In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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EP 93: Hush... Hush, My Darling!
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Treść dostarczona przez The Classic Horrors Club Podcast. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Classic Horrors Club Podcast lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Jeff and Richard revisit the Hagsploitation subgenre with two films: Hush... Hush, Sweet Charlotte (1964) and Die! Die! My Darling! (1965.) Spoiler alert: we liked them both, but agree that while one is a better movie, the other one is more fun. Do you dare venture a guess as to which is which? The only way to find out for sure is to listen to our latest episode. As Bette Davis swings her meat cleaver at Bruce Dern and Tallulah Bankhead plunges her giant knife toward Stefanie Powers, please take your seat so we can begin this month's meeting...
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Manage episode 401790456 series 2163839
Treść dostarczona przez The Classic Horrors Club Podcast. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Classic Horrors Club Podcast lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Jeff and Richard revisit the Hagsploitation subgenre with two films: Hush... Hush, Sweet Charlotte (1964) and Die! Die! My Darling! (1965.) Spoiler alert: we liked them both, but agree that while one is a better movie, the other one is more fun. Do you dare venture a guess as to which is which? The only way to find out for sure is to listen to our latest episode. As Bette Davis swings her meat cleaver at Bruce Dern and Tallulah Bankhead plunges her giant knife toward Stefanie Powers, please take your seat so we can begin this month's meeting...
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…
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