In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Cultural Capital podcast and Cultural Capital. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Cultural Capital podcast and Cultural Capital lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Episode 53 - Ecstasy, CASFFA, AACTA Film Festival and The House With a Clock in its Walls
Manage episode 217031877 series 1162522
Treść dostarczona przez Cultural Capital podcast and Cultural Capital. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Cultural Capital podcast and Cultural Capital lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
The "Hedy Lamarr came over the oceans" edition. A wave of film festivals has hit Melbourne and Cultural Capital are surfing its crest, megaphone in one hand, ticket stub in the other, calling it as we see it. Anders and Eloise get the lowdown on the highlights of the Czech and Slovak Film Festival (CASFFA)from its programmer Cerise Howard, including a review of the 1933 game-changer Ecstasy. Meanwhile, the AACTA film festival may just be screening for members but festival host Andy has all the insights about Australian films that may be winning awards and getting wider release. Andy also reviews the blockbuster The House With a Clock in its Walls within seconds of the embargo lifting. That's how we roll at Cultural Capital: biweekly, yet thrillingly relevant. 01:00 Ecstasy (1933) 11:52 An interview with CASFFA festival head Cerise Howard 24:55 CASFFA 26:45 Cultural Capital Film Diary 28:55 AACTA Film Festival with particular focus on Just Between Us, Lost Gully Road and The Flip Side. 44:56 The House With a Clock in its Walls
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Manage episode 217031877 series 1162522
Treść dostarczona przez Cultural Capital podcast and Cultural Capital. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Cultural Capital podcast and Cultural Capital lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
The "Hedy Lamarr came over the oceans" edition. A wave of film festivals has hit Melbourne and Cultural Capital are surfing its crest, megaphone in one hand, ticket stub in the other, calling it as we see it. Anders and Eloise get the lowdown on the highlights of the Czech and Slovak Film Festival (CASFFA)from its programmer Cerise Howard, including a review of the 1933 game-changer Ecstasy. Meanwhile, the AACTA film festival may just be screening for members but festival host Andy has all the insights about Australian films that may be winning awards and getting wider release. Andy also reviews the blockbuster The House With a Clock in its Walls within seconds of the embargo lifting. That's how we roll at Cultural Capital: biweekly, yet thrillingly relevant. 01:00 Ecstasy (1933) 11:52 An interview with CASFFA festival head Cerise Howard 24:55 CASFFA 26:45 Cultural Capital Film Diary 28:55 AACTA Film Festival with particular focus on Just Between Us, Lost Gully Road and The Flip Side. 44:56 The House With a Clock in its Walls
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continue reading
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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