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Treść dostarczona przez Scottish Book Trust. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Scottish Book Trust lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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The Ocean at the End of the Lane

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Manage episode 210707185 series 34976
Treść dostarczona przez Scottish Book Trust. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Scottish Book Trust lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This month, host Sasha de Buyl is joined by Graphic Scotland's Ariadne Cass-Maran and Scottish Book Trust's own Michael Merillo to discuss Neil Gaiman's latest novel for adults, The Ocean at the End of the Lane. But is this book, about a man who looks back on his childhood haunts and adventures and his friendship with a very unusual girl, really meant for adults, or is it a children's book masquerading as something for the older crowd? The question is a surprisingly complex one, as the novel deals with many dark themes in a fairly delicate manner, while touching on the magic and whimsy of childhood and employing a structure -- two children meet and have fantastical adventures -- that frequently appears in children's fiction. The novel's audience isn't the only matter up for debate. Other discussions that arise include: * Is the narrator too unreliable or too much of an empty vessel to be interesting on his own, or does his emptiness signify something important (and devastating) about him? * Did the grim relationship between the narrator and his father hit home and bring up any (less traumatic, hopefully!) memories from your own childhood? * Is the book worthy of the praise that's been heaped upon it since its publication? Hear what our panel thought about these and other questions!
  continue reading

67 odcinków

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The Ocean at the End of the Lane

Book Talk

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iconUdostępnij
 
Manage episode 210707185 series 34976
Treść dostarczona przez Scottish Book Trust. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Scottish Book Trust lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This month, host Sasha de Buyl is joined by Graphic Scotland's Ariadne Cass-Maran and Scottish Book Trust's own Michael Merillo to discuss Neil Gaiman's latest novel for adults, The Ocean at the End of the Lane. But is this book, about a man who looks back on his childhood haunts and adventures and his friendship with a very unusual girl, really meant for adults, or is it a children's book masquerading as something for the older crowd? The question is a surprisingly complex one, as the novel deals with many dark themes in a fairly delicate manner, while touching on the magic and whimsy of childhood and employing a structure -- two children meet and have fantastical adventures -- that frequently appears in children's fiction. The novel's audience isn't the only matter up for debate. Other discussions that arise include: * Is the narrator too unreliable or too much of an empty vessel to be interesting on his own, or does his emptiness signify something important (and devastating) about him? * Did the grim relationship between the narrator and his father hit home and bring up any (less traumatic, hopefully!) memories from your own childhood? * Is the book worthy of the praise that's been heaped upon it since its publication? Hear what our panel thought about these and other questions!
  continue reading

67 odcinków

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