in armed conflict, post-conflict, and disaster relief. That is the subject of this episode of the Ancient Art of Modern Warfare.

Disclaimer: The information in these podcasts is my own opinion and does not represent that of the Department of Defense, ISOA, or any other organization I am or have been affiliated with.

Reference: Kramer, F., The sixth domain: The role of the private sector in warfare, Atlantic Council (October 2024); https://www.atlanticcouncil.org/in-depth-research-reports/report/the-sixth-domain-the-role-of-the-private-sector-in-warfare/

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101 odcinków

Artwork
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Manage episode 450686185 series 3250244
Treść dostarczona przez Chris Mayer National Security and Strategy Consultant, Chris Mayer National Security, and Strategy Consultant. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Chris Mayer National Security and Strategy Consultant, Chris Mayer National Security, and Strategy Consultant lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Last week, I attended the annual “Summit” meeting of the International Stability Operations Association, or #ISOA. This association includes 200 private corporations that support U.S. and friendly government engagement across the spectrum of stability, conflict, and post conflict operations. Presentations included speakers from the US Departments of Defense, State, Justice, Commerce, and USAID. Other speakers included representatives of the Ukrainian government, experts in cyber technology and artificial intelligence, and speakers representing companies currently providing private sector support in hostile environments, such as #Ukraine. The subject material was fascinating for what was said, and sometimes what was not said. A continuous stream of thought was why we were there. Why was it that these government agencies use private sector support in armed conflict, post-conflict, and disaster relief. That is the subject of this episode of the Ancient Art of Modern Warfare.

Disclaimer: The information in these podcasts is my own opinion and does not represent that of the Department of Defense, ISOA, or any other organization I am or have been affiliated with.

Reference: Kramer, F., The sixth domain: The role of the private sector in warfare, Atlantic Council (October 2024); https://www.atlanticcouncil.org/in-depth-research-reports/report/the-sixth-domain-the-role-of-the-private-sector-in-warfare/

Music:

  continue reading

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