“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 2, “LA Made: The Barbie Tapes,” tells the backstory of the world’s most popular doll, Barbie. Barbie is a cultural icon but what do you really know about her? Hear Barbie's origin story from the peopl ...
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Treść dostarczona przez Brenda Scott. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Brenda Scott lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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000 Introducing Fotos, Fiddles, & Felines - and Brenda Scott
MP3•Źródło odcinka
Manage episode 277632019 series 1130584
Treść dostarczona przez Brenda Scott. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Brenda Scott lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Fotos, Fiddle, & Felines is a new, weekly podcast created by Brenda Scott for photography, music, and cat lovers. Each month Scott interviews photographers, musicians, cat experts, and related specialists and provides updates on her current exhibit work.
Dr. Brenda Scott is an art photographer, cellist, writer, and independent scholar based in Durham, North Carolina. She has been playing with cameras for more than 30 years and digital photography for over a decade. Originally trained as a musician and organologist, she worked as a curator of a musical instrument museum for just over 10 years before leaving academia to pursue a freelance career.
Her "Stagville: Black & White" exhibit of 64 images was displayed for nearly two years, opening at the North Carolina Museum of History, a Smithsonian affiliate, and then moving to The Museum of the Cape Fear in Fayetteville. It is now part of the Southern Historical Collection at UNC Chapel Hill.
Her current photographic exhibit work focuses on connections between the Scottish Highlands and North Carolina, using as its starting point the life of Flora MacDonald. Her current writing projects center on the cello; she is completing a history of the British cello and a novel about a small cello, called The Scottish Wildcat. Musically, she continues to experiment with the small, lion-headed instrument she commissioned from John Pringle in 2014.
Although primarily focused on creating her own art, she enjoys teaching and has over 25 years of experience. Her cello teachers included William Pleeth, Fred Raimi, and Rochelle Kidd. Scott earned a doctorate from the University of Oxford (Somerville College) for her research on the history of the British cello; a master’s degree in cello performance from Auburn University; a bachelor’s degree in interdisciplinary studies – music history, art history, and archaeology – from UNC Chapel Hill; and a second bachelor’s degree in fine art photography from the Academy of Art University.
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continue reading
Dr. Brenda Scott is an art photographer, cellist, writer, and independent scholar based in Durham, North Carolina. She has been playing with cameras for more than 30 years and digital photography for over a decade. Originally trained as a musician and organologist, she worked as a curator of a musical instrument museum for just over 10 years before leaving academia to pursue a freelance career.
Her "Stagville: Black & White" exhibit of 64 images was displayed for nearly two years, opening at the North Carolina Museum of History, a Smithsonian affiliate, and then moving to The Museum of the Cape Fear in Fayetteville. It is now part of the Southern Historical Collection at UNC Chapel Hill.
Her current photographic exhibit work focuses on connections between the Scottish Highlands and North Carolina, using as its starting point the life of Flora MacDonald. Her current writing projects center on the cello; she is completing a history of the British cello and a novel about a small cello, called The Scottish Wildcat. Musically, she continues to experiment with the small, lion-headed instrument she commissioned from John Pringle in 2014.
Although primarily focused on creating her own art, she enjoys teaching and has over 25 years of experience. Her cello teachers included William Pleeth, Fred Raimi, and Rochelle Kidd. Scott earned a doctorate from the University of Oxford (Somerville College) for her research on the history of the British cello; a master’s degree in cello performance from Auburn University; a bachelor’s degree in interdisciplinary studies – music history, art history, and archaeology – from UNC Chapel Hill; and a second bachelor’s degree in fine art photography from the Academy of Art University.
15 odcinków
MP3•Źródło odcinka
Manage episode 277632019 series 1130584
Treść dostarczona przez Brenda Scott. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Brenda Scott lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Fotos, Fiddle, & Felines is a new, weekly podcast created by Brenda Scott for photography, music, and cat lovers. Each month Scott interviews photographers, musicians, cat experts, and related specialists and provides updates on her current exhibit work.
Dr. Brenda Scott is an art photographer, cellist, writer, and independent scholar based in Durham, North Carolina. She has been playing with cameras for more than 30 years and digital photography for over a decade. Originally trained as a musician and organologist, she worked as a curator of a musical instrument museum for just over 10 years before leaving academia to pursue a freelance career.
Her "Stagville: Black & White" exhibit of 64 images was displayed for nearly two years, opening at the North Carolina Museum of History, a Smithsonian affiliate, and then moving to The Museum of the Cape Fear in Fayetteville. It is now part of the Southern Historical Collection at UNC Chapel Hill.
Her current photographic exhibit work focuses on connections between the Scottish Highlands and North Carolina, using as its starting point the life of Flora MacDonald. Her current writing projects center on the cello; she is completing a history of the British cello and a novel about a small cello, called The Scottish Wildcat. Musically, she continues to experiment with the small, lion-headed instrument she commissioned from John Pringle in 2014.
Although primarily focused on creating her own art, she enjoys teaching and has over 25 years of experience. Her cello teachers included William Pleeth, Fred Raimi, and Rochelle Kidd. Scott earned a doctorate from the University of Oxford (Somerville College) for her research on the history of the British cello; a master’s degree in cello performance from Auburn University; a bachelor’s degree in interdisciplinary studies – music history, art history, and archaeology – from UNC Chapel Hill; and a second bachelor’s degree in fine art photography from the Academy of Art University.
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continue reading
Dr. Brenda Scott is an art photographer, cellist, writer, and independent scholar based in Durham, North Carolina. She has been playing with cameras for more than 30 years and digital photography for over a decade. Originally trained as a musician and organologist, she worked as a curator of a musical instrument museum for just over 10 years before leaving academia to pursue a freelance career.
Her "Stagville: Black & White" exhibit of 64 images was displayed for nearly two years, opening at the North Carolina Museum of History, a Smithsonian affiliate, and then moving to The Museum of the Cape Fear in Fayetteville. It is now part of the Southern Historical Collection at UNC Chapel Hill.
Her current photographic exhibit work focuses on connections between the Scottish Highlands and North Carolina, using as its starting point the life of Flora MacDonald. Her current writing projects center on the cello; she is completing a history of the British cello and a novel about a small cello, called The Scottish Wildcat. Musically, she continues to experiment with the small, lion-headed instrument she commissioned from John Pringle in 2014.
Although primarily focused on creating her own art, she enjoys teaching and has over 25 years of experience. Her cello teachers included William Pleeth, Fred Raimi, and Rochelle Kidd. Scott earned a doctorate from the University of Oxford (Somerville College) for her research on the history of the British cello; a master’s degree in cello performance from Auburn University; a bachelor’s degree in interdisciplinary studies – music history, art history, and archaeology – from UNC Chapel Hill; and a second bachelor’s degree in fine art photography from the Academy of Art University.
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