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230 - Julia Kochetova

1:10:33
 
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Treść dostarczona przez Ben Smith. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Ben Smith lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Julia Kochetova (b. 1993) is a Ukrainian photojournalist and documentary filmmaker based in Kyiv. Her work focuses on firsthand storytelling as a method, researching topics of the war generation, post-traumatic stress disorder, and feminism.

Julia studied journalism at Taras Shevchenko National University (UA) and Mohyla School of Journalism (UA), alongside participating in IDFAcademy (NL). As a freelancer, Julia has covered the Maidan revolution (2013-2014), the annexation of Crimea (2014), and the Russia-Ukraine war (2014-now). She is a regular contributor to Der Spiegel, Vice News, Zeit, Bloomberg, The Guardian, amongst others.

In 2023, Julia won the Emmy Award for Outstanding Continuing News Coverage: Long Form with VICE News Tonight and in 2024, just a few weeks ago, was the global winner of the Open Format category in the World Press Photo awards for her multi-media project War Is Personal.

In episode 230, Julia discusses, among other things:

  • Viewing the war as a long-term project.
  • Not choosing to be a war photoghrapher.
  • Still photographs no longer ‘working’ - importance of text.
  • How her WPP winning project was done ‘last minute’.
  • Her love/hate relationship with Instagram.
  • How all her plans changed in 2014 with the Maidan Revolution.
  • Her documentary film project See You Later.
  • What she means by ‘it’s about the photographs I haven’t taken’.
  • A valuable lesson learned about behaving ethically.
  • How war has deprived her of the capacity for joy.

Referenced:

Website | Instagram

“I’m really grateful that our story is being told by Ukrainian photographers, but it never was about career ambition. We Ukrainian storytellers were never in the position that we chose to become war photographers. I keep saying I’m not a war photographer. I’m photographing war because this is what’s happening in my country. I have zero wish to photograph any other wars. I’m doing this because this is my war. That’s the only accurate skill I have.”

  • Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.
  • For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

  continue reading

62 odcinków

Artwork
iconUdostępnij
 
Manage episode 417065747 series 2639246
Treść dostarczona przez Ben Smith. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Ben Smith lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Julia Kochetova (b. 1993) is a Ukrainian photojournalist and documentary filmmaker based in Kyiv. Her work focuses on firsthand storytelling as a method, researching topics of the war generation, post-traumatic stress disorder, and feminism.

Julia studied journalism at Taras Shevchenko National University (UA) and Mohyla School of Journalism (UA), alongside participating in IDFAcademy (NL). As a freelancer, Julia has covered the Maidan revolution (2013-2014), the annexation of Crimea (2014), and the Russia-Ukraine war (2014-now). She is a regular contributor to Der Spiegel, Vice News, Zeit, Bloomberg, The Guardian, amongst others.

In 2023, Julia won the Emmy Award for Outstanding Continuing News Coverage: Long Form with VICE News Tonight and in 2024, just a few weeks ago, was the global winner of the Open Format category in the World Press Photo awards for her multi-media project War Is Personal.

In episode 230, Julia discusses, among other things:

  • Viewing the war as a long-term project.
  • Not choosing to be a war photoghrapher.
  • Still photographs no longer ‘working’ - importance of text.
  • How her WPP winning project was done ‘last minute’.
  • Her love/hate relationship with Instagram.
  • How all her plans changed in 2014 with the Maidan Revolution.
  • Her documentary film project See You Later.
  • What she means by ‘it’s about the photographs I haven’t taken’.
  • A valuable lesson learned about behaving ethically.
  • How war has deprived her of the capacity for joy.

Referenced:

Website | Instagram

“I’m really grateful that our story is being told by Ukrainian photographers, but it never was about career ambition. We Ukrainian storytellers were never in the position that we chose to become war photographers. I keep saying I’m not a war photographer. I’m photographing war because this is what’s happening in my country. I have zero wish to photograph any other wars. I’m doing this because this is my war. That’s the only accurate skill I have.”

  • Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.
  • For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

  continue reading

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