In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Treść dostarczona przez MarBelle. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez MarBelle lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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))
KNEECAP: Rich Peppiatt on Jokes as Molotov Cocktails in His BIFA Winning Feature Debut
Manage episode 453054623 series 1581
Treść dostarczona przez MarBelle. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez MarBelle lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
A film which we’ve been endlessly quoting here at DN and that has already bagged a Sundance Audience Award and four BIFA wins (with 10 more nominations still up for grabs), Kneecap director Rich Peppiatt joins us for a chat about his bewilderment over the reactionary backlash to the film before it had even screened, how not coming from Ireland freed him to take shots at all sides and standing strong against conflicting notes from funders in order to not sacrifice the integrity of his blisteringly entertaining film.
[Watch/Read the full interview]
Links
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Check out all of our BIFA conversations
Head to Directors Notes for more filmmaker interviews and to watch our daily selection of new films. If you’d like your film featured on DN, submit it here.
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Instagram
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Manage episode 453054623 series 1581
Treść dostarczona przez MarBelle. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez MarBelle lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
A film which we’ve been endlessly quoting here at DN and that has already bagged a Sundance Audience Award and four BIFA wins (with 10 more nominations still up for grabs), Kneecap director Rich Peppiatt joins us for a chat about his bewilderment over the reactionary backlash to the film before it had even screened, how not coming from Ireland freed him to take shots at all sides and standing strong against conflicting notes from funders in order to not sacrifice the integrity of his blisteringly entertaining film.
[Watch/Read the full interview]
Links
BAD ASS BITCHES: Screening, Q&A + Networking Tickets
Check out all of our BIFA conversations
Head to Directors Notes for more filmmaker interviews and to watch our daily selection of new films. If you’d like your film featured on DN, submit it here.
Find us at:
Instagram
YouTube
Letterboxd
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Sign up for the weekly DN newsletter
43 odcinków
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Podobny do Independent Film Podcast Interviews
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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