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Treść dostarczona przez James Elden. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez James Elden lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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Playwright's Spotlight with Paul Braverman

1:25:33
 
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Manage episode 334241644 series 3300254
Treść dostarczona przez James Elden. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez James Elden lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

In this episode, I speak to playwright Paul Braverman about developing your own local playwrights' guild, obstacles in playwriting, and how detailed one should go when writing stage directions. We also discuss the use of parentheticals, using long-form improve to write short plays and how it can also benefit full length pieces, the tricks of rereading pdf formats of your work, and the process of creating characters and developing plot. I learned a lot myself from this interview, and I hope you walk away with just as much if not more.
Paul Braverman is a Bay Area playwright whose plays have received dozens of readings and productions, both nationally and internationally. He has been a wildcard finalist three times at Short & Sweet in Sydney, Australia and is a past finalist for the Heideman Award. Paul's one-act play Sins Borne was presented at the Edinburgh Fringe and the Last Frontier Theatre Conference in Valdez, Alaska. Other plays include Captive Audition, Stuck in the Middle, The Alpha Bindleman, and the Frankie Payne noir trilogy. He is a member of the Dramatists Guild and is a co-founding member of the Pear Theatre Playwrights Guild.
To watch the video version of this interview, visit the link below -
https://youtu.be/arkON7IEnA4
Links and resources discussed in this episode -
Pear Playwrights Guild -
https://www.thepear.org/guild
Bay Area Theatre Sports -
https://www.improv.org
City Theatre Miami -
https://www.citytheatre.com
The Last Frontier Theatre Conference -
http://www.theatreconference.org
New Play Exchange -
https://newplayexchange.org
Contact Info for Paul Braverman -
pabraver@yahoo.com
Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com
PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the Show.

  continue reading

67 odcinków

Artwork
iconUdostępnij
 
Manage episode 334241644 series 3300254
Treść dostarczona przez James Elden. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez James Elden lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

In this episode, I speak to playwright Paul Braverman about developing your own local playwrights' guild, obstacles in playwriting, and how detailed one should go when writing stage directions. We also discuss the use of parentheticals, using long-form improve to write short plays and how it can also benefit full length pieces, the tricks of rereading pdf formats of your work, and the process of creating characters and developing plot. I learned a lot myself from this interview, and I hope you walk away with just as much if not more.
Paul Braverman is a Bay Area playwright whose plays have received dozens of readings and productions, both nationally and internationally. He has been a wildcard finalist three times at Short & Sweet in Sydney, Australia and is a past finalist for the Heideman Award. Paul's one-act play Sins Borne was presented at the Edinburgh Fringe and the Last Frontier Theatre Conference in Valdez, Alaska. Other plays include Captive Audition, Stuck in the Middle, The Alpha Bindleman, and the Frankie Payne noir trilogy. He is a member of the Dramatists Guild and is a co-founding member of the Pear Theatre Playwrights Guild.
To watch the video version of this interview, visit the link below -
https://youtu.be/arkON7IEnA4
Links and resources discussed in this episode -
Pear Playwrights Guild -
https://www.thepear.org/guild
Bay Area Theatre Sports -
https://www.improv.org
City Theatre Miami -
https://www.citytheatre.com
The Last Frontier Theatre Conference -
http://www.theatreconference.org
New Play Exchange -
https://newplayexchange.org
Contact Info for Paul Braverman -
pabraver@yahoo.com
Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com
PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the Show.

  continue reading

67 odcinków

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