Marvel’s “Wolverine: The Lost Trail” is an epic quest that takes place in the Louisiana bayou. Following the events of Marvel’s “Wolverine: The Long Night,” Logan (Richard Armitage) returns to New Orleans in search of redemption, only to discover that his ex-lover, Maureen is nowhere to be found. And she's not the only one. Dozens of humans and mutants have gone missing, including the mother of a teenage boy, Marcus Baptiste. With Weapon X in close pursuit, Logan and Marcus must team up and ...
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Shake-Scene Shakespeare: A Conversation With Lizzie Conrad-Hughes
MP3•Źródło odcinka
Manage episode 450728589 series 2798781
Treść dostarczona przez Philip Rowe. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Philip Rowe lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Episode 144:
On several occasions through the story of the renaissance theatre I have touched on how the players made use of cue sheets rather than full scripts as they rehearsed and performed plays, so I was fascinated to see that there is a company of actors working today who produce plays by Shakespeare and other renaissance playwrights using cue sheets. Although we don’t have documentary evidence about exactly how they were used at the time and therefore how the rehearsal process worked, what better way to get an understanding of how they might have been used and what impact they had on productions than to produce plays using them and work through the practical issues and artistic choices that become involved.
Shake-Scene Shakespeare have produced work for live and on-line presentation since 2017 and continue to do so today, so I was very pleased when Lizzie Conrad-Hughes, founder, company Director and book holder for the company agreed to come and talk about the experience of producing cue-based theatre for a modern audience.
https://www.shake-sceneshakespeare.co.uk/
Support the podcast at:
www.thehistoryofeuropeantheatre.com
www.patreon.com/thoetp
www.ko-fi.com/thoetp
Hosted on Acast. See acast.com/privacy for more information.
183 odcinków
MP3•Źródło odcinka
Manage episode 450728589 series 2798781
Treść dostarczona przez Philip Rowe. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Philip Rowe lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Episode 144:
On several occasions through the story of the renaissance theatre I have touched on how the players made use of cue sheets rather than full scripts as they rehearsed and performed plays, so I was fascinated to see that there is a company of actors working today who produce plays by Shakespeare and other renaissance playwrights using cue sheets. Although we don’t have documentary evidence about exactly how they were used at the time and therefore how the rehearsal process worked, what better way to get an understanding of how they might have been used and what impact they had on productions than to produce plays using them and work through the practical issues and artistic choices that become involved.
Shake-Scene Shakespeare have produced work for live and on-line presentation since 2017 and continue to do so today, so I was very pleased when Lizzie Conrad-Hughes, founder, company Director and book holder for the company agreed to come and talk about the experience of producing cue-based theatre for a modern audience.
https://www.shake-sceneshakespeare.co.uk/
Support the podcast at:
www.thehistoryofeuropeantheatre.com
www.patreon.com/thoetp
www.ko-fi.com/thoetp
Hosted on Acast. See acast.com/privacy for more information.
183 odcinków
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