In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez Wilson, Ben, and Eli. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Wilson, Ben, and Eli lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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046. Abderrahmane Sissako: Timbuktu
Manage episode 331422150 series 2848684
Treść dostarczona przez Wilson, Ben, and Eli. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Wilson, Ben, and Eli lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Deep Cut begins a special three-episode run on Malian/Mauritanian director Abderrahmane Sissako with his poetic, vibrant tragedy Timbuktu (2014). Wilson contextualizes Sissako’s most well-known work within Sissako’s varied and inventive filmography, Ben considers the humanizing characterization of the film’s jihadist characters, and Eli breaks down one of his favorite shots in cinema history. Sissako is the first filmmaker born in Africa covered on the podcast, but tune in to find out why both Sissako and the DC Trio reject the notion of a singular “African Film” culture.
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Manage episode 331422150 series 2848684
Treść dostarczona przez Wilson, Ben, and Eli. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Wilson, Ben, and Eli lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Deep Cut begins a special three-episode run on Malian/Mauritanian director Abderrahmane Sissako with his poetic, vibrant tragedy Timbuktu (2014). Wilson contextualizes Sissako’s most well-known work within Sissako’s varied and inventive filmography, Ben considers the humanizing characterization of the film’s jihadist characters, and Eli breaks down one of his favorite shots in cinema history. Sissako is the first filmmaker born in Africa covered on the podcast, but tune in to find out why both Sissako and the DC Trio reject the notion of a singular “African Film” culture.
Help shepherd the cattle in our free Patreon, discord server, and all our links @ www.deepcutpod.com
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