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#572 - Robert Eggers on Nosferatu

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Manage episode 457470840 series 115436
Treść dostarczona przez Film at Lincoln Center Podcast and Film at Lincoln Center. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Film at Lincoln Center Podcast and Film at Lincoln Center lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This week we’re excited to present a conversation with writer/director Robert Eggers who recently joined us for a Q&A following a screening of his highly anticipated new feature Nosferatu. Across four intensely stylish, powerfully atmospheric and richly detailed feature films, Robert Eggers has established himself as one of contemporary cinema’s most singular auteurs. His work looks to different historical periods, folkloric traditions, and the abject and the arcane alike to craft enigmatic and utterly gripping parables about madness, the antagonism between man and nature, and desire as all-consuming compulsion. But his films, while deeply researched and steeped in worlds that themselves predate the advent of cinema, are nevertheless plainly the output of a passionate cinephile, an artist both in conversation with film history and in conversation with the the history of the occult. This is particularly evident in his latest, Nosferatu, which takes up the challenge of reinventing the story of Dracula after the seminal treatments by F.W. Murnau, Tod Browning, Werner Herzog, and Francis Ford Coppola, to name a few. This February, Film at Lincoln Center is excited to present Conjuring Nosferatu: Robert Eggers Presents, a special series made up of the films that inspired Eggers’s spellbinding new take on fiction’s most famous monster, an eclectic can’t-miss array of gothic Hollywood deep cuts, rare works of Eastern European folk horror, and captivating evocations of 18th-century England, as well as a special screening on 35mm of his own Nosferatu. Stay tuned to filmlinc.org for more information. This conversation was moderated by FLC programmer Dan Sullivan.
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Artwork
iconUdostępnij
 
Manage episode 457470840 series 115436
Treść dostarczona przez Film at Lincoln Center Podcast and Film at Lincoln Center. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Film at Lincoln Center Podcast and Film at Lincoln Center lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
This week we’re excited to present a conversation with writer/director Robert Eggers who recently joined us for a Q&A following a screening of his highly anticipated new feature Nosferatu. Across four intensely stylish, powerfully atmospheric and richly detailed feature films, Robert Eggers has established himself as one of contemporary cinema’s most singular auteurs. His work looks to different historical periods, folkloric traditions, and the abject and the arcane alike to craft enigmatic and utterly gripping parables about madness, the antagonism between man and nature, and desire as all-consuming compulsion. But his films, while deeply researched and steeped in worlds that themselves predate the advent of cinema, are nevertheless plainly the output of a passionate cinephile, an artist both in conversation with film history and in conversation with the the history of the occult. This is particularly evident in his latest, Nosferatu, which takes up the challenge of reinventing the story of Dracula after the seminal treatments by F.W. Murnau, Tod Browning, Werner Herzog, and Francis Ford Coppola, to name a few. This February, Film at Lincoln Center is excited to present Conjuring Nosferatu: Robert Eggers Presents, a special series made up of the films that inspired Eggers’s spellbinding new take on fiction’s most famous monster, an eclectic can’t-miss array of gothic Hollywood deep cuts, rare works of Eastern European folk horror, and captivating evocations of 18th-century England, as well as a special screening on 35mm of his own Nosferatu. Stay tuned to filmlinc.org for more information. This conversation was moderated by FLC programmer Dan Sullivan.
  continue reading

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