In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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#8: Tessa Blake
Manage episode 184061427 series 1517883
Treść dostarczona przez filmonomics @ slated and Filmonomics @ slated. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez filmonomics @ slated and Filmonomics @ slated lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Manage episode 184061427 series 1517883
Treść dostarczona przez filmonomics @ slated and Filmonomics @ slated. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez filmonomics @ slated and Filmonomics @ slated lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
The success of WONDER WOMAN & MOONLIGHT can fool us into thinking diversity issues are in the rear-view mirror. Hear from Tessa Blake how the AFI is addressing the film industry’s often unconscious bias - and why it is still easier for her to become a welder than a filmmaker.
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