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Catholic India's 'Master of Chaos'

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Treść dostarczona przez Thomas Mirus. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Thomas Mirus lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Introducing a director you almost certainly haven't heard of - but who is well worth getting to know. Lijo Jose Pellissery is one of the major artists of a new movement that has developed over the last decade in the Malayalam film industry - that is, the cinema made in Kerala, the region where India's Christians have lived for many centuries.

All of Pellissery's films are set within Indian Catholic or Orthodox communities. Indeed, while the director is clearly influenced by Western movies, much of his films' vitality comes from how regionally rooted they are, not just in Kerala but even in specific cities and villages.

Pellissery's films show a remarkable level of craft, artistry and experimentation considering their mainstream success in India - indeed, as James Majewski says by contrast with contemporary Hollywood, this seems to be what an "alive film culture" looks like. Within the Malayalam film industry, Pellissery is known as the "Master of Chaos", presumably due to the spontaneous feeling of his scenes, often featuring large, rambunctious crowds, and perhaps also the way situations in his stories tend to spiral out of control. His films keep you riveted in a way that is not manipulative, and they are unpredictable without being dependent on contrived twists.

James and Thomas feature three of Pellissery's films in this discussion, in order to explore his diversity of genre:

Jallikattu is an off-the-wall action movie about villagers trying to chase down an escaped bull - framed within quotations from the book of Revelation which seem to indicate that the bull represents Satan. Ee.Ma.Yau (which means "Jesus, Mary, Joseph")) is about a son struggling to provide a good funeral for his father, but constantly being frustrated by his own limits. Pellissery's most recent film, Like an Afternoon Dream, is a slow, surreal drama - arguably a ghost story - about a man who suddenly takes on another man's identity.

Here are links to view the films in their original Malayalam language with English subtitles:

Jallikattu https://www.amazon.com/Jallikattu-Antony-Varghese/dp/B07ZQMQ9TT

Ee.Ma.Yau https://www.youtube.com/watch?v=mZNDgzLsPZ8&ab_channel=OPMRecords

Like an Afternoon Dream https://www.netflix.com/title/81676305

This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

Go to Catholic Culture's website for tons of written content, including news, articles, liturgical year info, and a vast library of documents: https://www.catholicculture.org

Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

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108 odcinków

Artwork
iconUdostępnij
 
Manage episode 379602206 series 2794588
Treść dostarczona przez Thomas Mirus. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Thomas Mirus lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

Introducing a director you almost certainly haven't heard of - but who is well worth getting to know. Lijo Jose Pellissery is one of the major artists of a new movement that has developed over the last decade in the Malayalam film industry - that is, the cinema made in Kerala, the region where India's Christians have lived for many centuries.

All of Pellissery's films are set within Indian Catholic or Orthodox communities. Indeed, while the director is clearly influenced by Western movies, much of his films' vitality comes from how regionally rooted they are, not just in Kerala but even in specific cities and villages.

Pellissery's films show a remarkable level of craft, artistry and experimentation considering their mainstream success in India - indeed, as James Majewski says by contrast with contemporary Hollywood, this seems to be what an "alive film culture" looks like. Within the Malayalam film industry, Pellissery is known as the "Master of Chaos", presumably due to the spontaneous feeling of his scenes, often featuring large, rambunctious crowds, and perhaps also the way situations in his stories tend to spiral out of control. His films keep you riveted in a way that is not manipulative, and they are unpredictable without being dependent on contrived twists.

James and Thomas feature three of Pellissery's films in this discussion, in order to explore his diversity of genre:

Jallikattu is an off-the-wall action movie about villagers trying to chase down an escaped bull - framed within quotations from the book of Revelation which seem to indicate that the bull represents Satan. Ee.Ma.Yau (which means "Jesus, Mary, Joseph")) is about a son struggling to provide a good funeral for his father, but constantly being frustrated by his own limits. Pellissery's most recent film, Like an Afternoon Dream, is a slow, surreal drama - arguably a ghost story - about a man who suddenly takes on another man's identity.

Here are links to view the films in their original Malayalam language with English subtitles:

Jallikattu https://www.amazon.com/Jallikattu-Antony-Varghese/dp/B07ZQMQ9TT

Ee.Ma.Yau https://www.youtube.com/watch?v=mZNDgzLsPZ8&ab_channel=OPMRecords

Like an Afternoon Dream https://www.netflix.com/title/81676305

This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

Go to Catholic Culture's website for tons of written content, including news, articles, liturgical year info, and a vast library of documents: https://www.catholicculture.org

Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

  continue reading

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