19. Boucheron, “Powder Box And Lipstick Case, And Vanity Case,” About 1950 Bijoux Parisiens podcast

Artwork

Bijoux Parisiens Arts Taft Museum Of Art

Player FM - Internet Radio Done Right

Dodano eight lat temu

Treść dostarczona przez Bijoux Parisiens and Taft Museum of Art. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Bijoux Parisiens and Taft Museum of Art lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

<

<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/now-on-netflix">Now On Netflix</a></span>

<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/now-on-netflix">Now On Netflix</a></span> podcast artwork

<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/now-on-netflix">Now On Netflix</a></span> podcast artwork

1
Now On Netflix

Usuń subskrypcję

3 hours temu3h ago

Usuń subskrypcję

Co tydzień

Now On Netflix is your guide for what to watch this week on Netflix. Join the writers and editors from Tudum.com as they discuss the latest films and series coming to Netflix - and why you won't want to miss them! Celebrity interviews, exclusive insights, upcoming releases, and a behind-the-scenes look you won’t get anywhere else. New episodes every Thursday. https://www.netflix.com/tudum

Bijoux Parisiens « »
19. Boucheron, “Powder Box and Lipstick Case, and Vanity Case,” about 1950

8 lat temu 1:37

Udostępnij

MP3•Źródło odcinka

Treść dostarczona przez Bijoux Parisiens and Taft Museum of Art. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Bijoux Parisiens and Taft Museum of Art lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

During World War II, French jewelers had great difficulty securing supplies such as precious metals and gems. Boucheron’s ingenious designs for cases disguised the shortage of materials. To provide an illusory sense of luxury, the jeweler used mirrors covered with thin gold leaf, which they then engraved with decorative motifs and studded with tiny colored stones. Capturing the light, the mirror created the glimmer of more expensive materials.

… continue reading

21 odcinków

#Bijoux Parisiens #Arts #Taft Museum Of Art

Artwork

19. Boucheron, “Powder Box and Lipstick Case, and Vanity Case,” about 1950

Bijoux Parisiens

published 8 lat temu

Udostępnij

MP3•Źródło odcinka

Treść dostarczona przez Bijoux Parisiens and Taft Museum of Art. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Bijoux Parisiens and Taft Museum of Art lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

During World War II, French jewelers had great difficulty securing supplies such as precious metals and gems. Boucheron’s ingenious designs for cases disguised the shortage of materials. To provide an illusory sense of luxury, the jeweler used mirrors covered with thin gold leaf, which they then engraved with decorative motifs and studded with tiny colored stones. Capturing the light, the mirror created the glimmer of more expensive materials.

… continue reading

21 odcinków

#Bijoux Parisiens #Arts #Taft Museum Of Art

Wszystkie odcinki

×

Artwork

1
1. Introduction 1:49

8 years temu1:49

1:49

The exhibition “Bijoux Parisiens” has been produced by the Petit Palais, City of Paris Fine Arts Museum, Paris Musées, in cooperation with the Joslyn Art Museum in Omaha, Nebraska, with additional loans for this showing arranged by the Taft Museum of Art. This audio tour has been made possible through the generosity of the Docents of the Taft Museum of Art.…

Artwork

1
2. Artist Unknown, Southern Germany, “Charity Pendant,” about 1590–1600 2:04

8 years temu2:04

2:04

Worn on a chain, this pendant presents at its center a woman embracing two children, symbolizing the Christian virtue of charity. Some of the gold structure has been decorated with enamel, which is made of ground glass and pigment that produce vivid color when fired in a kiln. French creators also worked in the typical Renaissance style of this German pendant, linking diverse elements together.…

Artwork

1
3. Artist Unknown, Portugal, “Bodice Brooch (Devant de corsage),” about 1760 1:59

8 years temu1:59

1:59

During the reign of Louis XV of France (1715–1774), his courtiers preferred jewelry marked by symmetry and shining white gems. In this piece imported from Portugal, semi-precious stones—quartz and tourmaline—replaced diamonds. Like Pouget’s engravings nearby, this brooch features ribbons, flowers, and pear-shaped drops.…

Artwork

1
4. Artist Unknown, Paris, “Neoclassical Necklace,” about 1800–1810 2:19

8 years temu2:19

2:19

In this necklace, the artist elegantly suspended a medallion depicting Athena, goddess of wisdom, from two swans, a symbol associated with Napoleon’s first wife, the Empress Joséphine. Bolstering his own empire, Napoleon I set a new taste for objects based on ancient Roman art. He especially adored antique cameos, small hardstones with figures carved in relief. This enamel plaque replicates a cameo design.…

Artwork

1
5. Artist Unknown, France, “Amethyst Parure (Jewelry Set),” 1820–1830 2:15

8 years temu2:15

2:15

The restored monarchy and its court could more easily afford semi-precious stones, such as these amethysts imported from Brazil, than the much costlier rubies, emeralds, or diamonds. The creator of this jewelry set placed amethysts within wide frames of embossed and delicately chiseled gold, which he treated with economical milled edges.…

Artwork

1
6. Jules Wièse, “Bracelet,” about 1855 2:07

8 years temu2:07

2:07

In each of the linked gold medallions that compose this bracelet, finely worked silver busts emerge from emerald-green engraved enamel fields. Jules Wièse, the maker of this bracelet, drew inspiration from early Italian Renaissance sculptural busts. Wièse began his career as goldsmith for François-Désiré Froment-Meurice.…

