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Treść dostarczona przez Che Marville. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Che Marville lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
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A Conversation with Theatre Director and Professor Aleksandar Lukac

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Treść dostarczona przez Che Marville. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Che Marville lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

In today's episode, Che had an opportunity to speak to the inspiring Political Theatre Director and York University Professor of Dramaturgy, Aleksandar Lukac. Che studied with Professor Lukac at Glendon College.

20 years ago and found him to be one of the most exciting and compelling teachers she had ever encountered. His obsession, the exploration of human absurdity is relevant now more than ever. Aleksander has been awarded Best Director at The Festival of Serbian Theatres a record six times. His notable Canadian productions include ARC’s North American premiere of Family Stories-Belgrade, Hong Kong Idea Festival bound Unicorn Horns, Company of Sirens’ Black Magic and a series of productions at Talk Is Free Theatre including Bulgakov’s Moliere (Kiev Festival). Born in Sarajevo, he grew up attending political and experimental theatre in Sarajevo. He lived in New York while his father was a foreign correspondent for a Sarajevo newspaper and Montreal as a teen and then Yugoslavia where he studied theatre at the Belgrade Academy/Faculty of Dramatic Arts. He was the Artistic Director of the National Theatre, Belgrade, Aleksandar Lukac and directed over a hundred professional productions internationally including Yugoslavia, Holland, Canada and Serbia. Currently, he is teaching students from around the world over zoom, and he shares his observations and experiences of teaching theatre during a pandemic and exploring the ludicrousness of this collective moment.

  continue reading

90 odcinków

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iconUdostępnij
 
Manage episode 299865256 series 2818535
Treść dostarczona przez Che Marville. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Che Marville lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.

In today's episode, Che had an opportunity to speak to the inspiring Political Theatre Director and York University Professor of Dramaturgy, Aleksandar Lukac. Che studied with Professor Lukac at Glendon College.

20 years ago and found him to be one of the most exciting and compelling teachers she had ever encountered. His obsession, the exploration of human absurdity is relevant now more than ever. Aleksander has been awarded Best Director at The Festival of Serbian Theatres a record six times. His notable Canadian productions include ARC’s North American premiere of Family Stories-Belgrade, Hong Kong Idea Festival bound Unicorn Horns, Company of Sirens’ Black Magic and a series of productions at Talk Is Free Theatre including Bulgakov’s Moliere (Kiev Festival). Born in Sarajevo, he grew up attending political and experimental theatre in Sarajevo. He lived in New York while his father was a foreign correspondent for a Sarajevo newspaper and Montreal as a teen and then Yugoslavia where he studied theatre at the Belgrade Academy/Faculty of Dramatic Arts. He was the Artistic Director of the National Theatre, Belgrade, Aleksandar Lukac and directed over a hundred professional productions internationally including Yugoslavia, Holland, Canada and Serbia. Currently, he is teaching students from around the world over zoom, and he shares his observations and experiences of teaching theatre during a pandemic and exploring the ludicrousness of this collective moment.

  continue reading

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