Every Breath I Take by Gene Pitney
MP3•Źródło odcinka
Manage episode 414969015 series 3032691
Treść dostarczona przez Classic 45's Jukebox. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Classic 45's Jukebox lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Label: Musicor 1011
Year: 1961
Condition: M-
Price: $40.00
Here's a beautiful original pressing of this early Pitney/Spector masterpiece of doo-wop-style pop craft, in a Near Mint copy of the release's striking picture sleeve (see scan). (This is the second pressing on the tan/black Musicor label; first pressings are on the gray label.) Besides Pitney's performance, of course, what makes this recording truly special is Phil Spector's production chops -- one of his earliest "Wall of Sound" efforts. (He also produced the Pitney-penned flip.) Add to that the stunning music and lyrics by Gerry Goffin & Carole King, and you have the makings of a pop masterpiece. Note: The 45 itself has Mint labels, and the audio grades very close to Mint despite some light scuffing on the surface.
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Year: 1961
Condition: M-
Price: $40.00
Here's a beautiful original pressing of this early Pitney/Spector masterpiece of doo-wop-style pop craft, in a Near Mint copy of the release's striking picture sleeve (see scan). (This is the second pressing on the tan/black Musicor label; first pressings are on the gray label.) Besides Pitney's performance, of course, what makes this recording truly special is Phil Spector's production chops -- one of his earliest "Wall of Sound" efforts. (He also produced the Pitney-penned flip.) Add to that the stunning music and lyrics by Gerry Goffin & Carole King, and you have the makings of a pop masterpiece. Note: The 45 itself has Mint labels, and the audio grades very close to Mint despite some light scuffing on the surface.
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