Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Brierly Hill 90210 presents... 1971
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Manage episode 365089035 series 1435457
Treść dostarczona przez Brierly Hill 90210 and Podcast hosted by Jon Miller. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Brierly Hill 90210 and Podcast hosted by Jon Miller lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In this episode you going to hear from artists that are the epitome of 1970s music; T Rex, Rod Stewart, David Bowie, Led Zeppelin, what have you. But there's a new sound creeping in that doesn't even have a name yet! Discotheques had been popping up in Europe as early as the second World War. The shortened term “disco” first appeared in 1964 to describe a fashion and a certain type of LA night club. It wasn't used to describe a style of music until 1973 but there's a prelude to that in a couple of songs you'll hear in this episode. You've probably heard bits of it previously (Sly and the Family Stone comes immediately to mind) as the sounds of rhythm and blues, soul, gospel and funk started to align. Motown had added a distinctive sound of their own, bringing in disco elements, including the bass and orchestra. Contributions come out of Philadelphia and New York plus the role of the UK can't be misstated either with the sounds of northern soul and the newly emerging glam-rock also playing their part. But before this turns into a whole musical history lecture, let's get on with the show. Welcome to 1971.
…
continue reading
71 odcinków
MP3•Źródło odcinka
Manage episode 365089035 series 1435457
Treść dostarczona przez Brierly Hill 90210 and Podcast hosted by Jon Miller. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Brierly Hill 90210 and Podcast hosted by Jon Miller lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In this episode you going to hear from artists that are the epitome of 1970s music; T Rex, Rod Stewart, David Bowie, Led Zeppelin, what have you. But there's a new sound creeping in that doesn't even have a name yet! Discotheques had been popping up in Europe as early as the second World War. The shortened term “disco” first appeared in 1964 to describe a fashion and a certain type of LA night club. It wasn't used to describe a style of music until 1973 but there's a prelude to that in a couple of songs you'll hear in this episode. You've probably heard bits of it previously (Sly and the Family Stone comes immediately to mind) as the sounds of rhythm and blues, soul, gospel and funk started to align. Motown had added a distinctive sound of their own, bringing in disco elements, including the bass and orchestra. Contributions come out of Philadelphia and New York plus the role of the UK can't be misstated either with the sounds of northern soul and the newly emerging glam-rock also playing their part. But before this turns into a whole musical history lecture, let's get on with the show. Welcome to 1971.
…
continue reading
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