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Treść dostarczona przez Horror Homeroom. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Horror Homeroom lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Retro Dread: Talking The Final Girls (2015) and Summer of 84 (2018)
Manage episode 359293171 series 3462087
Treść dostarczona przez Horror Homeroom. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Horror Homeroom lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
It's a totally bitchin' two for one on this episode of Horror Homeroom Conversations in which we head back to the 1980s with Todd Strauss-Schulson’s The Final Girls (2015) and François Simard, Anouk Whissell and Yoann-Karl Whissell’s Summer of 84 (2018). Criminally underrated, both films deploy depictions of nostalgia in order to reflect and then disrupt audience expectation of Reagan's America. In doing so, each film reveals a surprising depth that challenges horror film conventions. --- Support this podcast: https://podcasters.spotify.com/pod/show/horror-homeroom/support
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Manage episode 359293171 series 3462087
Treść dostarczona przez Horror Homeroom. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Horror Homeroom lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
It's a totally bitchin' two for one on this episode of Horror Homeroom Conversations in which we head back to the 1980s with Todd Strauss-Schulson’s The Final Girls (2015) and François Simard, Anouk Whissell and Yoann-Karl Whissell’s Summer of 84 (2018). Criminally underrated, both films deploy depictions of nostalgia in order to reflect and then disrupt audience expectation of Reagan's America. In doing so, each film reveals a surprising depth that challenges horror film conventions. --- Support this podcast: https://podcasters.spotify.com/pod/show/horror-homeroom/support
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