In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez An A to Z of UK TV drama and An A to Z of UK Television Drama. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez An A to Z of UK TV drama and An A to Z of UK Television Drama lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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2.20 Tutti Frutti
Manage episode 433457555 series 2664470
Treść dostarczona przez An A to Z of UK TV drama and An A to Z of UK Television Drama. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez An A to Z of UK TV drama and An A to Z of UK Television Drama lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This month Andy and Martin review the highly regarded 1987 BAFTA-winning Scottish drama Tutti Frutti, written by John Byrne and starring Robbie Coltrane and Emma Thompson. Unfortunately Andy disputes that high regard and is staggered that Fortunes of War (also with Thompson), another best drama nominee that year, lost out to it. He finds Tutti Frutti to be deeply unfunny and its joyful depiction of toxic masculinity difficult to stomach. Martin on the other hand believes it has merits with several characters and situations that are well drawn and memorable. Not since GBH has an old show disappointed Andy so much and and as a consequence caused such discomfort to his co-host. Have you watched it recently? And if so, what did you think? Next Time: Undermind
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Manage episode 433457555 series 2664470
Treść dostarczona przez An A to Z of UK TV drama and An A to Z of UK Television Drama. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez An A to Z of UK TV drama and An A to Z of UK Television Drama lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This month Andy and Martin review the highly regarded 1987 BAFTA-winning Scottish drama Tutti Frutti, written by John Byrne and starring Robbie Coltrane and Emma Thompson. Unfortunately Andy disputes that high regard and is staggered that Fortunes of War (also with Thompson), another best drama nominee that year, lost out to it. He finds Tutti Frutti to be deeply unfunny and its joyful depiction of toxic masculinity difficult to stomach. Martin on the other hand believes it has merits with several characters and situations that are well drawn and memorable. Not since GBH has an old show disappointed Andy so much and and as a consequence caused such discomfort to his co-host. Have you watched it recently? And if so, what did you think? Next Time: Undermind
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Podobny do An A to Z of UK Television Drama
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
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continue reading
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continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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