Artwork

Treść dostarczona przez Collider. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Collider lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Player FM - aplikacja do podcastów
Przejdź do trybu offline z Player FM !

Adria Arjona Interview: From Emerald City to Hit Man & Star Wars

31:52
 
Udostępnij
 

Manage episode 422456318 series 2913033
Treść dostarczona przez Collider. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Collider lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Adria Arjona has been showing off her impeccable craft and great range for years now, but Hit Man might be one of her most impressive performances of the bunch. She isn’t playing a femme fatale in the film, rather, she’s playing a woman playing a femme fatale to better suit what she thinks her new beau wants to see in a potential partner — which is exactly what he’s doing to her. It's a mighty complicated concept that demands the most refined screenplay and deft performances.


Glen Powell headlines Richard Linklater’s Hit Man as the title character, in a sense. Powell’s Gary isn’t a hit man, but rather, a “hit man.” He’s a college professor who moonlights for the New Orleans Police Department by posing as a hit man in attempt to catch people trying to off an enemy. It turns out, Gary is quite good at the gig, effortlessly adapting his image to the type of hit man he thinks his target would best respond to. However, one target throws him for a loop — Arjona’s Madison. Madison is struggling with an abusive husband and sees no way out, so tries to hire Gary, posing as Ron, to kill him. Trouble is, Gary winds up falling for Madison, and she winds up falling for him, too — but as Ron.


Hit Man is an utterly delightful and hugely entertaining neo-noir, one that required maximum precision to pull off. Powell isn’t the only one playing a person putting on a persona in the film. So is Arjona. Pulling off such a performance in a way that holds tight to the grounded challenges that put their characters in these positions is no easy task, but Arjona excels tackling the challenge. While Madison was likely a strong character on the page, there's no doubt that Arjona's work is what makes her soar.


How’d Arjona acquire the skill set to genre jump, entertain and craft a deeply human character all at once? That’s exactly what we discussed during our Collider Ladies Night interview in celebration of the release of Hit Man, which is now available to stream on Netflix.



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

231 odcinków

Artwork
iconUdostępnij
 
Manage episode 422456318 series 2913033
Treść dostarczona przez Collider. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Collider lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Adria Arjona has been showing off her impeccable craft and great range for years now, but Hit Man might be one of her most impressive performances of the bunch. She isn’t playing a femme fatale in the film, rather, she’s playing a woman playing a femme fatale to better suit what she thinks her new beau wants to see in a potential partner — which is exactly what he’s doing to her. It's a mighty complicated concept that demands the most refined screenplay and deft performances.


Glen Powell headlines Richard Linklater’s Hit Man as the title character, in a sense. Powell’s Gary isn’t a hit man, but rather, a “hit man.” He’s a college professor who moonlights for the New Orleans Police Department by posing as a hit man in attempt to catch people trying to off an enemy. It turns out, Gary is quite good at the gig, effortlessly adapting his image to the type of hit man he thinks his target would best respond to. However, one target throws him for a loop — Arjona’s Madison. Madison is struggling with an abusive husband and sees no way out, so tries to hire Gary, posing as Ron, to kill him. Trouble is, Gary winds up falling for Madison, and she winds up falling for him, too — but as Ron.


Hit Man is an utterly delightful and hugely entertaining neo-noir, one that required maximum precision to pull off. Powell isn’t the only one playing a person putting on a persona in the film. So is Arjona. Pulling off such a performance in a way that holds tight to the grounded challenges that put their characters in these positions is no easy task, but Arjona excels tackling the challenge. While Madison was likely a strong character on the page, there's no doubt that Arjona's work is what makes her soar.


How’d Arjona acquire the skill set to genre jump, entertain and craft a deeply human character all at once? That’s exactly what we discussed during our Collider Ladies Night interview in celebration of the release of Hit Man, which is now available to stream on Netflix.



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

231 odcinków

Alle Folgen

×
 
Loading …

Zapraszamy w Player FM

Odtwarzacz FM skanuje sieć w poszukiwaniu wysokiej jakości podcastów, abyś mógł się nią cieszyć już teraz. To najlepsza aplikacja do podcastów, działająca na Androidzie, iPhonie i Internecie. Zarejestruj się, aby zsynchronizować subskrypcje na różnych urządzeniach.

 

Skrócona instrukcja obsługi