Guitar lesson on using sequences for the ‘wow’ factor and beyond the Pentatonic box

Guitar Lessons with Tune in, Tone up!

Sign up as an All Access student to TrueFire here: https://prf.hn/l/3Y32QvV Sign up to TrueFire today: https://prf.hn/l/MDmJ5bB Save 30% on anything at TrueFire with promo code "TONEUP30" Hey everyone! We are really pleased to be able to share the great news that TrueFire – the most excellent, expansive and extensive online lessons platform – have decided to sponsor our podcast until Christmas. Their product is so well thought out and educational that Dan and I are confident that you will find it an inspirational and valuable addition to your guitar learning arsenal. Sign up and receive 14 days to decide before you wish to pay for your subscription, without even needing to enter your card details. You really have nothing to lose and a world of knowledge and skills to gain. Our lesson today is about gaining some go to and rehearsed sequences and ways of travelling around the fretboard between the different pentatonic patterns. There are some great ideas within on breaking out of the pentatonic box and developing some methods of linking the scale patterns as you are improvising. The benefit of rehearsing these sequences is that you can practise them and woodshed them to be able to deliver them at speeds which will really add some rhythmic fairy dust and exude the ‘wow’ factor. Timings for the SoundCloud audio version 00:00:34 TrueFire introduction 00:02:16 First improvisation 00:06:29 Review of last episode 00:07:24 Introduction to today's podcast 00:08:20 Getting away from box shapes and scale patterns 00:08:47 The 12th fret Em Pentatonic and spicing it up 00:11:24 Look at strings in 3 pairs - E and A, D and G, B and E 00:12:28 Mention of Tom Quayle 00:13:41 Limit your lick to two strings then repeat in three octaves 00:14:04 Example of this idea 00:15:43 Full Em scale with 3 notes on E string, then 4 notes on A x3 00:16:26 The Em scale over two strings, repeated 00:17:24 Em pentatonic same idea: [E, G, A / B, >D] 00:18:00 Repeat x4 on these strings: EA, AD, DG, BE 00:19:34 2nd Jam over the track 00:24:01 End of improv 00:24:32 The useful logic of the layout of notes on a piano (vs the guitar) 00:25:09 Use fret markers as guides 00:27:21 Minor pentatonic with an A root note 00:30:02 Reminders of scales 00:31:01 How to travel from position 4 to position 1? 00:31:20 Going through position 5 00:31:41 Linking patterns together 00:31:58 Hammer on two strings, return to the second note in 5s 00:32:46 Carry the sequences up on the two middle strings 00:34:01 Use the 3 notes sequence to transfer positions 00:35:39 Slow breakdown 00:36:41 Connect using the four note pattern sequence 00:37:52 Going down in fours on the top E and B string 00:38:53 You can do this same sequence but in reverse 00:39:42 The 'trick bag' 00:40:55 Different keys 00:41:19 Phrygian solo ideas 00:42:02 Dan identifying the plateau which may come from getting stuck in the Blues pattern 00:42:20 Extend the time spent going from A to B by sequencing 00:42:43 Sequence across patterns to extend the duration 00:43:22 Be melodic but be able to extend your phrases by using sequences 00:44:30 To develop your own sound develop flairs, styles and ways of negotiating the fretboard 00:45:49 The wow factor: Joe Bonamassa and developing playing full of sequences and symmetry 00:46:19 How to make things symmetrical 00:48:17 Guthrie Govan: Creative Guitar 00:49:04 Summary: 1) duplicate patterns on pairs of strings 2) learn sequences to connect patterns 00:50:35 Isolate the sequence