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Kathleen Spanos and Sinclair Emoghene on Dancing in the World: Revealing Cultural Confluences
Manage episode 428071009 series 3333481
Treść dostarczona przez John E. Drabinski, Journal of French, and Francophone Philosophy. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez John E. Drabinski, Journal of French, and Francophone Philosophy lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
You’re listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theory to the black Atlantic to sites of indigenous resistance and self-articulation, as well as the complex geography of thinking between traditions, inside traditions, and from positions of insurgency, critique, and counternarrative.
Today's discussion is with Dr. Kathleen Spanos and Sinclair Emoghene. In this conversation, Sinclair and Dr. Spanos present a framework for dance practitioners and researchers working in diverse dance cultures to navigate academia and the professional dance field. The framework is based on the idea of “cultural confluences,” conjuring up an image of bodies of water meeting and flowing into and past one another, migrating through what they refer to as the mainstream and non-mainstream. Through an analysis of language, aesthetic values, spaces, creative processes, and archival research practices, the book offers a collaborative model for communicating the value that marginalized dance communities bring to the field.
Learn more at www.danceconfluences.com and follow them on Instagram @danceconfluences.
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