In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Best Supporting Podcast, Colin Drucker, and Nick Kochanov. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Best Supporting Podcast, Colin Drucker, and Nick Kochanov lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Episode 231: "This is Morocco."
Manage episode 431941357 series 2566043
Treść dostarczona przez Best Supporting Podcast, Colin Drucker, and Nick Kochanov. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Best Supporting Podcast, Colin Drucker, and Nick Kochanov lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
A month of international interpersonal dramas between the Real Housewives of New York ends with the Season 4 melodrama that is Morocco. We’ve got all the original wives, including Alex fighting with the strength of ten out of control camels. (Or perhaps a herd of buffalo.) Kelly is here to make it weird, Jill Zarin digs up two seasons of resentment and has a lot of architecture related questions, and Ramona is a blizzard of chaos arm in arm with a very different version of the Sonja slip sliding off of dining room chairs in later seasons. Also, don’t miss one season wonder Cindy, who has less lines (so to speak) than Mario in his 11th hour cameo. At the heart of it all is Countess Luann ruling the riad with a henna-covered fist. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov
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Manage episode 431941357 series 2566043
Treść dostarczona przez Best Supporting Podcast, Colin Drucker, and Nick Kochanov. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Best Supporting Podcast, Colin Drucker, and Nick Kochanov lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
A month of international interpersonal dramas between the Real Housewives of New York ends with the Season 4 melodrama that is Morocco. We’ve got all the original wives, including Alex fighting with the strength of ten out of control camels. (Or perhaps a herd of buffalo.) Kelly is here to make it weird, Jill Zarin digs up two seasons of resentment and has a lot of architecture related questions, and Ramona is a blizzard of chaos arm in arm with a very different version of the Sonja slip sliding off of dining room chairs in later seasons. Also, don’t miss one season wonder Cindy, who has less lines (so to speak) than Mario in his 11th hour cameo. At the heart of it all is Countess Luann ruling the riad with a henna-covered fist. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov
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290 odcinków
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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continue reading
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continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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