In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Smokey and the Bandit (1977) With Cars and Comrades
Manage episode 444457177 series 3528111
Treść dostarczona przez Evan. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Evan lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In this episode, we analyze the iconic 1977 film "Smokey and the Bandit" with the hosts of Cars and Comrades. We share our personal connections to the movie, discussing how it shaped our views on truck driving and outlaw culture, particularly through Brandon's experience. The conversation revolves around the Bandit's wild quest to transport Coors beer and critiques the comedic representation of law enforcement, exemplified by Sheriff Buford T. Justice. We delve into the film's themes of working-class solidarity and anti-authoritarianism, highlighting the camaraderie among truckers and the Bandit’s folk hero status. Our analysis also touches on the humor, improvised dialogue, and gender roles, particularly through Sally Field's character. As we reflect on the film's lasting legacy, we share personal ratings and recommendations, reiterating its significance for car enthusiasts and fans of classic comedy, all while reinforcing our mission to explore car culture from a leftist perspective.
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
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Manage episode 444457177 series 3528111
Treść dostarczona przez Evan. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Evan lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
In this episode, we analyze the iconic 1977 film "Smokey and the Bandit" with the hosts of Cars and Comrades. We share our personal connections to the movie, discussing how it shaped our views on truck driving and outlaw culture, particularly through Brandon's experience. The conversation revolves around the Bandit's wild quest to transport Coors beer and critiques the comedic representation of law enforcement, exemplified by Sheriff Buford T. Justice. We delve into the film's themes of working-class solidarity and anti-authoritarianism, highlighting the camaraderie among truckers and the Bandit’s folk hero status. Our analysis also touches on the humor, improvised dialogue, and gender roles, particularly through Sally Field's character. As we reflect on the film's lasting legacy, we share personal ratings and recommendations, reiterating its significance for car enthusiasts and fans of classic comedy, all while reinforcing our mission to explore car culture from a leftist perspective.
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
157 odcinków
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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Determining if all these so called classic films are indeed just that.
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