In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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THE BEST MOVIES YOU MISSED IN 2024
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Manage episode 458064845 series 1145579
Treść dostarczona przez House of Crouse and Richard Crouse. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez House of Crouse and Richard Crouse lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
As you may or may not know, when I’m not here talking to you on my show, I can be seen on the CTVNewsChannel and loads of other places talking about movies. I saw almost three hundred movies this year, wrote reviews for two hundred of those and there were high highs and the very lowest of lows. I rate my movies on a scale of 10 to 5 stars. I never a full 5 stars because nothing is perfect, but this year there were several 4 ½ star movies. The lowest rating I have ever given was "Minus Infinity x 10" for a movie whose name I will never mention again. Most movies fall into the 3 to 3 ½ star category, but there is a fairly wide range. Ten percent of the movies I see every year are terrible, ten percent are great but 80 percent fall into that mushy middle. Good to almost great. I don’t care about the box office. I love it when a movie makes a lot of money because it means the industry is healthy and people are supporting theatres, and that’s a good thing, but just because a movie makes bank doesn’t mean it is a good movie. Every now and again, though, there are movies that, for whatever reason, are great, but don’t connect with audiences. There have been a few of those this year, and for every movie that took a well-deserved dive, like “Joker: Folie a Deux” or “Borderlands” there were others that should have found an audience. On this show I’ll tell you about those movies!
…
continue reading
569 odcinków
MP3•Źródło odcinka
Manage episode 458064845 series 1145579
Treść dostarczona przez House of Crouse and Richard Crouse. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez House of Crouse and Richard Crouse lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
As you may or may not know, when I’m not here talking to you on my show, I can be seen on the CTVNewsChannel and loads of other places talking about movies. I saw almost three hundred movies this year, wrote reviews for two hundred of those and there were high highs and the very lowest of lows. I rate my movies on a scale of 10 to 5 stars. I never a full 5 stars because nothing is perfect, but this year there were several 4 ½ star movies. The lowest rating I have ever given was "Minus Infinity x 10" for a movie whose name I will never mention again. Most movies fall into the 3 to 3 ½ star category, but there is a fairly wide range. Ten percent of the movies I see every year are terrible, ten percent are great but 80 percent fall into that mushy middle. Good to almost great. I don’t care about the box office. I love it when a movie makes a lot of money because it means the industry is healthy and people are supporting theatres, and that’s a good thing, but just because a movie makes bank doesn’t mean it is a good movie. Every now and again, though, there are movies that, for whatever reason, are great, but don’t connect with audiences. There have been a few of those this year, and for every movie that took a well-deserved dive, like “Joker: Folie a Deux” or “Borderlands” there were others that should have found an audience. On this show I’ll tell you about those movies!
…
continue reading
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