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Episode #166 Small Illuminations from REFUSE TO DISAPPEAR w/Special Guest Tara Betts

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Treść dostarczona przez Close Talking: A Poetry Podcast and Cardboard Box Productions. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Close Talking: A Poetry Podcast and Cardboard Box Productions lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Connor and Jack are joined by special guest Tara Betts to discuss the poem "Small Illuminations" from her forthcoming collection REFUSE TO DISAPPEAR. They discuss the legacy of Margaret Taylor-Burroughs, the realities of incarceration, and how the collection REFUSE TO DISAPPEAR grew over time. Get a copy of REFUSE TO DISAPPEAR, here: https://wordworksbooks.org/product/refuse-to-disappear/#:~:text=In%20Refuse%20to%20Disappear%20Tara,devoted%20attention%20to%20Black%20Life. Small Illuminations By: Tara Betts I. Albert is a gentle tower. His arms arched over tabletop like bridge beams or girders. Even if he does not understand everything he reads, he smiles like a good kid, like the kid he probably was 30-some-years ago when he was in the wrong car with the wrong people at the wrong time that he will never get back. II. The attention to detail borders on flawless. Unscuffed white sneakers, perfected lined fades tucked under precisely folded skullies immaculate with what you got as a clean, hard-fought pride. III. One week, I bring crisp folders, a bundle of sharpened pencils with full pink erasers, round and soft as a doll’s blush. They rub away small errors, clearing smudges from a page like an actual correction. IV. I look for Albert’s easy grin first when I walk into the concrete block classroom. Locked in the education building, relieved that the broken window denies the cold like a plea. One brother in blues with thermal sleeves peeking out of the dull faded ocean of cloth arching over his torso. A cellmate hands me the slightly worn, safeguarded, staple-bound book of poems— the signature resolute and matching letters of a poet’s name who strolled into prison like a mother without fear of any child. Margaret Burroughs—more than a decade since she left the cell of her body. I clutch her poems knowing how they passed from her hands like a prayer. We both smile— small illuminations in a dark hell—when the cellmate says Albert wanted you to have this. He got transferred. He knew you’d keep it safe. Find us on Facebook at: facebook.com/closetalking Find us on Twitter at: twitter.com/closetalking Find us on Instagram: @closetalkingpoetry You can always send us an e-mail with thoughts on this or any of our previous podcasts, as well as suggestions for future shows, at closetalkingpoetry@gmail.com.
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187 odcinków

Artwork
iconUdostępnij
 
Manage episode 331364974 series 1325627
Treść dostarczona przez Close Talking: A Poetry Podcast and Cardboard Box Productions. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Close Talking: A Poetry Podcast and Cardboard Box Productions lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Connor and Jack are joined by special guest Tara Betts to discuss the poem "Small Illuminations" from her forthcoming collection REFUSE TO DISAPPEAR. They discuss the legacy of Margaret Taylor-Burroughs, the realities of incarceration, and how the collection REFUSE TO DISAPPEAR grew over time. Get a copy of REFUSE TO DISAPPEAR, here: https://wordworksbooks.org/product/refuse-to-disappear/#:~:text=In%20Refuse%20to%20Disappear%20Tara,devoted%20attention%20to%20Black%20Life. Small Illuminations By: Tara Betts I. Albert is a gentle tower. His arms arched over tabletop like bridge beams or girders. Even if he does not understand everything he reads, he smiles like a good kid, like the kid he probably was 30-some-years ago when he was in the wrong car with the wrong people at the wrong time that he will never get back. II. The attention to detail borders on flawless. Unscuffed white sneakers, perfected lined fades tucked under precisely folded skullies immaculate with what you got as a clean, hard-fought pride. III. One week, I bring crisp folders, a bundle of sharpened pencils with full pink erasers, round and soft as a doll’s blush. They rub away small errors, clearing smudges from a page like an actual correction. IV. I look for Albert’s easy grin first when I walk into the concrete block classroom. Locked in the education building, relieved that the broken window denies the cold like a plea. One brother in blues with thermal sleeves peeking out of the dull faded ocean of cloth arching over his torso. A cellmate hands me the slightly worn, safeguarded, staple-bound book of poems— the signature resolute and matching letters of a poet’s name who strolled into prison like a mother without fear of any child. Margaret Burroughs—more than a decade since she left the cell of her body. I clutch her poems knowing how they passed from her hands like a prayer. We both smile— small illuminations in a dark hell—when the cellmate says Albert wanted you to have this. He got transferred. He knew you’d keep it safe. Find us on Facebook at: facebook.com/closetalking Find us on Twitter at: twitter.com/closetalking Find us on Instagram: @closetalkingpoetry You can always send us an e-mail with thoughts on this or any of our previous podcasts, as well as suggestions for future shows, at closetalkingpoetry@gmail.com.
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