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The Uterus as a Narrative Space in Cinema from the Americas. With Dr Anne Carruthers
Manage episode 300293125 series 2887605
Treść dostarczona przez Dr R. Sanchez-Rivera and Dr Rebecca Ogden, Dr R. Sanchez-Rivera, and Dr Rebecca Ogden. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Dr R. Sanchez-Rivera and Dr Rebecca Ogden, Dr R. Sanchez-Rivera, and Dr Rebecca Ogden lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Dr Anne Carruthers is an Associate Lecturer in the School of Modern Languages at Newcastle University where she teaches film studies. Her research interests lie in phenomenologies, narrative, and close textual analysis, and she has published on how pregnancy, the pregnant body, and the physical are explored in film. In this conversation, we talk about her new book titled Fertile Visions: The Uterus as a Narrative Space in Cinema from the Americas, published by Bloomsbury. We discuss the uterus as a narrative space, the concept of pregnant embodiment, and the impact reproductive technologies such as ultrasound, which allow us to visualize the unborn, have on our understanding of pregnancy and reproduction, and the legal moral implications that follow in variously framing the unborn as subject and object.
Links
Fertile Visions: The Uterus as a Narrative Space in Cinema from the Americas https://www.bloomsbury.com/uk/fertile-visions-9781501358579/. Use code GLR TW7 at Bloomsbury.com for 35% off.
Carruthers, Anne. "Temporality, reproduction and the not-yet in Denis Villeneuve's Arrival." Film-Philosophy 22.3 (2018): 321-339. https://www.euppublishing.com/doi/full/10.3366/film.2018.0083
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