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510 – The Frame Up Job
Manage episode 176957547 series 1420257
Treść dostarczona przez Leverage 10 podcast mirror. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Leverage 10 podcast mirror lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
To answer all your questions in the last podcast of the summer season, co-creators and executive producers John Rogers and Chris Downey are joined by story editor Jeremy Bernstein, who also co-wrote this episode — along with co-producer Geoffrey Thorne.
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Manage episode 176957547 series 1420257
Treść dostarczona przez Leverage 10 podcast mirror. Cała zawartość podcastów, w tym odcinki, grafika i opisy podcastów, jest przesyłana i udostępniana bezpośrednio przez Leverage 10 podcast mirror lub jego partnera na platformie podcastów. Jeśli uważasz, że ktoś wykorzystuje Twoje dzieło chronione prawem autorskim bez Twojej zgody, możesz postępować zgodnie z procedurą opisaną tutaj https://pl.player.fm/legal.
To answer all your questions in the last podcast of the summer season, co-creators and executive producers John Rogers and Chris Downey are joined by story editor Jeremy Bernstein, who also co-wrote this episode — along with co-producer Geoffrey Thorne.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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