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The Brief: Creativity multipliers and how nature informs design

 
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Treść dostarczona przez The Curiosity Department. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Curiosity Department lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

In this issue of The Brief:

  1. How to multiply creativity with lessons from Pixar, OK GO, and Meta

  2. How to stay connected to nature to fuel your creativity, with Natsai Audrey Chieza, David Sedaris, and John Cleese.

  3. Videos, books, and articles to challenge and inspire


Come meet Eli and Aarron in person in Austin Oct 28-30 at UserTesting’s The Human Insight Summit (THiS). We’ll be recording a Design Better episode live on stage! And learn about UX, user research and more from a stellar line up of speakers. Use code DesignBetter50 to get 50% off your ticket.


Creativity multipliers

By Aarron Walter

The most dangerous word in creative collaborations is me.

It represents a thirst for ownership, credit, and recognition. It crowds out contributions from others and shuts down dialogue that could lead ideas in new directions.

Pixar co-founder and former CEO, Ed Catmull, told us that when he asked himself which parts of the Oscar winning film Toy Story represented his contribution, he was separating himself from the team.

At left, Ed Catmull, next to his longtime collaborator Steve Jobs

“... how much of [Toy Story] was me? I realized trying to answer that question is an act of separation. And that isn't what happened. There is no separation. There is no line.

Trying to answer that leads you down a bad path. We really are doing this together. And if we do this well, then it's very fulfilling, it's emotionally fulfilling, and it makes a difference.”

Ed Catmull, Pixar co-founder and CEO

Creative collaboration at its best can have a multiplier effect. Like a timpani drum rumbles to crescendo under many mallets, ideas are amplified as they are shaped by many minds.

“When a collaboration works, it feels like cheating to everybody involved. I came in with a really good idea and I'm leaving with an even better one. If there's a lot of territorialism over credit, that can't work.”

Damien Kulash, OK Go front man

Damien Kulash, front-man of OK GO, calls this phenomenon the “one plus one equals more than two factor”.

“If what we want is this amazing thing and everybody who's involved is part of this amazing thing then it's very additive and everybody who puts something into it gets the total out of it.”

Damien Kulash, OK Go front man

Read more

  continue reading

11 odcinków

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iconUdostępnij
 
Manage episode 444511652 series 3606961
Treść dostarczona przez The Curiosity Department. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez The Curiosity Department lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

In this issue of The Brief:

  1. How to multiply creativity with lessons from Pixar, OK GO, and Meta

  2. How to stay connected to nature to fuel your creativity, with Natsai Audrey Chieza, David Sedaris, and John Cleese.

  3. Videos, books, and articles to challenge and inspire


Come meet Eli and Aarron in person in Austin Oct 28-30 at UserTesting’s The Human Insight Summit (THiS). We’ll be recording a Design Better episode live on stage! And learn about UX, user research and more from a stellar line up of speakers. Use code DesignBetter50 to get 50% off your ticket.


Creativity multipliers

By Aarron Walter

The most dangerous word in creative collaborations is me.

It represents a thirst for ownership, credit, and recognition. It crowds out contributions from others and shuts down dialogue that could lead ideas in new directions.

Pixar co-founder and former CEO, Ed Catmull, told us that when he asked himself which parts of the Oscar winning film Toy Story represented his contribution, he was separating himself from the team.

At left, Ed Catmull, next to his longtime collaborator Steve Jobs

“... how much of [Toy Story] was me? I realized trying to answer that question is an act of separation. And that isn't what happened. There is no separation. There is no line.

Trying to answer that leads you down a bad path. We really are doing this together. And if we do this well, then it's very fulfilling, it's emotionally fulfilling, and it makes a difference.”

Ed Catmull, Pixar co-founder and CEO

Creative collaboration at its best can have a multiplier effect. Like a timpani drum rumbles to crescendo under many mallets, ideas are amplified as they are shaped by many minds.

“When a collaboration works, it feels like cheating to everybody involved. I came in with a really good idea and I'm leaving with an even better one. If there's a lot of territorialism over credit, that can't work.”

Damien Kulash, OK Go front man

Damien Kulash, front-man of OK GO, calls this phenomenon the “one plus one equals more than two factor”.

“If what we want is this amazing thing and everybody who's involved is part of this amazing thing then it's very additive and everybody who puts something into it gets the total out of it.”

Damien Kulash, OK Go front man

Read more

  continue reading

11 odcinków

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