In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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))
Butch Cassidy and the Sundance Kid (1969)
Manage episode 450910667 series 2490496
Treść dostarczona przez Joey Lewandowski and Joe Two, Joey Lewandowski, and Joe Two. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Joey Lewandowski and Joe Two, Joey Lewandowski, and Joe Two lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Our first pit stop this lap is Butch Cassidy and the Sundance Kid, which lent heavy inspiration for Chris Morgan's screenplay for Fast Five. We talk about whether or not "The Sundance Kid and Butch Cassidy" has bad mouth feel, whether Paul Newman and Robert Redford are more evocative of Vin Diesel and Paul Walker or George Clooney and Brad Pitt, and why so much time in this movie is spent watching Newman do tricks on a bicycle. Joe explains why he was underwhelmed by this movie. Joey talks about what dictates the success or failure of this movie. We find a new way, sort of, to play the Letterboxd game.
Email us: family@cageclub.me
Visit our Patreon page at patreon.com/2fast2forever.
Show your support at the 2 Fast 2 Forever shop!
Extra special shout-out to Alex Elonen, Nick Burris, Brian Rodriguez (High School Slumber Party), Michael McGahon, Lane Middleton, Jason Rainey, Wes Hampton, Mike Gallier, Josh Buckley (Whole Lotta Wolves), Michael Moser, Christian Larson, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol’s Most Wanted” level or above!
Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.
391 odcinków
Udostępnij
Manage episode 450910667 series 2490496
Treść dostarczona przez Joey Lewandowski and Joe Two, Joey Lewandowski, and Joe Two. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Joey Lewandowski and Joe Two, Joey Lewandowski, and Joe Two lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Our first pit stop this lap is Butch Cassidy and the Sundance Kid, which lent heavy inspiration for Chris Morgan's screenplay for Fast Five. We talk about whether or not "The Sundance Kid and Butch Cassidy" has bad mouth feel, whether Paul Newman and Robert Redford are more evocative of Vin Diesel and Paul Walker or George Clooney and Brad Pitt, and why so much time in this movie is spent watching Newman do tricks on a bicycle. Joe explains why he was underwhelmed by this movie. Joey talks about what dictates the success or failure of this movie. We find a new way, sort of, to play the Letterboxd game.
Email us: family@cageclub.me
Visit our Patreon page at patreon.com/2fast2forever.
Show your support at the 2 Fast 2 Forever shop!
Extra special shout-out to Alex Elonen, Nick Burris, Brian Rodriguez (High School Slumber Party), Michael McGahon, Lane Middleton, Jason Rainey, Wes Hampton, Mike Gallier, Josh Buckley (Whole Lotta Wolves), Michael Moser, Christian Larson, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol’s Most Wanted” level or above!
Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.
391 odcinków
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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continue reading
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