In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode #83 | Platon Theodoris
Manage episode 337133479 series 1202793
Treść dostarczona przez Cinema Australia. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Cinema Australia lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Hello and welcome to Cinema Australia Podcast. I’m very excited to be discussing the wonderfully weird, and outrageously funny The Lonely Spirits Variety Hour with the film’s director and co-writer Platon Theodoris. The Lonely Spirits Variety Hour follows radio host Neville Umbrellaman. When Neville lands in hospital, a group of unexpected performers crash his show, The Lonely Spirits Variety Hour. Platon Theodoris is an Australian film director, producer and screenwriter. His debut feature film, Alvin’s Harmonious World of Opposites, had its world premiere at the Revelation Perth International Film Festival back in 2015 and I’ve been anticipating his next film ever since. Platon is one of the most unique filmmakers working in Australia today. If you’ve seen Alvin’s and Lonely Spirits I’m sure you will agree, and if you haven’t seen those films then you really need to amend that ASAP. In this interview Platon discusses everything from his first viewing of the original stage play on which the film was based, continue his work with this incredible group of actors he’s built a community around, as well as some technical aspects of his filmmaking.
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Manage episode 337133479 series 1202793
Treść dostarczona przez Cinema Australia. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Cinema Australia lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Hello and welcome to Cinema Australia Podcast. I’m very excited to be discussing the wonderfully weird, and outrageously funny The Lonely Spirits Variety Hour with the film’s director and co-writer Platon Theodoris. The Lonely Spirits Variety Hour follows radio host Neville Umbrellaman. When Neville lands in hospital, a group of unexpected performers crash his show, The Lonely Spirits Variety Hour. Platon Theodoris is an Australian film director, producer and screenwriter. His debut feature film, Alvin’s Harmonious World of Opposites, had its world premiere at the Revelation Perth International Film Festival back in 2015 and I’ve been anticipating his next film ever since. Platon is one of the most unique filmmakers working in Australia today. If you’ve seen Alvin’s and Lonely Spirits I’m sure you will agree, and if you haven’t seen those films then you really need to amend that ASAP. In this interview Platon discusses everything from his first viewing of the original stage play on which the film was based, continue his work with this incredible group of actors he’s built a community around, as well as some technical aspects of his filmmaking.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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