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Treść dostarczona przez Sony Music, Elizabeth Day, and Sony Music Entertainment. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sony Music, Elizabeth Day, and Sony Music Entertainment lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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James Blunt - ‘The Iraq war lost me my GRAMMYS’

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Manage episode 446449922 series 3303053
Treść dostarczona przez Sony Music, Elizabeth Day, and Sony Music Entertainment. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sony Music, Elizabeth Day, and Sony Music Entertainment lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

TW: miscarriage and pregnancy loss

You’ll probably have heard of James Blunt. And if you haven’t, you’ve almost definitely heard his most famous song, You’re Beautiful. There was a time in the early 2000s that it was EVERYWHERE. And that’s because James Blunt was absolutely huge. His debut 2004 album, Back To Bedlam, was the biggest-selling album of the decade in the UK, shifting over 12 million copies. I know!! TWELVE MILLION.

He has released another six albums since then, every one of them a top 10 hit, winning two Brit Awards and two Ivor Novellos along the way.

But Blunt faced an astonishing cultural backlash for his ubiquity - eventually choosing to fight back in his own words on Twitter, where he rapidly became known for his acerbic put-downs and self-deprecating humour.

He joins me to talk about the ‘honour’ of being a ‘one-hit wonder’, his rejection by every single major record label and his failure to win any Grammys, despite being nominated for five in one night. We also talk about his friendship with the late Carrie Fisher, whether he bears a grudge against any of the musicians who slagged him off (looking at you, Damon Albarn and Noel Gallagher), the absurdity of fame and - in a moving exchange - the male experience of miscarriage.

At points, his humour was so dry it took me a couple of seconds to realise he’d made a joke. Listening back, I can confirm I find him utterly hilarious.

Back To Bedlam is about to be released as a remastered 20th anniversary edition.

Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com

Production & Post Production Manager: Eric Ryan

Studio and Mix Engineer: Matias Torres Sole and Josh Gibbs

Producer: Hannah Talbot

Executive Producer: Carly Maile

Head of Marketing: Kieran Lancini

How to Fail is an Elizabeth Day and Sony Music Entertainment Production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts

To bring your brand to life in this podcast, email podcastadsales@sonymusic.com

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

265 odcinków

Artwork
iconUdostępnij
 
Manage episode 446449922 series 3303053
Treść dostarczona przez Sony Music, Elizabeth Day, and Sony Music Entertainment. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Sony Music, Elizabeth Day, and Sony Music Entertainment lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

TW: miscarriage and pregnancy loss

You’ll probably have heard of James Blunt. And if you haven’t, you’ve almost definitely heard his most famous song, You’re Beautiful. There was a time in the early 2000s that it was EVERYWHERE. And that’s because James Blunt was absolutely huge. His debut 2004 album, Back To Bedlam, was the biggest-selling album of the decade in the UK, shifting over 12 million copies. I know!! TWELVE MILLION.

He has released another six albums since then, every one of them a top 10 hit, winning two Brit Awards and two Ivor Novellos along the way.

But Blunt faced an astonishing cultural backlash for his ubiquity - eventually choosing to fight back in his own words on Twitter, where he rapidly became known for his acerbic put-downs and self-deprecating humour.

He joins me to talk about the ‘honour’ of being a ‘one-hit wonder’, his rejection by every single major record label and his failure to win any Grammys, despite being nominated for five in one night. We also talk about his friendship with the late Carrie Fisher, whether he bears a grudge against any of the musicians who slagged him off (looking at you, Damon Albarn and Noel Gallagher), the absurdity of fame and - in a moving exchange - the male experience of miscarriage.

At points, his humour was so dry it took me a couple of seconds to realise he’d made a joke. Listening back, I can confirm I find him utterly hilarious.

Back To Bedlam is about to be released as a remastered 20th anniversary edition.

Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com

Production & Post Production Manager: Eric Ryan

Studio and Mix Engineer: Matias Torres Sole and Josh Gibbs

Producer: Hannah Talbot

Executive Producer: Carly Maile

Head of Marketing: Kieran Lancini

How to Fail is an Elizabeth Day and Sony Music Entertainment Production.

Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts

To bring your brand to life in this podcast, email podcastadsales@sonymusic.com

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

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