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New Orleans French Quarter Part 2
Manage episode 380176660 series 3507996
Treść dostarczona przez Big Pond Podcasts and Tattered Tales Media Co.. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Big Pond Podcasts and Tattered Tales Media Co. lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
Are you ready to journey into the spectral heart of the French Quarter at the Andrew Jackson Hotel? Brace yourselves as we, together with Jennifer Talley from the New Orleans Paranormal Society, peel back the layers of this notoriously haunted location. A tragic past envelops this site, once a Spanish school and orphanage that met a fiery end, resulting in untimely deaths. As we tread lightly, we unveil the tales of Armand, Walter, and Paul - spirits forever trapped in time, each with their harrowing narratives.
Join us as we delve deeper into the mysteries that shroud the Andrew Jackson Hotel. Experience the peculiar, non-human energy that dwells within its walls, an energy so unique it rejects traditional paranormal equipment. Through the insight of mediums, we unravel this energy as the amalgamation of various spirits. Offering tobacco and coffee as a form of respect, we witness some unexpected events that will leave you gripping your seats.
As we bid adieu to the Andrew Jackson Hotel, we depart with some valuable insights for those daredevils who wish to explore haunted locations on their own. Learn about the different levels of Loa, and the criticality of respect and caution in the realm of the paranormal. Strap in for this thrilling episode that seamlessly weaves history, mystery, and the macabre into an unforgettable narrative.
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At times when reporting facts regarding a true crime, or history (and photos) multiple sources use the same wording. Every effort is made to avoid any copyright infringements and no single work was intentionally plagiarized when reporting the facts of the crimes or the telling of the stories.
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