Artwork

1
7. Eugène Fontenay for Fontana et Cie, “Necklace,” about 1865 2:02

8 years temu2:02

2:02

This necklace shows fine workmanship in the techniques of filigree (intricate patterns made from thin strands of metal) and hand-embossing (hammering out a design in relief). At the 1867 Universal Exposition in Paris, Eugène Fontenay won praise for Neo-Greek jewelry like this. In admiring and emulating the remarkable skill of ancient goldsmiths, Fontenay helped initiate the 19th-century archeological style.…

Artwork

1
8. Eugène Fontenay, enamels by Eugène Richet, “Bracelet,” about 1875 2:35

8 years temu2:35

2:35

This bracelet represents a joint product of the jeweler Eugène Fontenay and an enamellist, Eugène Richet. Venerating antiquity, they featured small painted enamel panels with scenes of an ancient Greek procession based on the Parthenon sculptures in Athens. Musicians lead the caravan, followed by the figure of Victory in a chariot—led by cherubs on leopards—and a bull to be sacrificed.…

Artwork

1
9. Lucien Falize, enamel by Claudius Popelin, “Necklace,” about 1880–1890 2:20

8 years temu2:20

2:20

This Renaissance-revival necklace features an enamel portrait of Diane de Poitiers (1499–1566), the mistress of Henri II and an art patron in Renaissance France. Both the gold frame of this enamel portrait and the style of the chains allude to Renaissance models. Further, like Renaissance pendants, which often featured initial letters and monograms, this work intertwines enameled Hs and Ds in several places to indicate the lovers’ close connection.…

Artwork

1
10. Lucien Falize, “Gothic Bracelet,” about 1880 2:05

8 years temu2:05

2:05

The sections of this Gothic-revival bracelet recall the vertical spires of a High Gothic cathedral or picture frame. The 1825 opening of the Musée de Cluny, which housed spectacular medieval art, launched the Neo-Gothic style. A national effort to restore Gothic churches commenced in the 1840s and lasted through the century.…

Artwork

1
11. Pierre-Georges Deraisme, "Putti Playing Blind Man’s Bluff," "Putti with a Perching Cat,” 1898 2:12

8 years temu2:12

2:12

Pierre–Georges Deraisme was the first of his generation to draw inspiration from the 18th century pictorial tradition of frolicking and music-making angels and cupids. Within a few years, Léopold Gautrait and Charles Jacqueau would also turn to the 18th century for design ideas for jewelry, as will be seen later in the exhibition.…

Artwork

1
12. Frédéric Boucheron, after a design by Octave Loeuillard, “Fern Brooch,” about 1880 2:47

8 years temu2:47

2:47

In the 1880s, Octave Loeuillard created a series of designs for the jeweler Frédéric Boucheron that were noted for their technique and originality. The elegant and airy Fern Brooch, which could also be worn as a hair ornament, was among them. Boucheron founded his very highly regarded jewelry house in Paris in 1858; it is still in business on the Place Vendôme in Paris.…

Artwork

1
13. Georges Fouquet, after a design by Charles Desrosiers “Thistle Leaf Bracelet,” about 1905–1909 2:18

8 years temu2:18

2:18

Georges Fouquet sometimes collaborated with the designer Charles Desrosiers, who conceived this unusual bracelet. Encircling a central opal, the thorny thistle leaves have iridescent enameled surfaces that echo and accentuate the shimmering colors of the opal.

Artwork

1
14. Georges Fouquet, “Forked Hairpin,” 1905–1906 2:46

8 years temu2:46

2:46

George Fouquet's hairpin illustrates the Art Nouveau aesthetic: it consists of organic forms punctuated by diamonds, enamel, and pearls, all used sparingly and in service to the overall design. Fouquet’s father Alphonse had founded the business in 1862, but the dynasty’s great stars were Georges and his son Jean Fouquet, whose Art Deco works appear later in the exhibition.…

Artwork

1
15. Georges Fouquet, after a design by Charles Desrosiers “Headband,” about 1910 1:59

8 years temu1:59

1:59

Georges Fouquet selected delicately colored aquamarines for this headband. Between the gems, he colored the gold structure with equally pale plique-à-jour enamels, then lined the band with small diamonds. Like most of his colleagues, Georges Fouquet moved away from Art Nouveau designs by about 1910. Hair ornaments comprised an important field of jewelry after 1910, as can be seen in this section of the exhibition.…

Zapraszamy w Player FM

Odtwarzacz FM skanuje sieć w poszukiwaniu wysokiej jakości podcastów, abyś mógł się nią cieszyć już teraz. To najlepsza aplikacja do podcastów, działająca na Androidzie, iPhonie i Internecie. Zarejestruj się, aby zsynchronizować subskrypcje na różnych urządzeniach.

Posłuchaj 500+ tematów

Skrócona instrukcja obsługi

Najlepsze podcasty

Black Hat Ultra

Mała Wielka Firma

Felieton Tomasza Olbratowskiego

Hammerzeit Podcast

YesWas | Podcast

Gość Krzysztofa Ziemca w RMF FM

Z pasją o mocnych stronach

Techniczny NXXI

Ameryka i ja - Lidia Krawczuk w RMF Classic

Prawdziwe Zbrodnie

Piąte: Nie zabijaj

Posłuchaj tego programu podczas zwiedzania